The Big Lebowski

More than 20 years it took me to have a look at this cult classic. Finally did it and I do undestand the fuss about it.

Not a flick for everybody that I can tell because a lot of talking is done but it's the talking that starts to get funny after a while. In fact, a bunch of loser trying to solve a abduction and trying to hold the money for themselves goes terribly wrong.

After a while you even want the talking to go on and on. And some art flick here and there it was indeed a hell of a ride, funny, stupid but genious in its kind.

Gore 0/5 Nudity 1/5 Effects 3/5 Story 4/5 comedy 2/5.

My favourite Coen brothers movie changes over the years as I watch and rewatch their amazingly original and consistently surprising oeuvre. When I first saw 'The Big Lebowski' on its original release I enjoyed it but thought it was a bit of a slight "fun" movie with less depth than many of their previous works. Now, a few years and several viewing later, I have come to realise just how accomplished a movie it is, and it has become one of my all time favourite movies. Other film makers have attempted to weave together various genres, styles and images in a similarly eclectic, postmodern fashion, but few do it as seamlessly and with such wit as Ethan and Joel Coen. 'The Big Lewboski' is an extremely smart film, but it doesn't shout "look at me! Aren't I clever?". It sucks you in from the get go, and bottom line it is FUNNY, and as it is a comedy that's what counts the most! Everything about the movie is perfect, the script, the direction, set design, costumes, and the wonderful soundtrack (one of the most brilliant ever assembled, it includes lesser known Dylan and Elvis Costello numbers, Creedence classics, and songs from cult favourites like Yma Sumac, Captain Beefheart, Moondog, Esquivel and garage gods The Monks). Plus of course the actors, who are well cast and virtually flawless. Jeff Bridges ('Fat City', 'Starman') IS The Dude, and it's impossible to think of anyone else acting the role. Coen regulars John Goodman, Steve Buscemi, John Turturro, Peter Stomare, and Jon Polito are all on board, as well as Julianne Moore ('Boogie Nights'), David Huddleston ('Capricorn One'), Philip Seymour Hoffman ('Magnolia') and Sam Elliot ('Mask'), even surprise cameos from Ben Gazzara ('The Killing Of A Chinese Bookie') and singer Jimmie Ray Gilmore. I can't fault 'The Big Lebowski', it is one of the most original and entertaining comedies ever made and a genuine modern classic. It's movies like this that keep me watching despite the endless mountain of mindless garbage that Hollywood continually spews out. If only every movie in the box office Top Ten was as inspired and amusing as this one!

The Big Lebowski is the type of movie that is so funny, and so clever, you want nothing more but to meet the Coen brothers, congratulate them personally for their unique talent, and get inside their heads and find out what makes these two geniuses "tick". The main characters are Jeff Bridges (who plays such broad roles like The Muse, The Contender, and Sea Biscuit), John Goodman (who should have won an oscar for best supporting actor for his character, Walter Sobchak)Juliane Moore (Maude Lebowski)and Steve Buscemi (who is unique in every Coen Brother movie).

The first time I saw this movie, I will admit that I enjoyed it, but did not fully appreciate its level of humor and raw talent. I thought the middle section was a bit too depressing and long. But trust me, this is a movie that gets more funny every time you see it, even if it's your thousandth time seeing it. Its level of comedy, action, brutality, and vulgarity become that much more evident and important.

The characters are brilliantly written by the coen brothers, and, likewise, are brilliantly portrayed by the actors. The Big Lebowski is like no other film. It will make you laugh and it will make you cry. There is no other film such as TBL that is sharp and witty all the way through. One of the Joel and Ethan Coen's best, and one of the movie industry's best comedic film of all time. You want to go see this flick.

The Coen brothers are up there with my very favorite filmmakers (Scorsese, Kubrick, Carpenter). I am very fond of their work. Throughout their irreverent career, they have explored different subjects and themes. Their best stories evolve from kidnapping schemes in films like "Raising Arizona " and "Fargo", one of my very favorites. I thought that film was fervently free. I was so ever wrong. It's as if the Coen Brothers have celebrated their complete breakthrough success (Academy Award winners), and now are willing to do whatever they please. "The Big Lebowski" is a film so meandering, so wonderfully novel, that I found myself missing the many other sporadic jokes as I was heaving from laughter. The film is basically about mistaken identity, eccentric characters, and a soiled rug. This film extols the bowler, the allies, even the pins. We experience an actual bowling ball POV, as the Dude (Jeff Bridges) hallucinates. This film has nihilists, feminists, millionares, paedophiles, drugged out hippies, underachieving students, incompetent criminals, pornographers and 'Nam veterans. This movie is open to anything , anything... Some people are turned off by absurd looniness, because it's so grandiosely different. Yet who couldn't chuckle, if not explode, when a bowler dressed in a tight purple suit licks a bowling ball's finger hole, and the camera pans down to reveal his name as Jesus! I will disclose no more, but urgently recommend you to traverse to your nearest video abode and rent this true escapists' feature. Abandon all solemn inhibitons, though! One can not keep a straight face whilst watching.

Those Coen brothers have an ear for language. You feel it in the sing-songy banalities of Fargo, and in the noiresque machine-gun dialogue of Miller's Crossing, but neither of these can prepare you for the feast for the ears that is The Big Lebowski.

Channeling the opaque mysteries of Raymond Chandler, the Coens throw LA resident bum and Bowling aficionado Jeff Lebowski ("The Dude" to his friends) into a strange triple-crossing case of kidnapping, ransoms, nihilists and urinated-upon rugs. It is the equivalent of throwing unrelenting forces at an immovable object, the Dude's bemused stoicism at constant odds with the world around him. He'd much rather be bowling with crazed Vietnam Vet Walter (John Goodman) and pure silent soul Donnie (Steve Buscemi).

As with so much of the Coens' output, style is more than half the point: not just visual, though ace DP Roger Deakins paints an alluring canvas, but tonal and auditory. This is an insanely funny head-trip of a movie, with wonderfully idiosyncratic characters, down to the smallest part. Who better than the Coens to reinvent the comedy of errors?

This is without a doubt one of their very best, a personal favorite, an unmissable film and the kind of experience that will plant an indelible smile on your face. Do yourself and see this now, if you haven't already.