The Big Lebowski
- 1998
- Tous publics
- 1h 57min
Le Duc Lebowski, pris pour un millionnaire répondant également au nom de Lebowski, cherche à obtenir la restitution de son tapis détruit et demande à ses amis de jouer au bowling.Le Duc Lebowski, pris pour un millionnaire répondant également au nom de Lebowski, cherche à obtenir la restitution de son tapis détruit et demande à ses amis de jouer au bowling.Le Duc Lebowski, pris pour un millionnaire répondant également au nom de Lebowski, cherche à obtenir la restitution de son tapis détruit et demande à ses amis de jouer au bowling.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 5 victoires et 18 nominations au total
Terrence Burton
- Maude's Thug #2
- (as Terrance Burton)
Résumé
Reviewers say 'The Big Lebowski' is acclaimed for its unique mix of comedy, drama, and noir, offering a memorable experience. Its unconventional plot and quirky characters contribute to its cult status. Themes of absurdity, fate, and identity are explored through 'The Dude'. The witty dialogue and performances by Jeff Bridges, John Goodman, and Steve Buscemi are highlighted. The soundtrack and cinematography enhance the atmosphere, though its unconventional style may polarize viewers.
Avis à la une
It's a travesty that most critics only read The Big Lebowski at its most superficial level and called it a modern take on a Raymond Chandler potboiler. I simply can't begin to perceive how one could sit down in front of this cinematic pop-poetry, as it plates gold on the silver screen, and not feel so incredibly alive. The dream sequence Busbee Berkley musical numbers are unique and awe-inspiring; the humor is rich, subtle, and clever in the way it satirizes politically correct arrogance; the free-flowing story avoids (even pokes fun at) nonessentials like plot points and pay-offs. But what really makes this film such a masterpiece, such a panacea, is the incredible humanism, the care that the Coen brothers put in developing The Dude (Jeff Bridges), Walter (John Goodman), Donnie (Steve Buscemi-tremendously endearing), and Brandt (magnificently played by Phillip Seymour Hoffman). Looking at the films use of Sam Elliott to play The Stranger, who constantly rambles about the many wonders of The Dude (among other things), it is clear that the film is an ode to a Dudist way of life. And in a time where so many film promise that they have the answer to the worlds problems and end up as slick, stylistic show-off films, what more could one ask for than a good-hearted film like this? Not to mention the performance by Jeff Bridges, which ranks among the best performances of the nineties; he has a relaxed slouch, a goofy smile, an enthusiastic dance, and his buttons can only be pushed by Walter, who John Goodman plays with charm and fury. The Coen brothers have always been considered 'cold' filmmakers, but there is nothing here but warmth and humanity (as is the case with the Coens' Fargo). What we have here is one of the greatest achievements in modern cinema and if you can't see that, grab a White Russian, hit the bowling ally, and find your inner-Dude as soon as possible.
My Rating : 9/10
You either hate it or love it. I am in love with 'The Big Lebowski'! I love most of the Coen Brothers' work and this one is right up there with Fargo and No Country For Old Men. It's super funny and can be watched again and again. I think I watch it once a year and always have a great time.
One that I highly recommend. Go watch it! And then watch it again and again.
AN AWESOME CULT FILM.
You either hate it or love it. I am in love with 'The Big Lebowski'! I love most of the Coen Brothers' work and this one is right up there with Fargo and No Country For Old Men. It's super funny and can be watched again and again. I think I watch it once a year and always have a great time.
One that I highly recommend. Go watch it! And then watch it again and again.
AN AWESOME CULT FILM.
10OttoVonB
Those Coen brothers have an ear for language. You feel it in the sing-songy banalities of Fargo, and in the noiresque machine-gun dialogue of Miller's Crossing, but neither of these can prepare you for the feast for the ears that is The Big Lebowski.
Channeling the opaque mysteries of Raymond Chandler, the Coens throw LA resident bum and Bowling aficionado Jeff Lebowski ("The Dude" to his friends) into a strange triple-crossing case of kidnapping, ransoms, nihilists and urinated-upon rugs. It is the equivalent of throwing unrelenting forces at an immovable object, the Dude's bemused stoicism at constant odds with the world around him. He'd much rather be bowling with crazed Vietnam Vet Walter (John Goodman) and pure silent soul Donnie (Steve Buscemi).
As with so much of the Coens' output, style is more than half the point: not just visual, though ace DP Roger Deakins paints an alluring canvas, but tonal and auditory. This is an insanely funny head-trip of a movie, with wonderfully idiosyncratic characters, down to the smallest part. Who better than the Coens to reinvent the comedy of errors?
This is without a doubt one of their very best, a personal favorite, an unmissable film and the kind of experience that will plant an indelible smile on your face. Do yourself and see this now, if you haven't already.
Channeling the opaque mysteries of Raymond Chandler, the Coens throw LA resident bum and Bowling aficionado Jeff Lebowski ("The Dude" to his friends) into a strange triple-crossing case of kidnapping, ransoms, nihilists and urinated-upon rugs. It is the equivalent of throwing unrelenting forces at an immovable object, the Dude's bemused stoicism at constant odds with the world around him. He'd much rather be bowling with crazed Vietnam Vet Walter (John Goodman) and pure silent soul Donnie (Steve Buscemi).
As with so much of the Coens' output, style is more than half the point: not just visual, though ace DP Roger Deakins paints an alluring canvas, but tonal and auditory. This is an insanely funny head-trip of a movie, with wonderfully idiosyncratic characters, down to the smallest part. Who better than the Coens to reinvent the comedy of errors?
This is without a doubt one of their very best, a personal favorite, an unmissable film and the kind of experience that will plant an indelible smile on your face. Do yourself and see this now, if you haven't already.
The Dude, aka Jeff Lebowski, is mistaken for a shady, millionaire businessman with the same name, a gang of thugs, searching for money, smash his place up and steal his rug. The Dude is given the chance to seek out those men.
What a hilarious movie this is, from start to finish it's sheer brilliance, it doesn't matter how many times I watch it, I never tire of it, talk about a film you can watch over and over.
It's genuinely funny, and with plenty of mixed humour, some of it's smart, some of its slapstick, some of it's a little surreal, overall, it just works. I'm not sure the story is anything new or complex, but that idea of two people with the same unusual name being linked by a crime, it works.
The scene with Larry and the car is probably my favourite from the whole movie, talk about hilarious, that poor car.
Jeff Bridges has put in some marvellous performances over the years, for me though, this is the best, he just nails it, he's hilarious.
John Goodman is great, he steals many of the scenes, Julianne Moore is terrific, not sure if I prefer the accent or hairstyle, she's so good.
Perfect music throughout, seeing this you'll want to download The Gypsy Kings. You'll want to sip a White Russian at the same time.
A Joy!!
9/10.
What a hilarious movie this is, from start to finish it's sheer brilliance, it doesn't matter how many times I watch it, I never tire of it, talk about a film you can watch over and over.
It's genuinely funny, and with plenty of mixed humour, some of it's smart, some of its slapstick, some of it's a little surreal, overall, it just works. I'm not sure the story is anything new or complex, but that idea of two people with the same unusual name being linked by a crime, it works.
The scene with Larry and the car is probably my favourite from the whole movie, talk about hilarious, that poor car.
Jeff Bridges has put in some marvellous performances over the years, for me though, this is the best, he just nails it, he's hilarious.
John Goodman is great, he steals many of the scenes, Julianne Moore is terrific, not sure if I prefer the accent or hairstyle, she's so good.
Perfect music throughout, seeing this you'll want to download The Gypsy Kings. You'll want to sip a White Russian at the same time.
A Joy!!
9/10.
The Coen brothers are up there with my very favorite filmmakers (Scorsese, Kubrick, Carpenter). I am very fond of their work. Throughout their irreverent career, they have explored different subjects and themes. Their best stories evolve from kidnapping schemes in films like "Raising Arizona " and "Fargo", one of my very favorites. I thought that film was fervently free. I was so ever wrong. It's as if the Coen Brothers have celebrated their complete breakthrough success (Academy Award winners), and now are willing to do whatever they please. "The Big Lebowski" is a film so meandering, so wonderfully novel, that I found myself missing the many other sporadic jokes as I was heaving from laughter. The film is basically about mistaken identity, eccentric characters, and a soiled rug. This film extols the bowler, the allies, even the pins. We experience an actual bowling ball POV, as the Dude (Jeff Bridges) hallucinates. This film has nihilists, feminists, millionares, paedophiles, drugged out hippies, underachieving students, incompetent criminals, pornographers and 'Nam veterans. This movie is open to anything , anything... Some people are turned off by absurd looniness, because it's so grandiosely different. Yet who couldn't chuckle, if not explode, when a bowler dressed in a tight purple suit licks a bowling ball's finger hole, and the camera pans down to reveal his name as Jesus! I will disclose no more, but urgently recommend you to traverse to your nearest video abode and rent this true escapists' feature. Abandon all solemn inhibitons, though! One can not keep a straight face whilst watching.
Le saviez-vous
- AnecdotesIn an interview with Rolling Stone Magazine, John Goodman stated that The Dude referring to The Big Lebowski as a "human paraquat" was one of the only improvised lines to make it into the final film. Virtually every other line, including every "man" and "dude," was scripted.
- GaffesWhen the Dude is at Jackie Treehorn's and he rubs the pad of paper with a pencil revealing Treehorn's drawing of a naked man, the Dude tears the page off the pad and quickly crumples and shoves the paper into his pocket. Later, while in the office of the Malibu Chief of Police, the Chief goes through the Dude's wallet and the same piece of paper is neatly folded in the wallet with no sign of the previous crumpling.
- Citations
Walter Sobchak: Nihilists! Fuck me. I mean, say what you want about the tenets of National Socialism, Dude, at least it's an ethos.
- Crédits fousBaby Wranglers: Howls/Giggles/Marmots
- Versions alternativesThe version which premiered on USA Network in September, 2000 has been severely cut (aside from the usual edits for content). Among the story lines excised are virtually all the scenes involving Jesus Quintana (John Turturro), the private eye from Minnesota (Jon Polito) looking for Bunny Lebowski and the scene where Maud is trying to conceive The Dude's child.
- ConnexionsEdited into The Making of 'The Big Lebowski' (1998)
- Bandes originalesTumbling Tumbleweeds
Written by Bob Nolan
Performed by Sons of the Pioneers
Published by Williamson Music Company / Music of the West c/o The Songwriters Guild of America (ASCAP)
Courtesy of the RCA Records Label of BMG Entertainment
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Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- El gran Lebowski: Identidad peligrosa
- Lieux de tournage
- South Pasadena, Californie, États-Unis(opening sequence at grocery store)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 15 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 19 488 923 $US
- Week-end de sortie aux États-Unis et au Canada
- 5 533 844 $US
- 8 mars 1998
- Montant brut mondial
- 48 261 691 $US
- Durée
- 1h 57min(117 min)
- Mixage
- Rapport de forme
- 1.85 : 1
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