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Le loup-garou de Paris

Titre original : An American Werewolf in Paris
  • 1997
  • R
  • 1h 38min
NOTE IMDb
5,1/10
28 k
MA NOTE
Le loup-garou de Paris (1997)
An American man unwittingly gets involved with French werewolves who have developed a serum allowing them to transform at will.
Lire trailer1:42
1 Video
99+ photos
Body HorrorDark ComedyDark FantasyWerewolf HorrorComedyFantasyHorrorThriller

Ajouter une intrigue dans votre langueAn American man unwittingly gets involved with French werewolves who have developed a serum allowing them to transform at will.An American man unwittingly gets involved with French werewolves who have developed a serum allowing them to transform at will.An American man unwittingly gets involved with French werewolves who have developed a serum allowing them to transform at will.

  • Réalisation
    • Anthony Waller
  • Scénario
    • John Landis
    • Tim Burns
    • Tom Stern
  • Casting principal
    • Tom Everett Scott
    • Julie Delpy
    • Vince Vieluf
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    5,1/10
    28 k
    MA NOTE
    • Réalisation
      • Anthony Waller
    • Scénario
      • John Landis
      • Tim Burns
      • Tom Stern
    • Casting principal
      • Tom Everett Scott
      • Julie Delpy
      • Vince Vieluf
    • 211avis d'utilisateurs
    • 46avis des critiques
    • 31Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 3 victoires et 2 nominations au total

    Vidéos1

    Official Trailer
    Trailer 1:42
    Official Trailer

    Photos766

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
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    + 758
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    Rôles principaux30

    Modifier
    Tom Everett Scott
    Tom Everett Scott
    • Andy McDermott
    Julie Delpy
    Julie Delpy
    • Serafine Pigot
    Vince Vieluf
    Vince Vieluf
    • Brad
    Phil Buckman
    Phil Buckman
    • Chris
    Julie Bowen
    Julie Bowen
    • Amy Finch
    Pierre Cosso
    Pierre Cosso
    • Claude
    Thierry Lhermitte
    Thierry Lhermitte
    • Dr. Thierry Pigot
    Tom Novembre
    • Inspector LeDuc
    Maria Machado
    Maria Machado
    • Chief Bonnet
    Ben Salem Bouabdallah
    • Detective Ben Bou
    Serge Basso
    • Officer with Flashlight
    Charles Maquignon
    Charles Maquignon
    • Bouncer
    Jochen Schneider
    • Lycanthrope
    Alan McKenna
    Alan McKenna
    • Lycanthrope
    Hervé Sogne
    • Lycanthrope
    Edgar Kohn
    • Lycanthrope
    Jean-Claude Deret
    • Professor Martin
    Isabelle Constantini
    • Serafine's Mom (Alex Price-Pigot)
    • Réalisation
      • Anthony Waller
    • Scénario
      • John Landis
      • Tim Burns
      • Tom Stern
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs211

    5,128.3K
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    10

    Avis à la une

    panamajaq04

    A genuinely hilarious horror film.

    "An American Werewolf in Paris" is an excellent horror-comedy, in the great tradition of "The Lost Boys" and "Fright Night". I see that a lot of people dislike this movie. These are obviously hardcore horror fans who wanted to see something dark and gothic; but instead got something blackly humorous and were not amused by it. I admit, "An American Werewolf in Paris" is not really scary, but neither are "The Lost Boys" and "Fright Night," and those two movies seem to be highly regarded by horror fans. I don't understand why everyone hates this one so much. If you are a fan of horror-comedies, or if you have a morbid sense of humor, this is definitely for you. I think it's great: nine out of ten stars (On a one star DVD, I should say. It would have been nice to have some extra features besides the trailer.)
    bob the moo

    Not a sequel – more a cash-in title

    When a trio of American teens travel to Paris for a daredevil challenge they decide to bungee jump off the Eiffel Tower. During the jump Andy manages to save the life of a girl attempting suicide. However when he later tries to find her again he finds that she has something to hide. When he and his friends attend a party held by friends for hers they find they are trapped by werewolves. Andy gets bitten and becomes part of a world he wants no part of.

    This is a belated sequel to the 1980's classic `American Werewolf in London' and indeed it tries very hard to be just like it - the corpse black humour, the dreams within dreams sequences etc. However the story is different as it introduces a wider werewolf conspiracy idea to the plot. It actually works quite well - it's not better than many other creature features but it works OK.

    The main problem with it is that it is very much another teen horror movie - with a stupid rock soundtrack, valley girl style humour and dumb spectacle. It lacks the original's black humour and it isn't anywhere near as tense as `London'. The special effects are totally CGI and they don't work as well as `London's' - it all looks too computerised, and seeing everything takes the scare factor out of it.

    In fairness when you look at it as a stand-alone film it's not so bad even though it doesn't stand out from other teenage horror movies. But a sequel to `London'? - sorry but it's not a great addition to that piece of work. Tom Everett Scott looks like he's stepped out of American Pie into a horror movie! He's OK but he doesn't compare with Dunne all those years ago. Julie Delphy is actually quite good - she doesn't have much of a character but she carries herself well. The other characters are either rough French skinheads or American teens.

    Overall it's entertaining enough - but it pales terribly when compared to the original.
    Bram-5

    better than you expect

    Whaddya want from a B horror flick? This movie is funny and silly and camp -- perfect. It's not as good as the original (duh) but certainly has its charms. I liked the joke about clamato juice. See it, if you're in the mood for a non-threatening, generally interesting, often funny good time.
    BaronBl00d

    Don't Look at it as a Sequel

    As a sequel to An American Werewolf in London, this film is sure to disappoint many. It certainly doesn't have the talent that was involved on that one. No John Landis. No David Naughton. No Jenny Agutter and other more-than-competent actors. No Rick Baker and dazzling, innovative special effects. I could go on...and on. But if one distances themselves from seeing this film as a sequel(and really it is not a sequel at all...it doesn't have any of the same characters from the first film), this film is not that bad on its own. Sure it is relying on your memories of the London film to get fannies in the seats. Yep, it uses the same character TYPES and situations(dead victims talking and being funny comes to mind quickly). Other than that and the fact that werewolves are involved(and a romance of course), I found few other similarities. This film is definitely going for more laughs and takes itself even far less serious than An American Werewolf in London. The leads...Scott and Delpy are pretty good. The rest of the actors are pretty good too, with Julie Bowen as a slutty American and the guy playing Claude particularly good. I also loved all the French police and the gentle humour inherent in every line they said. The script has some genuine scares laced throughout the picture but always comes back to the humour. French werewolves enjoying feasting on Americans was a particular funny storyline. Director Anthony Waller creates a fast-paced film with some excellent sequences interspersed with some sophomoric plot strands. By no means is this a great film, or even a great horror film/spoof, but it is a film that should grab and hold your attention. Make you jump a few times and laugh out loud now and then.
    Li-1

    An enjoyable enough timewaster.

    5.5 out of 10

    Werewolf movies are usually alarmingly bad, even though they should, in theory, make for more interesting villains than vampires, zombies, and slashers. But An American Werewolf in Paris is an exception, sort of. Tom Everett Scott stars as a daredevil who tours Europe with his buddies, performing outrageous stunts. During one particular escapade, he saves the life of a young woman (Julie Delpy) who tries to commite suicide. Thinking she's the girl of his dreams, little does he know what he's getting into.

    Paris tries to be a mixture of different genres: it wants to work as a horror film (to a mild extent), an action/adventure, and as a comedy. Dog Soldiers was definitely far superior at these aspects, but AAWIP's campy approach makes it a decent timewaster. There's not a single boring moment, though a lot of the material is admittedly very silly. Thankfully, none of it's taken very seriously, and some of the humor is actually very funny. Scott and Delpy (who's probably the third most beautiful French actress I've ever seen, behind only Mathilda May and Sophie Marceau) have good chemistry together, even if Scott's performance is a little on and off. The werewolf effects are obviously CGI, but more "serious" effects work would have ruined the campy mood.

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Julie Delpy now admits that the only reason she made the film was to pay her rent.
    • Gaffes
      When Serafine transforms into a werewolf, her knees fold backwards to become the werewolf's hocks (the equivalent to the human ankle) and her upper leg bones bend forwards to become the werewolf's stifles (the equivalent to the human knee). However, humans and wolves have very similar leg structure, so there was no need for any of her joints to change, and she could have become a werewolf with just a lengthening of the bones from her ankles downwards. As it is, she will now have an extra joint in each leg.
    • Citations

      Andy McDermott: So... hey you guy's are werewolves too, huh? Super glad to know you.

      Claude: Andy, I don't think you have accepted the gift that has been given to you, or much less appreciated it. We have a mission, Andy. To purify the world that why we pick our victim's from the scum of society. The governments of the world spend billions on medicine, welfare, charity to what effect? It only keeps alive, the weak, the stupid, the lazy, who breathe and multiply, weakening the human race. All my men I have chosen for their loyalty their dedication to the coming age. But you... you were not to have been. You're an accident, an anomaly. I do not wish to kill you. I pray you will join is in our rise to become the new mankind. Pure free of disease free from the trappings of technological advance, will you join us... Andy?

      Andy McDermott: I don't know. You know that's a big decision. I'm gonna need some time to think about that.

      Claude: Sure.

    • Versions alternatives
      When first released on DVD in Australia, the film featured the werewolf baby ending. Subsequent Australian DVD releases feature the more widely seen Statue of Liberty ending.
    • Connexions
      Edited into An American Werewolf in Paris: Alternate Ending (2017)
    • Bandes originales
      Daphnis and Chloe
      Written by Maurice Ravel

      Performed by Koninklijk Concertgebouworkest (as The Royal Gebouw Concert Orchestra)

      Conducted by Riccardo Chailly (as Ricardo Chailly)

      Courtesy of Decca Record Company Limited/London Records

      By Arrangement with PolyGram Film & TV Licensing

      Under License from Arima Corp. and Editions Durand SA

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    FAQ39

    • How long is An American Werewolf in Paris?Alimenté par Alexa
    • What did Claude say to Jacuqe after he saw Serafine?
    • Why did Claude want to kill everybody at both parties?
    • What is "An American Werewolf in Paris" about?

    Détails

    Modifier
    • Date de sortie
      • 6 mai 1998 (France)
    • Pays d’origine
      • Royaume-Uni
      • Pays-Bas
      • Luxembourg
      • États-Unis
      • France
      • Allemagne
    • Langues
      • Anglais
      • Français
      • Allemand
    • Aussi connu sous le nom de
      • Un hombre lobo americano en París
    • Lieux de tournage
      • Luxembourg, Luxembourg
    • Sociétés de production
      • Hollywood Pictures
      • J&M Entertainment
      • Cometstone Pictures
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 25 000 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 26 570 463 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 7 600 878 $US
      • 28 déc. 1997
    • Montant brut mondial
      • 26 570 463 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 38 minutes
    • Couleur
      • Color
    • Mixage
      • Dolby Digital
    • Rapport de forme
      • 1.85 : 1

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