La part du diable

Touching Evil is a remarkable mystery mini series. One of the best I've seen. It is gripping and compelling. The main character, Kreegan, is complex, enigmatic and sympathetic. The mini series is composed of 5 seemingly disparate episodes that somehow come together at the end in a way that is unique and satisfying.

It made me eager to see the next installment: Touching Evil 2, which was a disappointment.

This was one of my favorite "Mystery!" series. This was something of a precursor to shows like "CSI" and "Without a Trace," and ten times better. Robson Greene is DI Dave Creegan, a workaholic who works in a fictional British unit called Organized Serial Crime (OSC). Creegan received a bullet in the head some time back, and was brought back to life through the miracle of medicine, now walking a tightrope on the edge of sanity as the semi-suicidal detective hunts down serial killers and other perps through his gift for thinking like they do. Creegan's partner, DI Susan Taylor, is a no-nonsense type whose method for solving cases is quite the opposite of Creegans. DC Mark Rivers, also a key player, is as far removed from Creegan as possible, a by-the-book detective who is just as content to wait for back-up as jump into the fire. There were some excellent shows, but the first season is by far the best, starting off with a perverted and villainous suspect portrayed by Ian McDiarmid, of "Star Wars" fame.

Perhaps this show lacks some of the class that made earlier shows such as "Prime Suspect" such a treat, but the only thing on "Mystery!" to match it as of yet is probably the most recent American-produced Tony Hillerman adaptations.

I actually saw part of this series while in London, and about a year later, PBS's Mystery! series picked it up (thank God) and was lucky enough to see all of the "Touching Evil" movies. While I only caught part of it in London, I was immediately compelled by what I saw -- gritty and dark storylines, pushed by characters that were convincing in that you really felt like they witnessed some of the most vicious aspects of human nature. The plots orbit around Robson Green's portrayal of cop Dave Creegan and his serial crime investigation unit as they barrel through London, tracking down serial killers. It's easy enough to say he's the archetypal anti-hero -- he's just gone back on the job from a near-death gunshot wound to the head (he's got a little scar), his family life's gone down the crapper (wife and kids left him), and he really is married to his work. But he's the anti-anti-hero; a Dirty Harry who's a real person. He struggles with his personal life as he tries to be emotionally supportive of his ex-wife's new life (what a concept, eh?), and you can see the pain on his face as he watches his small children with first-hand knowledge of the real evil out in the world. All the "Touching Evil" movies are well-done; each story is unique in its serial killer's modus operandi -- all very macabre. The moody filming adds to the bleakness. The deadpan cold moodiness is very similar to that "X-Files" ennui, and its gritty perspective of policework is very "Prime Suspect". The characters are all believable -- serious, professional, and very real. No ex-Playmates or pretty-boy faces, just compelling acting against some pretty grisly storylines.

I stumbled over this one on a Sunday afternoon during a top-ot-the-hour channel surf. Readjusting my American viewing apparatus to accept a cop drama that was cut at less than 10 edits a minute, this baby snared me hard. I drooled until I was able to catch the rest of the episodes, and I found myself moving through the day hungering to answer the phone, "D.I Creegan..."

This show rocks in that the viewer is REQUIRED TO WORK to figure out the details of the backstory, relationships that existed before, and to hang onto a storyline that is not concerned with over-explaining; you need to keep up with the pace. This story is real and happening, transferring a realistic impression of copwork from the inside, tempered with just enough "X-Files" in their "Elite Special Ops Force (or whatever it's called)" to be convincing not in the fantastic/horrific, but in The REALITY. No passivity in attention here; snooze=loose.

Think the complex, multi-episodicness of "The Prisoner" with the acting/directing savvy of "NYPD Blue" and the cinematic re-par-te of, say, John Sayles if he were to shoot contemporary London. (The EXT. - NIGHT's are a little too blue for me, but hell, I ain't the shooter...)

"Touching" is pretty dang good, guv-nuh, as hard-boiled as you'll get across the Pond.

I heard about this series in a commentary by John Leonard on the "CBS Sunday Morning" show. I don't recall if he compared it to the "Prime Suspect" series of a few years ago but I certainly would. This series kept you glued to your seat. You learn as the detectives do. The psychological drama is reminiscent of Hitchcock, ie."The Man Who Knew To Much".The intricacies of the relationships among the characters is fantastic - and I don't mean it was like a soap opera. It is shows like this that are the reason I keep my television. I'm not knocking shows such as "N.Y.P.D. Blue" or "Law and Order" as they are usually well written and acted. But you know from the start what is usually going to happen, and you don't need to be watching all the time - listening will usually do fine. With "Touching Evil" you really need to watch. To glance away to talk with someone or respond to some other distraction may mean losing the whole nuance of a segment. So those of you out there that may have missed it the first time around, be assured that PBS will run it again. My suggestion is that you make sure you are not going to be distracted for any reason, sit down and let your mind go to work.