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Emma

  • Téléfilm
  • 1996
  • TV-G
  • 1h 47min
NOTE IMDb
7,0/10
6,5 k
MA NOTE
Kate Beckinsale in Emma (1996)
Trailer for Jane Austen's Emma
Lire trailer1:24
1 Video
99+ photos
Costume DramaPeriod DramaSatireComedyDramaRomance

Ajouter une intrigue dans votre langueFaithful, enchanting adaptation of Jane Austen's 19th-century tale of Emma Woodhouse, a clever young woman whose mischievous matchmaking schemes nearly end up jeopardizing her own shot at ro... Tout lireFaithful, enchanting adaptation of Jane Austen's 19th-century tale of Emma Woodhouse, a clever young woman whose mischievous matchmaking schemes nearly end up jeopardizing her own shot at romance.Faithful, enchanting adaptation of Jane Austen's 19th-century tale of Emma Woodhouse, a clever young woman whose mischievous matchmaking schemes nearly end up jeopardizing her own shot at romance.

  • Réalisation
    • Diarmuid Lawrence
  • Scénario
    • Jane Austen
    • Andrew Davies
  • Casting principal
    • Kate Beckinsale
    • Bernard Hepton
    • Mark Strong
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,0/10
    6,5 k
    MA NOTE
    • Réalisation
      • Diarmuid Lawrence
    • Scénario
      • Jane Austen
      • Andrew Davies
    • Casting principal
      • Kate Beckinsale
      • Bernard Hepton
      • Mark Strong
    • 52avis d'utilisateurs
    • 5avis des critiques
  • Voir les informations de production sur IMDbPro
    • Récompensé par 2 Primetime Emmys
      • 4 victoires et 3 nominations au total

    Vidéos1

    Jane Austen's Emma
    Trailer 1:24
    Jane Austen's Emma

    Photos453

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    + 447
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    Rôles principaux23

    Modifier
    Kate Beckinsale
    Kate Beckinsale
    • Emma Woodhouse
    Bernard Hepton
    Bernard Hepton
    • Mr Woodhouse
    Mark Strong
    Mark Strong
    • Mr. Knightley
    Samantha Bond
    Samantha Bond
    • Mrs Weston
    James Hazeldine
    James Hazeldine
    • Mr Weston
    Dominic Rowan
    Dominic Rowan
    • Mr Elton
    Samantha Morton
    Samantha Morton
    • Harriet Smith
    Prunella Scales
    Prunella Scales
    • Miss Bates
    Sylvia Barter
    • Mrs Bates
    Guy Henry
    Guy Henry
    • John Knightley
    Dido Miles
    • Isabella Knightley
    Raymond Coulthard
    Raymond Coulthard
    • Frank Churchill
    Olivia Williams
    Olivia Williams
    • Jane Fairfax
    Lucy Robinson
    Lucy Robinson
    • Mrs Elton
    Peter Howell
    Peter Howell
    • Mr Perry
    Judith Coke
    • Mrs Goddard
    Alistair Petrie
    Alistair Petrie
    • Robert Martin
    Phoebe Welles-Cooper
    • Elizabeth Martin
    • Réalisation
      • Diarmuid Lawrence
    • Scénario
      • Jane Austen
      • Andrew Davies
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs52

    7,06.4K
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    Avis à la une

    9currerdell

    too short, yet wonderful

    This has long been one of my favourite adaptations of an Austen novel. Although it is definitely not in the same category as the spectacular "Pride and Prejudice," "Emma" is a lush and relatively faithful TV version of Austen's novel -- especially considering its short length. The biggest change between the novel and the movie is a good one, as the unnecessary snobbishness that Austen exhibits at the end of the story is removed here and replaced with someone much more akin to Emma's character in the rest of the book. I thought the characters chosen to portray the roles were well-picked. Kate Beckinsale walks the fine line between girlishness and the social snob with a grace completely lost in Gwyneth Paltrow's '96 version. Samantha Morton's wispy blonde locks suit her attitude and character as the simper that accompanies her role in previous characterisations is replaced with the Harriet we know from the book. Mister Knightly's role is carried out extremely well in my opinion; both the seriousness and the gentle compassion that the hero is painted with in the novel are present here in this much-neglected, sumptuous film.
    10Daisy-47

    Kate Beckinsale, a perfect Emma

    Jane Austen's Emma is an extremely enjoyable story at the worst of times and this production of the story is the best I have ever seen. Kake Beckinsale's Emma is irreproachable. Gwyneth Paltrow, (with the help of a good screenplay and excellent cinematography) is able to bring out the comedy effectively, she fails to make Emma likeable. Paltrow is not aided by the fact that her hairstyles are simply 'wrong' for the part (and I believe the era) and she looks positively ill in the empire line dresses. Kate Beckinsale, on the other hand, manages the comedy effortlessly and is still able to show what Mr Knightly (the most romantic of Jane Austen's heroes) actually sees in her. Mark Strong is a splendid Mr Knightly with the right mix of handsome looks, an appropriate age, chivalry, compassion and gentlemanly behaviour. Emma and Mr Knightly are supported by a cast of good actors and the production as a whole is quite delightful.
    maddy-1

    The best version I've ever seen

    How anyone can prefer the Gwyneth Paltrow version over this one beats me. Kate Beckinsale is absolutely charming and doesn't have Paltrow's nasal whine, Mark Strong is possibly not quite as handsome as Jeremy Northam but he is so endearing! (And who was that who said he looked 50? as far as I know, he was actually too young at the time to play Mr Knightley.)Harriet, too, is more convincing -- Toni Colette is far too statuesque. It's much closer to the book than the other version, and elegant as the Paltrow film is (hmm, isn't that what Emma called Jane Fairfax if she was pressed?), it is also rather cold and distant, whereas this version is warm and gentle. My only quibble with this version is the altogether too friendly ending; I doubt whether in Jane Austen's class-conscious world Harriet and her Mr Martin would ever have danced with the two "upper-class" couples. Nevertheless, whenever I'm in the mood for Emma, this is the one I grab!
    8hbs

    the best Emma

    This is a better adaptation of the book than the one with Paltrow (although I liked that one, too). It isn't so much that Beckinsale is better -- they are both very good -- but that the screenplay is better. Davies is a master at adapting Austen for filming, and the production values here are very good. It's not quite as glossy as the Hollywood treatment, but it's close, and I thought that the locations and the costumes actually worked better.
    6pfgpowell-1

    Good but not great screen adaptation, which seems to do little to convey Austen's satire

    I had just finished reading Emma by Jane Austen when I took a fancy to watching a screen version to see what was made of it, and chose to watch the TV version starring Kate Beckinsale. I was surprised to see it getting an overall rating on IMDB of 7.1

    Don't get me wrong: it isn't at all bad and for its kind quite good, but after reading Austen's subtle novel and having fresh in mind the nuances with which she conveys all the - essentially trivial - goings-on in Highbury, I do feel it somewhat misses its target. Not a lot, but enough to challenge that 7.1 overall rating.

    Naturally, a screen or TV adaption of a novel is in many ways restricted, and I have borne that in mind. But there are one or two other details which I feel don't do the novel justice. For example, Emma is undoubtedly a rich woman - her 1816 fortune of £30,000 translates into 2018's more than £2.6 million, and she and her father can afford to live a life of ease.

    But their circumstances as portrayed in the TV film do over-egg the pudding to an alarming degree. They - and George Knightley - were most certainly not titled. They were simply well-off landed gentry able to live off the rents they received for their land. So the super grand homes they are shown to live in - and the number of uniformed flunkeys the Woodhouses are shown to employ - are, to be blunt, ludicrous. This is TV early-19th century life.

    The social divergences and disposable income in the early 19th century were certainly far, far wider than they are today (at least here in Britain - I can't speak for the US), but the Woodhouses, Knightley and the Weston's were fundamentally well-off middle-class folk. Yes, they had no financial worries, although fate and fortune could, and very often did, pitch such families down the social scale quite fast as they had no way of insuring themselves.

    In those days, a candle falling over and starting a fire which could burn their houses to the ground was a perpetual fear for them and did easily bankrupt many a well-to-do family. (A good example is how TV portrays the ball at the Crown: despite the availability of staff, in the novel it was very much a small-scale DIY affair, more a fun gathering than the full-blown event shown.)

    The TV film portrays them otherwise. As shown in the film they would be living as minor aristocracy. In this regard Knightley's grand pile is especially ludicrous. Austen herself and her family, however impeccably middle-class, were certainly not well-off and were forever teetering on the brink of penury, all to often relying on the goodwill of family. Hence the then sheer necessity of a young woman 'marrying well'. These might be minor points, of course, and after all it is fiction. But as in this regard it does not reflect on Jane Austen's world, other infelicities also creep in.

    My second reservation is that the TV film falls short of conveying the subtleties of the different situations the characters find themselves in. Again to be blunt it is all just a tad too cut and dried.

    Screenwriter Andrew Davies, the go-to chap for this kind of stuff, otherwise does reasonably well: though at times a little broad-brush, he does Austen's characters s0me justice, although his script does rather take too little account of Austen's sharp with and satirical eye.

    The plot of Austen's novel is also far to syncopated in this adaptation, with the various developments simply not being sufficiently established to make much sense. Overall, I was disappointed and would recommend anyone so inclined to head for the far more substantial novel. But that said, as a piece of costume drama this version can still hold its head high for those who go a bundle for this kind of thing.

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    Histoire

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    Le saviez-vous

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    • Anecdotes
      Andrew Davies offered to adapt Emma for the BBC, but it had already commissioned Sandy Welch as screenwriter. Michael Wearing, BBC head of drama serials, stated "It was a very, very difficult situation. I had already commissioned Welch, one of our BBC writers, to do Emma. We really were in a fix." In response, Davies and his team successfully made an offer to BBC's rival, ITV. Orgueil et préjugés (1995)'s entire production team reportedly joined Davies when he began adapting Emma (1996). It was his second adaptation of a Jane Austen novel. The production reportedly cost £2.5 million, and was shot during the summer of 1996.
    • Gaffes
      The year is approximately 1815, yet Jane Fairfax sings an Italian song composed in 1857.
    • Citations

      Mr. Knightley: [Knightley speaks of Frank Churchill who will be going to London] To get his hair cut?

    • Connexions
      Featured in Masterpiece Theatre: Emma (2008)
    • Bandes originales
      All People that on Earth Do Dwell
      (uncredited)

      Lyrics by William Kethe

      Music by Louis Bourgeois

      [Hymn sung at church when Emma first sees Harriet Smith]

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    FAQ1

    • Why does Mrs. Elton have such an unusual accent?

    Détails

    Modifier
    • Date de sortie
      • 24 novembre 1996 (Royaume-Uni)
    • Pays d’origine
      • Royaume-Uni
      • États-Unis
    • Site officiel
      • arabuloku.com
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Jane Austen's Emma
    • Lieux de tournage
      • Broughton, Banbury, Oxfordshire, Angleterre, Royaume-Uni(on location)
    • Sociétés de production
      • A+E Networks
      • Chestermead
      • Meridian Broadcasting
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

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    • Durée
      1 heure 47 minutes
    • Couleur
      • Color

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