Glitter
- 2001
- Tous publics
- 1h 44min
NOTE IMDb
2,4/10
24 k
MA NOTE
Ajouter une intrigue dans votre langueA young singer dates a disc jockey who helps her get into the music business, but their relationship becomes complicated as she ascends to super stardom.A young singer dates a disc jockey who helps her get into the music business, but their relationship becomes complicated as she ascends to super stardom.A young singer dates a disc jockey who helps her get into the music business, but their relationship becomes complicated as she ascends to super stardom.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 3 victoires et 10 nominations au total
Damon D'Oliveira
- Movie Producer
- (as Damon D'Olivera)
Avis à la une
Seeing 'Glitter' with an open mind, despite its notoriously awful reputation, it is not quite as horrendous to be down there with the worst films of all time, but the problems 'Glitter' has are plentiful and are significant enough to consider it a very bad film still.
The good news is that Mariah Carey does sound absolutely incredible, always have loved her voice with its beautiful tone, emotional connection and uniquely wide range. Also Terrence Howard is quite good and steals scenes.
However, Carey's enviable skills as a singer does not translate in her skills as an actress, it was really strange that an artist with such a huge vocal range (five octaves!) is the complete antithesis in her very one-note and often expressionless acting here, which is devoid of any joy, surprise, sincerity or emotion. The ability to connect emotionally with her songs also doesn't translate in the acting, she looks stiff and bored throughout here.
Unfortunately, the songs here do nothing for her vocal talents either. She sings them very well indeed, but there are far more memorable and emotionally powerful songs from her out there that also display her unique vocal gifts much more. They're not awful, just bland. The rest of the acting is also poor, with Max Beesley being equally lousy and not sounding sure what accent to pull off, while with the characters Carey's is shallow, one-dimensional and very difficult to relate to (which is a huge dividend considering the type of story it is) and the rest are annoying caricatures, a couple even irrelevant to the story.
Even for a film set in the 80s, 'Glitter' does much less than glitter and looks firmly stuck in the 80s. It looks gaudy and too much of the camera work is too gimmicky and amateurish. The structurally wafer-thin script, with clumsy attempts at being hip, embarrassingly unfunny humour and "poignant" moments that come over as emotionally manipulative, sounds even older than that and like an awkwardly written soap-opera rejected at first draft (and should have stayed there).
'Glitter' has very little story, it's very thin and aimless, and padded by the bland and uninspiredly choreographed songs shot like a series of out of date music videos and subplots that come out of nowhere and go very little further than that (i.e. the reappearance of the cat or the reunion with her mother). It starts tedious and loses even more drive as it plods on, and throughout like Carey's performance there's no joy, no emotion and no substance. The direction is decidedly inept.
Overall, not that horrendous but it is no wonder that Carey herself regrets being involved in this. 2/10 Bethany Cox
The good news is that Mariah Carey does sound absolutely incredible, always have loved her voice with its beautiful tone, emotional connection and uniquely wide range. Also Terrence Howard is quite good and steals scenes.
However, Carey's enviable skills as a singer does not translate in her skills as an actress, it was really strange that an artist with such a huge vocal range (five octaves!) is the complete antithesis in her very one-note and often expressionless acting here, which is devoid of any joy, surprise, sincerity or emotion. The ability to connect emotionally with her songs also doesn't translate in the acting, she looks stiff and bored throughout here.
Unfortunately, the songs here do nothing for her vocal talents either. She sings them very well indeed, but there are far more memorable and emotionally powerful songs from her out there that also display her unique vocal gifts much more. They're not awful, just bland. The rest of the acting is also poor, with Max Beesley being equally lousy and not sounding sure what accent to pull off, while with the characters Carey's is shallow, one-dimensional and very difficult to relate to (which is a huge dividend considering the type of story it is) and the rest are annoying caricatures, a couple even irrelevant to the story.
Even for a film set in the 80s, 'Glitter' does much less than glitter and looks firmly stuck in the 80s. It looks gaudy and too much of the camera work is too gimmicky and amateurish. The structurally wafer-thin script, with clumsy attempts at being hip, embarrassingly unfunny humour and "poignant" moments that come over as emotionally manipulative, sounds even older than that and like an awkwardly written soap-opera rejected at first draft (and should have stayed there).
'Glitter' has very little story, it's very thin and aimless, and padded by the bland and uninspiredly choreographed songs shot like a series of out of date music videos and subplots that come out of nowhere and go very little further than that (i.e. the reappearance of the cat or the reunion with her mother). It starts tedious and loses even more drive as it plods on, and throughout like Carey's performance there's no joy, no emotion and no substance. The direction is decidedly inept.
Overall, not that horrendous but it is no wonder that Carey herself regrets being involved in this. 2/10 Bethany Cox
True, this is no cinematic marvel, but this movie does not deserve to be number 13 of the bottom 100 movies as commented on by IMDB audience. Not even in the bottom 100 at all. I'm a guy, and no big Mariah Carey fan, but this movie is not so bad, ok for any Mariah Carey fan.
In my perverse desire to see every film in the bottom 100, I thought I could not go far wrong with a rental of this classic POS. Mariah Carey's first and so far only feature film is an example of how the combined MPAA and RIAA attempts to shovel garbage at us are starting to backfire. Sales of Mariah's recordings, once one of the highlights of an otherwise dreary RIAA mainstream catalogue, have slumped. It's all because of this film. Don't let the blind Mariah fans fool you - it is just as bad as critics say, and deserving of its bottom 100 status.
Where to begin when pulling apart this cinematic abortion? For me, the first major problem was the cinematography. If the viewer is not clued in on the fact that Vondie Curtis-Hall has only directed television before this film as it starts, the flat, Days-Of-Our-Lives-style shots will soon make it clear enough. Directors who put one or two actors, three tops, in a 2.35:1 frame are a dime a dozen. On the other hand, directors who cannot even differentiate these actors' spacing from the camera truly stand out, and not in a good way.
The story has been described as being syrupy enough to kill anyone who suffers from diabetes (or doesn't), and I am not going to contest that. It's a variation upon the classic rags to riches theme, specifically tailored towards Mariah. Mariah essentially plays herself in the guise of a young vocalist who starts singing backup for a considerably less talented vocalist. As she crosses the paths of more people, eventually said people twig to the fact that she can vocalise with the best of them. One DJ eventually picks her up, manages her through a record deal, and promises her that one day she *will* play in Madison Square Garden, or something along those lines.
This kind of story has been done before, with such real-life examples as the Jacksons providing source material for one excellent miniseries of the theme. The problem here is that we've heard this story a million times before. Another significant problem is that while Mariah has a voice many would kill for, there is absolutely nothing that stands out, even slightly about her material. As an old girlfriend of mine once said, the longer it takes the RIAA to twig to the fact that being female doesn't mandate wanting to hear this formulaic ballad crap, the more business they are going to lose to independents who support bands like Opera IX. I think the fact that Mariah's last album disappeared without trace in spite of having millions of dollars spent on its promotion proves her right.
Mariah's story is also incredibly bland, to say the least. So her junkie mother gave her up when she was young. Oh boo hoo. It happens, and you're probably better off for it, get over it already. The previously-mentioned Jacksons could run rings around the likes of Mariah Carey for sob stories, and their reluctance to deal with the media at large is a telling thing. So in the end, we are simply left with another example of the mainstream trying to seem alternative, and failing.
I gave Glitter a one out of ten. I don't think I am being too harsh. I think it is so amazingly bad that it becomes comedic, at least on the first viewing. I suspect that repeated viewings will simply become boring.
Where to begin when pulling apart this cinematic abortion? For me, the first major problem was the cinematography. If the viewer is not clued in on the fact that Vondie Curtis-Hall has only directed television before this film as it starts, the flat, Days-Of-Our-Lives-style shots will soon make it clear enough. Directors who put one or two actors, three tops, in a 2.35:1 frame are a dime a dozen. On the other hand, directors who cannot even differentiate these actors' spacing from the camera truly stand out, and not in a good way.
The story has been described as being syrupy enough to kill anyone who suffers from diabetes (or doesn't), and I am not going to contest that. It's a variation upon the classic rags to riches theme, specifically tailored towards Mariah. Mariah essentially plays herself in the guise of a young vocalist who starts singing backup for a considerably less talented vocalist. As she crosses the paths of more people, eventually said people twig to the fact that she can vocalise with the best of them. One DJ eventually picks her up, manages her through a record deal, and promises her that one day she *will* play in Madison Square Garden, or something along those lines.
This kind of story has been done before, with such real-life examples as the Jacksons providing source material for one excellent miniseries of the theme. The problem here is that we've heard this story a million times before. Another significant problem is that while Mariah has a voice many would kill for, there is absolutely nothing that stands out, even slightly about her material. As an old girlfriend of mine once said, the longer it takes the RIAA to twig to the fact that being female doesn't mandate wanting to hear this formulaic ballad crap, the more business they are going to lose to independents who support bands like Opera IX. I think the fact that Mariah's last album disappeared without trace in spite of having millions of dollars spent on its promotion proves her right.
Mariah's story is also incredibly bland, to say the least. So her junkie mother gave her up when she was young. Oh boo hoo. It happens, and you're probably better off for it, get over it already. The previously-mentioned Jacksons could run rings around the likes of Mariah Carey for sob stories, and their reluctance to deal with the media at large is a telling thing. So in the end, we are simply left with another example of the mainstream trying to seem alternative, and failing.
I gave Glitter a one out of ten. I don't think I am being too harsh. I think it is so amazingly bad that it becomes comedic, at least on the first viewing. I suspect that repeated viewings will simply become boring.
"Glitter" might have been a camp classic if the story wasn't so dull and downbeat. It's yet another rewrite of "A Star Is Born", here turned into a vehicle for pop star Mariah Carey and apparently patterned after her own rise to the top (audiences weren't fooled, however, by the updated, late-night-movie clichés). Carey's funky/erotic music is driving (and her performance as blazing new talent Billie Frank is adequate), but the script for "Glitter" seems left over from the 1950s. Didn't the writers realize that times have changed and that Billie didn't have to be such a diva-doormat? Actresses of a lot higher caliber than Mariah Carey have fallen into this trap--they just don't want to see themselves on the screen acting bitchy and tough, so they end up playing the simp. "Glitter" features some rich cinematography (nice shots of the Big Apple), but it is too soft to make an impression--even as an unintended comedy. *1/2 from ****
CURIUOSITY! ...Said to Myself Mariah Carey!?!?!? Hmmmm ..... I wonder if she can act???
So ...Can You GUESS??? Probably pretty easy to imagine...HUH!?!? O. K.... Now, take Your Imagination DOWN a few notches... And just MAYBE You have guessed it more or less for what it is! ...Or in this case.... What it is NOT!
Probably MY BAD! Usually, I avoid bad movies like the PLAGUE! Well... The EXCEPTION PROVES the RULE! The very BEST I can say about this FILM?????? Well.... Some of the MUSICAL NUMBERS were.... NOT SO BAD! And ...as is the Case with almost EVERY rather bloated Budget Hollywood production... ALL Those standard PRODUCTION VALUES.... You know... Cimemaphotography, editing, sets, costumes, recording and sound engineering etc..... as expected... were all.... Well.... ACCEPTABLE!
The storyline, however, was utterly inane. Deciding not to submit myself to anymore CRUEL + UNUSUAL Punishment... I just had to pull the plug about 1/2 way thru! SORRY!
Need I say anymore??? O. K.... I thought You would agree!
FYI... This REVIEW has like 700 or 800 Characters! Much more than 150 MINIMUM.... RIGHT!?!?!?
So ...Can You GUESS??? Probably pretty easy to imagine...HUH!?!? O. K.... Now, take Your Imagination DOWN a few notches... And just MAYBE You have guessed it more or less for what it is! ...Or in this case.... What it is NOT!
Probably MY BAD! Usually, I avoid bad movies like the PLAGUE! Well... The EXCEPTION PROVES the RULE! The very BEST I can say about this FILM?????? Well.... Some of the MUSICAL NUMBERS were.... NOT SO BAD! And ...as is the Case with almost EVERY rather bloated Budget Hollywood production... ALL Those standard PRODUCTION VALUES.... You know... Cimemaphotography, editing, sets, costumes, recording and sound engineering etc..... as expected... were all.... Well.... ACCEPTABLE!
The storyline, however, was utterly inane. Deciding not to submit myself to anymore CRUEL + UNUSUAL Punishment... I just had to pull the plug about 1/2 way thru! SORRY!
Need I say anymore??? O. K.... I thought You would agree!
FYI... This REVIEW has like 700 or 800 Characters! Much more than 150 MINIMUM.... RIGHT!?!?!?
Le saviez-vous
- AnecdotesRelease was postponed for three weeks when star Mariah Carey was hospitalized as a result of an "emotional and physical breakdown." In the April 25, 2018 issue of People, Carey revealed that she was diagnosed with bipolar disorder while she was hospitalized.
- GaffesDice mentions to Billie that one of his favorites is Quincy Jones, citing his Grammys and Oscars. This scene takes place in 1983. To that point, Jones had been nominated for seven Academy Awards, but had never won one. And the only award from the Academy that he has ever won to this day was the Jean Hersholt Humanitarian Award which he received in 1994.
- Citations
Video Director: We ask ourselves, is she black? Is she white? We don't care. She's exotic. I want to see more of her breasts.
- Versions alternativesThe American Theatrical Release Features The 20th Century Fox Logo, And On The American Poster The Opening Credits Say "Twentieth Century Fox and Columbia Pictures present", And In The International Theatrical And Worldwide Home Video Releases. The 20th Century Fox Is Plastered By The Columbia Pictures Logo And The Opening Credits Say "Columbia Pictures and Twentieth Century Fox present"
- ConnexionsFeatured in Panic Room with Will Ferrell (2002)
- Bandes originalesLillie's Blue
Written by Mariah Carey, Jimmy Jam and Terry Lewis
Produced by Jimmy Jam & Terry Lewis and Mariah Carey
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- How long is Glitter?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Glitter: El Brillo De Una Estrella
- Lieux de tournage
- World Trade Center, Ville de New York, New York, États-Unis(Billie and her friends shopping on the street in Manhattan)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 22 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 4 274 407 $US
- Week-end de sortie aux États-Unis et au Canada
- 2 414 596 $US
- 23 sept. 2001
- Montant brut mondial
- 5 272 594 $US
- Durée1 heure 44 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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