L'amour... et après

what is this movie all about? The need for love. The ending is not completly managable but it has just the right tone to give you the right mood. The storytelling is weak, though. Jullie and Nick DO look great together and give some strong appearances throughout the movie. Worth seeing? once, only once.

I have extremely mixed feelings about this film. On the one hand, I have only praise for Alan Rudolph for writing a great character for Julie Christie to play and giving her a role she could truly sink her teeth in and prove again what a sensational actress she is. And yet - the film that has been built around her is an almost total dud. I found the plot lame, and Lara Flynn Boyle and Jonny Lee Miller execrable. But when Nick Nolte and especially Julie Christie are on screen, all is forgiven. They're great together, but it's Christie's film all the way. She is such a rarity - an actress who combines genuine Movie Star Glamour, the real deal, with a thoroughly modern sensibility. I could go on gushing, but let me just say that she is sublime and this film gives us an all too rare opportunity to see her in full glory, albeit in a vehicle that's less than worthy of her.

How did this movie get rated 6.9 out of 10? Was Nick Nolte stuffing the ballot box? I agree with all who said it was boring and pretentious, but disagree that Julie Christie did much to help it.

A handyman with marital problems (Nick Nolte) meets a housewife (Lara Flynn Boyle) with the same.

This is really about as average as movies get. The cast is decent, with Lara Flynn Boyle leading the way. Julie Christie received an Oscar nomination... it must have been a slow year, or maybe it was a "career Oscar", because this is not an outstanding film that needed to be singled out by the Academy.

There is no humor, no exciting twists or turns. This is just your standard film of loveless marriage and infidelity. Not one thing about it really stands out as unique. So, what happened here? Why did great actors sign on? Why did Robert Altman help produce?

The lives of a has-been-actress, a charming sleazy plumber, a bored housewife and a stressed corporate head intertwined in this low key screwball. If made by studio heads this film would have been hard to swallow, but when handled by the maestro, Alan Rudolph, and starring real actors, it works a treat.