An Alan Smithee Film
- 1997
- Tous publics
- 1h 26min
Ajouter une intrigue dans votre langueWhen a rookie filmmaker with the unfortunate name Alan Smithee realizes he's an unwitting studio puppet, being forced to make a big-budget action movie he knows is horrible, he steals the ma... Tout lireWhen a rookie filmmaker with the unfortunate name Alan Smithee realizes he's an unwitting studio puppet, being forced to make a big-budget action movie he knows is horrible, he steals the master reels and tries to make a deal.When a rookie filmmaker with the unfortunate name Alan Smithee realizes he's an unwitting studio puppet, being forced to make a big-budget action movie he knows is horrible, he steals the master reels and tries to make a deal.
- Récompenses
- 6 victoires et 8 nominations au total
Avis à la une
And because the cast list looks like a dream collection of funny actors: Jackie Chan, Sylvester Stallone, Whoopi Goldberg, Eric Idle, Ryan O'Neall....
And then this. My friends were right. If there is any humour, I did not get it. The movie tells of film-editor Alan Smithee, who has been given a chance at directing for the first time. An action blockbuster of unseen proportions (and budget). Seeing this movie, I could not help suspecting that it depicts quite accurately what might have happened behind the set of "M:I-2", with a kind director being overrun by his star's and producer's egos.
Unfortunately, the story isn't told linearly, but in flashbacks, and in interviews, and with the trailer for the blockbuster. It wants to be a mockumentary. Like "Bob Roberts".
But it just isn't all that funny. And Eric Idle is wasted, as he only ever gets to run around screaming manically during most of the few scenes he has.
To some it might be a classic. For me it was agonizing....
At its worst, it's just unfunny, not mind-bendingly horrible as some would have you to believe. Certainly if you know nothing about the inner workings of Hollywood you won't understand the references and almost none of it will be funny.
I'm sure there were lots of references I didn't understand -- I get the feeling people working in Hollywood would get more out of this movie than the rest of us. One odd reference is the repeated name of "Michael Ovitz" throughout the movie. It appears in the song "I Wanna Be Michael Ovitz" in the soundtrack, there's a "Paging Dr. Ovitz..." in the background in a hospital, etc. It's not quite clear what writer Eszterhas's feelings toward Ovitz are -- does he hate him or look up to him?
Another thing I don't understand is why director Arthur Hiller felt he had to change his credit to "Alan Smithee", except that it's amusingly appropriate. Looking at the film, I can't imagine that it was changed too radically in the editing, except perhaps the ultra-acidic put-downs on the title cards that introduce new characters.
I hadn't really read the very negative reviews of this film before I watched it and am a little surprised by the strength of feeling from the majority of the critics. Having said that, I can understand why this film is so hammered as it really isn't very good. It started well and I thought it had potential it seemed that people were making fun of themselves and that it would be a good satire on the industry and in particular, studio execs. However after a certain point it doesn't really do very much other than be flabby, repeating, self indulgent and silly. After Alan actually takes his film and seeks refuge with the Brothers Brothers, the film is very messy and not very funny at all. The documentary approach had worked well up till this point but from here it was a strange mix of action and documentary. It gets increasingly silly and increasingly less clever and funny.
It had a few laughs but satire is meant to be funny not just taking easy pot shots with crude characterisations and jokes. I still maintain it had potential but it is a good idea crying out for a better script and director (I notice it is directed by Smithee I don't know if that's a joke or if the real director really did disown it). So from a good idea it goes nowhere the little touches are nice but the total plot is rubbish. In away it is both made worse and more bearable by the actors, who are a mixed bunch.
Eric Idol is awful and he simply doesn't suit the material watch the scene where he turns his hat sideways and says `cool' and you'll see what I mean. Chuck D should really have known better than to deliver a meaningless performance here although I totally expect that from Coolio! However, Stallone, Goldberg and Chan are all quite funny and make fun of themselves quite well. O'Neal and colleague as the producers are quite good but are dumbly stretched to extremes for the sake of humour. For the majority of the cast there seems to be a problem gelling it feels like every single person thinks they are in a cameo and thus add to the feeling of this not being a film so much as a cobbled together affair. The support cast is good for names but the quality of delivery isn't really that high.
Overall I'd stop short of adding to the list of boots that have been put into this film, but I'd be lying if I told you I didn't feel like I'd waste 90 minutes I do. It started with a good idea but the script was nowhere near sharp enough and the majority of the cast (certainly those required to carry the film and not just be cameos) are just not up to the job. Could have been a fun satire but instead is an unfunny messy affair that doesn't really have anywhere to go beyond taking easy shots at the producers.
I laughed all the way though this movie from the first 5 seconds till the end (When I realized I had been duped). Maybe americans can't get it but I guess I was lucky. This is Ryan O' Neil's best role in years and Coolio and Chuck D are perfect as the Brother Brothers (Cosacks), Richard Jeni is classic. Its amazing the movie ever got made,,not because it's bad, but because it shows the blatant prostitution of the movie business.
This is a comedy and you are the joke,,,relax and laugh at yourself
Example. The person who plays the director is Eric Idle, From Monty Pythons Flying Cirrus, and an ironic joke in itself. WATCH THIS FILM.
Le saviez-vous
- AnecdotesAfter Arthur Hiller had his credit changed to Alan Smithee, the Directors Guild of America retired the pseudonym. This is the last film to officially bear it. However, due to the name's infamy, up to the present day, numerous non-DGA and independent films all over the world make unofficial, unauthorized use of it.
- GaffesRyan O'Neal is tearing down the highway in a sports car with the speed gauge standing in flat zero.
- Citations
Sylvester Stallone: Comedy is my life, that's why I'm star-ving!
- Crédits fousVarious extra scenes and outtakes during the end credits.
- Bandes originalesHolly Should
Written by Steve Nelson
Performed by Steve Nelson
Meilleurs choix
- How long is An Alan Smithee Film: Burn Hollywood Burn?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- An Alan Smithee Film: Burn Hollywood Burn
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 10 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 45 779 $US
- Week-end de sortie aux États-Unis et au Canada
- 28 992 $US
- 1 mars 1998
- Montant brut mondial
- 59 921 $US
- Durée
- 1h 26min(86 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1