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IMDbPro

An Alan Smithee Film

Titre original : An Alan Smithee Film: Burn Hollywood Burn
  • 1997
  • Tous publics
  • 1h 26min
NOTE IMDb
3,5/10
3,9 k
MA NOTE
An Alan Smithee Film (1997)
ComédieComédie noireSatire

Ajouter une intrigue dans votre langueWhen a rookie filmmaker with the unfortunate name Alan Smithee realizes he's an unwitting studio puppet, being forced to make a big-budget action movie he knows is horrible, he steals the ma... Tout lireWhen a rookie filmmaker with the unfortunate name Alan Smithee realizes he's an unwitting studio puppet, being forced to make a big-budget action movie he knows is horrible, he steals the master reels and tries to make a deal.When a rookie filmmaker with the unfortunate name Alan Smithee realizes he's an unwitting studio puppet, being forced to make a big-budget action movie he knows is horrible, he steals the master reels and tries to make a deal.

  • Réalisation
    • Arthur Hiller
  • Scénario
    • Joe Eszterhas
  • Casting principal
    • Ryan O'Neal
    • Coolio
    • Chuck D
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    3,5/10
    3,9 k
    MA NOTE
    • Réalisation
      • Arthur Hiller
    • Scénario
      • Joe Eszterhas
    • Casting principal
      • Ryan O'Neal
      • Coolio
      • Chuck D
    • 89avis d'utilisateurs
    • 30avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 6 victoires et 8 nominations au total

    Photos51

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    + 43
    Voir l'affiche

    Rôles principaux57

    Modifier
    Ryan O'Neal
    Ryan O'Neal
    • James Edmunds
    Coolio
    Coolio
    • Dion Brothers
    Chuck D
    Chuck D
    • Leon Brothers
    Eric Idle
    Eric Idle
    • Alan Smithee
    Richard Jeni
    Richard Jeni
    • Jerry Glover
    Leslie Stefanson
    Leslie Stefanson
    • Michelle Rafferty
    Sandra Bernhard
    Sandra Bernhard
    • Ann Glover
    Cherie Lunghi
    Cherie Lunghi
    • Myrna Smithee
    Harvey Weinstein
    Harvey Weinstein
    • Sam Rizzo
    Gavin Polone
    Gavin Polone
    • Gary Samuels
    MC Lyte
    MC Lyte
    • Sista Tu Lumumba
    Marcello Thedford
    Marcello Thedford
    • Stagger Lee
    Nicole Nagel
    Nicole Nagel
    • Aloe Vera
    Stephen Tobolowsky
    Stephen Tobolowsky
    • Bill Bardo
    Erik King
    Erik King
    • Wayne Jackson
    Jim Piddock
    Jim Piddock
    • Attendant #1
    Naomi Campbell
    Naomi Campbell
    • Attendant #2
    Marianne Muellerleile
    Marianne Muellerleile
    • Sheila Caslin
    • Réalisation
      • Arthur Hiller
    • Scénario
      • Joe Eszterhas
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs89

    3,53.8K
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    Avis à la une

    PlanecrazyIkarus

    a "love it or hate it" thing

    Why did I buy this movie? Because several (British) friends of mine were discussing it passionately, declaring it a masterpiece satire full of wit and irony that Americans (and Germans) would probably never understand.

    And because the cast list looks like a dream collection of funny actors: Jackie Chan, Sylvester Stallone, Whoopi Goldberg, Eric Idle, Ryan O'Neall....

    And then this. My friends were right. If there is any humour, I did not get it. The movie tells of film-editor Alan Smithee, who has been given a chance at directing for the first time. An action blockbuster of unseen proportions (and budget). Seeing this movie, I could not help suspecting that it depicts quite accurately what might have happened behind the set of "M:I-2", with a kind director being overrun by his star's and producer's egos.

    Unfortunately, the story isn't told linearly, but in flashbacks, and in interviews, and with the trailer for the blockbuster. It wants to be a mockumentary. Like "Bob Roberts".

    But it just isn't all that funny. And Eric Idle is wasted, as he only ever gets to run around screaming manically during most of the few scenes he has.

    To some it might be a classic. For me it was agonizing....
    5Dan_Harkless

    Not as bad as you might think

    I disagree with the people here saying this is one of the worst films ever made. I'm somewhat of a connosieur of bad films, and that just isn't the case. It's competently put together from front to back, but the script definitely could have used another draft or two.

    At its worst, it's just unfunny, not mind-bendingly horrible as some would have you to believe. Certainly if you know nothing about the inner workings of Hollywood you won't understand the references and almost none of it will be funny.

    I'm sure there were lots of references I didn't understand -- I get the feeling people working in Hollywood would get more out of this movie than the rest of us. One odd reference is the repeated name of "Michael Ovitz" throughout the movie. It appears in the song "I Wanna Be Michael Ovitz" in the soundtrack, there's a "Paging Dr. Ovitz..." in the background in a hospital, etc. It's not quite clear what writer Eszterhas's feelings toward Ovitz are -- does he hate him or look up to him?

    Another thing I don't understand is why director Arthur Hiller felt he had to change his credit to "Alan Smithee", except that it's amusingly appropriate. Looking at the film, I can't imagine that it was changed too radically in the editing, except perhaps the ultra-acidic put-downs on the title cards that introduce new characters.
    bob the moo

    Starts well as a potential satire but does very little with it

    Real life director Alan Smithee is an editor by trade but is signed up to direct the action movie `Trio' starring Whoopi Goldberg, Sly Stallone and Jackie Chan. However when the producer's final cut leaves it, in Alan's opinion, a mess, he steals the master negative and runs. This documentary follows the story of what happens when a director is forced to watch his art turned into a poor money spinner.

    I hadn't really read the very negative reviews of this film before I watched it and am a little surprised by the strength of feeling from the majority of the critics. Having said that, I can understand why this film is so hammered – as it really isn't very good. It started well and I thought it had potential – it seemed that people were making fun of themselves and that it would be a good satire on the industry and in particular, studio execs. However after a certain point it doesn't really do very much other than be flabby, repeating, self indulgent and silly. After Alan actually takes his film and seeks refuge with the Brothers Brothers, the film is very messy and not very funny at all. The documentary approach had worked well up till this point but from here it was a strange mix of action and documentary. It gets increasingly silly and increasingly less clever and funny.

    It had a few laughs but satire is meant to be funny – not just taking easy pot shots with crude characterisations and jokes. I still maintain it had potential but it is a good idea crying out for a better script and director (I notice it is directed by Smithee – I don't know if that's a joke or if the real director really did disown it). So from a good idea it goes nowhere – the little touches are nice but the total plot is rubbish. In away it is both made worse and more bearable by the actors, who are a mixed bunch.

    Eric Idol is awful and he simply doesn't suit the material – watch the scene where he turns his hat sideways and says `cool' and you'll see what I mean. Chuck D should really have known better than to deliver a meaningless performance here – although I totally expect that from Coolio! However, Stallone, Goldberg and Chan are all quite funny and make fun of themselves quite well. O'Neal and colleague as the producers are quite good but are dumbly stretched to extremes for the sake of humour. For the majority of the cast there seems to be a problem gelling – it feels like every single person thinks they are in a cameo and thus add to the feeling of this not being a film so much as a cobbled together affair. The support cast is good for names but the quality of delivery isn't really that high.

    Overall I'd stop short of adding to the list of boots that have been put into this film, but I'd be lying if I told you I didn't feel like I'd waste 90 minutes – I do. It started with a good idea but the script was nowhere near sharp enough and the majority of the cast (certainly those required to carry the film and not just be cameos) are just not up to the job. Could have been a fun satire but instead is an unfunny messy affair that doesn't really have anywhere to go beyond taking easy shots at the producers.
    gregitsltd

    If you like Spinal Tap & Waiting for Guffman see this movie

    How could this many people hate a film so much? I'm giving it a 10 just so the average will go up a little. If you liked spinal tap and Waiting for Guffman then this movie is a must, but like spinal tap, it's all about dialog, like Stallone's observation of the immaculate conception in the Rocky movies truely great. If you are looking for a great action movie with big stars then the joke is on you. This is maybe the most realist portrail of how the movie business works maybe that's why people don't like this movie because it takes all the "magic" out it and shows how the public is completely "played" by the movie companies (people don't like it when a movie shows how easily the general public is manipulated). Much like another movie everybody hated "the last action hero" cars don't blow up when you shoot them, chances are you'll break your hand trying to punch your way through a windshield etc..

    I laughed all the way though this movie from the first 5 seconds till the end (When I realized I had been duped). Maybe americans can't get it but I guess I was lucky. This is Ryan O' Neil's best role in years and Coolio and Chuck D are perfect as the Brother Brothers (Cosacks), Richard Jeni is classic. Its amazing the movie ever got made,,not because it's bad, but because it shows the blatant prostitution of the movie business.

    This is a comedy and you are the joke,,,relax and laugh at yourself
    thinaircomputers

    Wow this film is briliant.

    Many users have said this is a really bad film. A totally rubbish film. But this film is really a brilliantly funny film; it's so full of irony, every line form start to finish. Sadly the US audience doesn't understand irony so the film flopped. But if you're British you will like this film.

    Example. The person who plays the director is Eric Idle, From Monty Pythons Flying Cirrus, and an ironic joke in itself. WATCH THIS FILM.

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    Histoire

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    Le saviez-vous

    Modifier
    • Anecdotes
      After Arthur Hiller had his credit changed to Alan Smithee, the Directors Guild of America retired the pseudonym. This is the last film to officially bear it. However, due to the name's infamy, up to the present day, numerous non-DGA and independent films all over the world make unofficial, unauthorized use of it.
    • Gaffes
      Ryan O'Neal is tearing down the highway in a sports car with the speed gauge standing in flat zero.
    • Citations

      Sylvester Stallone: Comedy is my life, that's why I'm star-ving!

    • Crédits fous
      Various extra scenes and outtakes during the end credits.
    • Connexions
      Featured in Siskel & Ebert & the Movies: Kissing a Fool/An Alan Smithee Film: Burn Hollywood Burn/Krippendorf's Tribe/The Real Blonde/Dark City/The Long Way Home (1998)
    • Bandes originales
      Holly Should
      Written by Steve Nelson

      Performed by Steve Nelson

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    FAQ20

    • How long is An Alan Smithee Film: Burn Hollywood Burn?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 8 juillet 1998 (France)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • An Alan Smithee Film: Burn Hollywood Burn
    • Lieux de tournage
      • La Brea Tar Pits - 5801 Wilshire Blvd, Los Angeles, Californie, États-Unis
    • Sociétés de production
      • Cinergi Pictures Entertainment
      • Hollywood Pictures
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 10 000 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 45 779 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 28 992 $US
      • 1 mars 1998
    • Montant brut mondial
      • 59 921 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 26min(86 min)
    • Couleur
      • Color
    • Mixage
      • Dolby Digital
    • Rapport de forme
      • 1.85 : 1

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