Une équipe de tournage du "National Geographic" est prise en otage par un chasseur fou, qui les oblige à le suivre dans sa quête pour capturer le plus grand et le plus meurtrier des serpents... Tout lireUne équipe de tournage du "National Geographic" est prise en otage par un chasseur fou, qui les oblige à le suivre dans sa quête pour capturer le plus grand et le plus meurtrier des serpents au monde.Une équipe de tournage du "National Geographic" est prise en otage par un chasseur fou, qui les oblige à le suivre dans sa quête pour capturer le plus grand et le plus meurtrier des serpents au monde.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 6 victoires et 11 nominations au total
Résumé
Reviewers say 'Anaconda' is often criticized for its clichéd plot, weak special effects, and inconsistent acting, with many finding its reliance on familiar monster movie tropes tiresome. Jon Voight's over-the-top performance is both a redeeming feature and a source of ridicule. While the film's atmosphere and tension are occasionally praised, these moments are overshadowed by its numerous flaws. Some appreciate it as a guilty pleasure or a fun, campy watch, while others find it disappointing and forgettable. Despite its commercial success, it receives generally negative critical reception.
Avis à la une
I read a lot of the review on this 23 year old flick. It's not as bad as people are saying. It is a well made finely acted unbelievable adventure flick. Anyone that expected this to be an Oscar award winning movie are delusional. I mean really, it's Jay Lo, Ice Cube
, Voight, and Owen. It's mindless entertainment and nothing else. Enjoy.
This stirring picture concerns about a documentary film crew from National Geographic constituted by a motley group: Jennifer Lopez Ice Cube, Eric Stolz, Jonathan Hyde, Owen Wilson, Kari Wuhrer traveling the Amazon river looking for a legendary Indian tribe and guided by Jon Voigh, playing a nutty, snake-obsessed hunter.But a great creature terrorizing the river, it turns to be a very large Anaconda with more 50-foot long. Meanwhile the bunch relationship each other till appearance the enormous snake. A poisonous and giant snake,attack at random and slither down the river, forest, jungle and slither around the boat ready to attack anyone on its path.
The picture provides stirring and exciting amusement with hair-raising chills and creepy scares. The Anacandas, themselves , of course, are the real star stars and they are astounding terrifyingly and almost totally convincing.The snakes are made by animatronics and computer generator, as usual. Middling performances though the players reacting appropriately to becoming snake food. Rather sympathetic and exaggerated acting by Jon Voight as crazy and nasty snakes hunter. The picture displays atmospheric music score by Randy Edelman and colorful cinematography by Bill Butler, cameraman of ¨Jaws¨film. The movie is professionally directed by Luis Llosa, an expert action movies director (The sniper, The specialist) and habitual shooting on river Amazonas(Fire on the Amazon, eight hundred leagues down the Amazon). It's followed by inferior sequel : The hunt for the blood orchid(2004) by Dwight H. Little and created an authentic exploitation snakes sub-genre, such as : ¨Python I and II, Boa, Rattler, King Cobra , among others.
The picture provides stirring and exciting amusement with hair-raising chills and creepy scares. The Anacandas, themselves , of course, are the real star stars and they are astounding terrifyingly and almost totally convincing.The snakes are made by animatronics and computer generator, as usual. Middling performances though the players reacting appropriately to becoming snake food. Rather sympathetic and exaggerated acting by Jon Voight as crazy and nasty snakes hunter. The picture displays atmospheric music score by Randy Edelman and colorful cinematography by Bill Butler, cameraman of ¨Jaws¨film. The movie is professionally directed by Luis Llosa, an expert action movies director (The sniper, The specialist) and habitual shooting on river Amazonas(Fire on the Amazon, eight hundred leagues down the Amazon). It's followed by inferior sequel : The hunt for the blood orchid(2004) by Dwight H. Little and created an authentic exploitation snakes sub-genre, such as : ¨Python I and II, Boa, Rattler, King Cobra , among others.
A guilty pleasure that's still fun & amusing, Anaconda was one of those famous B-movies that used to air a lot on TV when I was a kid and whenever I caught a glimpse of it while switching channels, I'd usually end up staying till the end. Creature feature was my go-to genre while growing up and this, along with Jurassic Park & Godzilla, were amongst my favorites.
Looking back today, it is difficult to ignore the multitudes of issues that plague this flick but back then, things like direction, screenplay, acting, plot structure, character arcs or themes etc didn't mean a thing to me. The only stuff that mattered was whether I'll be entertained or not. It was the only factor that decided the fate of any movie in my book. And in many ways, it still does.
Set in the Amazon jungles, the story of Anaconda follows a documentary film crew that comes across a stranded snake hunter and allow him to get on board. The atmosphere changes soon as the crew finds itself uncomfortable around the new guy who, after a series of tragedies, takes command of the boat & the crew and makes them help him in his quest to capture the world's largest & deadliest snake.
Directed by Luis Llosa, the first act is dull and it is only after the titular serpent surfaces that things get interesting. The script serves the bare serviceable minimum for a horror flick, dialogues are corny, characters are bland but its skillful camera-work & clever angles, in addition to its isolated setting, help in retaining an aura of suspense and is effective in bits n pieces.
The visual effects appear dated but it's still impressive in a few places. Everything about the anaconda is exaggerated to ridiculous proportions yet it adds to the fun & its campy tone. The film features a number of people who later went on to make a name for themselves in the Hollywood industry but it's Jon Voight who steals the show with his crazy, sinister & over-the-top rendition of the snake hunter.
On an overall scale, Anaconda exhibits all the ingredients that are responsible for bringing a film down yet it manages to stay afloat for the majority of its runtime. There are a few hiccups along the way but the ride is enjoyable for the most part and in the end, it is more satisfying & entertaining than other similar examples. An adventure that's not devoid of thrills & a horror that packs some good chills, Anaconda is well-deserving of its cult status. Worth a shot.
Looking back today, it is difficult to ignore the multitudes of issues that plague this flick but back then, things like direction, screenplay, acting, plot structure, character arcs or themes etc didn't mean a thing to me. The only stuff that mattered was whether I'll be entertained or not. It was the only factor that decided the fate of any movie in my book. And in many ways, it still does.
Set in the Amazon jungles, the story of Anaconda follows a documentary film crew that comes across a stranded snake hunter and allow him to get on board. The atmosphere changes soon as the crew finds itself uncomfortable around the new guy who, after a series of tragedies, takes command of the boat & the crew and makes them help him in his quest to capture the world's largest & deadliest snake.
Directed by Luis Llosa, the first act is dull and it is only after the titular serpent surfaces that things get interesting. The script serves the bare serviceable minimum for a horror flick, dialogues are corny, characters are bland but its skillful camera-work & clever angles, in addition to its isolated setting, help in retaining an aura of suspense and is effective in bits n pieces.
The visual effects appear dated but it's still impressive in a few places. Everything about the anaconda is exaggerated to ridiculous proportions yet it adds to the fun & its campy tone. The film features a number of people who later went on to make a name for themselves in the Hollywood industry but it's Jon Voight who steals the show with his crazy, sinister & over-the-top rendition of the snake hunter.
On an overall scale, Anaconda exhibits all the ingredients that are responsible for bringing a film down yet it manages to stay afloat for the majority of its runtime. There are a few hiccups along the way but the ride is enjoyable for the most part and in the end, it is more satisfying & entertaining than other similar examples. An adventure that's not devoid of thrills & a horror that packs some good chills, Anaconda is well-deserving of its cult status. Worth a shot.
This is not as bad as some people say it is. Generally, it's pretty formulaic, but there are a few alterations on the monster movie format.
A crew making a documentary set sail down a tropical river, on their way losing their fuel and, you guessed it, bumping into a big snake. There are all the usual characters here: beautiful girl, villain, posh English bloke (there's always one!), working-class hero, etc. They gradually get picked off one-by-one - although guessing the next "victim" is so easy, it takes the fun out of it all.
There are a few oddities in the consistency of the plot. Most of the killing happen in the second half of the film with the first half devoted to boring sub-plots. Curiously, the customary "introduction shock" is not a snake death, but a suicide. We never really find out why this has happened - after all, there is still a lot of Jennifer Lopez to be shown - and this, I think, is one of the main problems with the film. Story lines are attempted but never completed and so the audience will never gain true satisfaction from the film.
Another interesting factor is Terri's boyfriend and his contribution to the story line. During a dive, he gets bitten and the crew manage to recover him. They save his life but he is still unconscious and remains so throughout most of the movie.
However, the weakest character of all is the snake. Sure, it's pretty ugly, but it will never be truly terrifying as the director doesn't play on our sense of fear. We may be surprised when the snake attacks but never truly shocked.
As I said before, this isn't too bad a movie (I've seen worse) - there are some moments of tension, the actors do their jobs and the special effects are far from laughable. You might want to watch this if it's shown of TV, but I wouldn't pay money to see it.
A crew making a documentary set sail down a tropical river, on their way losing their fuel and, you guessed it, bumping into a big snake. There are all the usual characters here: beautiful girl, villain, posh English bloke (there's always one!), working-class hero, etc. They gradually get picked off one-by-one - although guessing the next "victim" is so easy, it takes the fun out of it all.
There are a few oddities in the consistency of the plot. Most of the killing happen in the second half of the film with the first half devoted to boring sub-plots. Curiously, the customary "introduction shock" is not a snake death, but a suicide. We never really find out why this has happened - after all, there is still a lot of Jennifer Lopez to be shown - and this, I think, is one of the main problems with the film. Story lines are attempted but never completed and so the audience will never gain true satisfaction from the film.
Another interesting factor is Terri's boyfriend and his contribution to the story line. During a dive, he gets bitten and the crew manage to recover him. They save his life but he is still unconscious and remains so throughout most of the movie.
However, the weakest character of all is the snake. Sure, it's pretty ugly, but it will never be truly terrifying as the director doesn't play on our sense of fear. We may be surprised when the snake attacks but never truly shocked.
As I said before, this isn't too bad a movie (I've seen worse) - there are some moments of tension, the actors do their jobs and the special effects are far from laughable. You might want to watch this if it's shown of TV, but I wouldn't pay money to see it.
This underrated monster movie came out around the same time as THE RELIC and both films got poor reviews. I happened to see this at the cinema back in '97 and I remember being distinctly underwhelmed by the film. After catching it on television again last night, my opinion has radically changed. While it may be a cheesy film with bad acting and poor special effects, the makers of this film obviously have an affection for B movies and, as one reviewer on the IMDb noted, there is definitely an old-fashioned feel to it, it's a bit like a '50s giant monster movie updated to the present day. On retrospect, I enjoyed this far more than the disappointing and hugely generic film that was THE RELIC, and after watching many of the recent so-called "horror" films on release, I've come to appreciate this for what it is : a fun, shallow and fast-paced little film that delivers the goods on the gore front.
While it's not a particularly bloody film, many of the deaths by snake are gooey and gruesome in the extreme. We watch the victims as they get slowly crushed and their bones break out, and then watch as their blubbery bodies are digested by the snake. In the film's big moment, Jon Voight is eaten, only to be regurgitated as a half-eaten mess moments later. Just when you thought it couldn't get any better, his corpse winks! The plot is a typically contrived and generic one, but as I mentioned it's fast paced so you don't have time to dwell on the holes. The acting is pretty bad, but again that's typical for a film of this variety - what's not typical is that most of the actors here are famous, or have become famous since.
Jennifer Lopez takes the lead and frankly I can't see what all the fuss is about, to me she's unattractive and a bad actress to boot. Joining her are Eric Stoltz in a nothing role, and he spends most of the film in a coma after eating a deadly wasp (strangely, though, he doesn't die!). Ice Cube is the likable, gruff and unlikely hero, a feat he pulled off again in '99s THREE KINGS. Jonathan Hyde plays an Englishman in a role that borders on the offensively stereotypical - if we British aren't depicted as bad guys, then must we all have stupid accents and be figures of ridicule with our silly "stiff upper lip" type characters? Bad acting awards go to Jon Voight for his supremely hammy portrayal of the film's villain, a lip-curling, eye-winking performance which I found to be hilarious - he's great, having a laugh, and miles away from the boringly serious characters he played in films like Deliverance. A pre-stardom Owen Wilson is pretty bland, and Kari Wuhrer is all glamour and no intelligence. Eagle-eyed viewers may spot FROM DUSK TILL DAWN's vampire bartender Danny Trejo as a snake victim whose suicide kicks the film off.
Now, for the special effects, which are a mixture of CGI and animatronics. The animatronics are great, and very lifelike. The CGI is not so, but at least it looks pretty as we watch the snake swirl through the air and stuff. I've seen a lot worse in more recent films, and at least you can see the effort that's gone into this creation to try and make it look as spectacular as possible. Speaking of spectacular, there is the requisite explosive finale which manages to be quite exciting as things go. ANACONDA is, to me, a welcome monster movie from a time when most horror films were slashers squarely aimed at a teenage audience. Thankfully, this film has no teenagers and no masked killers. That, the fun monster and the change of location (an authentic-looking Amazon jungle) make this one to watch again and again for me.
While it's not a particularly bloody film, many of the deaths by snake are gooey and gruesome in the extreme. We watch the victims as they get slowly crushed and their bones break out, and then watch as their blubbery bodies are digested by the snake. In the film's big moment, Jon Voight is eaten, only to be regurgitated as a half-eaten mess moments later. Just when you thought it couldn't get any better, his corpse winks! The plot is a typically contrived and generic one, but as I mentioned it's fast paced so you don't have time to dwell on the holes. The acting is pretty bad, but again that's typical for a film of this variety - what's not typical is that most of the actors here are famous, or have become famous since.
Jennifer Lopez takes the lead and frankly I can't see what all the fuss is about, to me she's unattractive and a bad actress to boot. Joining her are Eric Stoltz in a nothing role, and he spends most of the film in a coma after eating a deadly wasp (strangely, though, he doesn't die!). Ice Cube is the likable, gruff and unlikely hero, a feat he pulled off again in '99s THREE KINGS. Jonathan Hyde plays an Englishman in a role that borders on the offensively stereotypical - if we British aren't depicted as bad guys, then must we all have stupid accents and be figures of ridicule with our silly "stiff upper lip" type characters? Bad acting awards go to Jon Voight for his supremely hammy portrayal of the film's villain, a lip-curling, eye-winking performance which I found to be hilarious - he's great, having a laugh, and miles away from the boringly serious characters he played in films like Deliverance. A pre-stardom Owen Wilson is pretty bland, and Kari Wuhrer is all glamour and no intelligence. Eagle-eyed viewers may spot FROM DUSK TILL DAWN's vampire bartender Danny Trejo as a snake victim whose suicide kicks the film off.
Now, for the special effects, which are a mixture of CGI and animatronics. The animatronics are great, and very lifelike. The CGI is not so, but at least it looks pretty as we watch the snake swirl through the air and stuff. I've seen a lot worse in more recent films, and at least you can see the effort that's gone into this creation to try and make it look as spectacular as possible. Speaking of spectacular, there is the requisite explosive finale which manages to be quite exciting as things go. ANACONDA is, to me, a welcome monster movie from a time when most horror films were slashers squarely aimed at a teenage audience. Thankfully, this film has no teenagers and no masked killers. That, the fun monster and the change of location (an authentic-looking Amazon jungle) make this one to watch again and again for me.
Le saviez-vous
- AnecdotesDuring the filming of one scene, the controls for the animatronic anaconda shorted out, causing it to completely lose control. Some of the footage is included in the movie.
- GaffesIt's stated in the movie that anacondas have heat pits. They don't.
- Citations
Paul Serone: Never look in the eyes, of those you kill. They will haunt you forever. I know.
- Versions alternativesThe version shown on the Sci-fi channel has several scenes added, including Westrige complaining about his room, Cale musing that the monkeys are acting like they sense a predator nearby, and a dinner scene where Westrige expresses reservations about Sarone.
- ConnexionsEdited into Gale Force (2002)
- Bandes originalesTipsy Dazy
Written by Stephen Marley
Performed by Ziggy Marley and the Melody Makers
Courtesy of Elektra Entertaiment Group
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- How long is Anaconda?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Anaconda
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 45 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 65 885 767 $US
- Week-end de sortie aux États-Unis et au Canada
- 16 620 887 $US
- 13 avr. 1997
- Montant brut mondial
- 136 885 767 $US
- Durée1 heure 29 minutes
- Couleur
- Rapport de forme
- 2.39 : 1
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What is the streaming release date of Anaconda, le prédateur (1997) in Canada?
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