20,000 Leagues Under the Sea

I am a fan of Jules Verne and was introduced to his works via the films that came out in the 50's in 60's (wasn't everybody?) I was born in 1958 but the impact of Disney's "20,000 Leagues Under the Sea" in 1954 followed in rapid succession by "Around the World in Eighty Days" in 1956, "From the Earth to the Moon" in 1958, "Journey to the Center of the Earth" in 1959, "The Mysterious Island" and "Master of the World" in 1961, and "Five Weeks in a Balloon" and Disney's "In Search of the Castaways" in 1962 played an important part of my youth. There have been other film adaptations of Jules Verne's stories since, but it is these earlier films that captured my imagination and set the standard for future adventure films. Since cinema and novels are two different mediums it is unfair to compare one to the other, especially with such visual temptations built into the storyline, but I suppose it is fair to compare one film version to another. What I look for in any remake (especially when the original is very good) is if the director and writer can add anything new...are they inspired by the original to add their own twist in the flavor of the author. This can be really fun in this type of film.

Recently, there was a TV remake of Melville's "Moby Dick" that was a virtual scene by scene retelling of the classic 1956 film starring Gregory Peck (which in turn was a remake of a 1930 film starring John Barrymore). The later two films were faithful to the novel whereas the earlier version changed the ending to be more upbeat. At least one could enjoy the first two films on their own merits (the lead performances of Peck and Barrymore were virtually night and day). As far as the TV "Moby Dick" went, there was very little reason to see it with regards to new storylines or character developments. The only curiosity was seeing Peck play the small role that Orson Welles played in the 1956 version. So I LOOK for variations, something new, a different way of looking at the story, or perhaps a part of the story that was not fleshed out previously. Imagination should go hand in hand with the name Jules Verne.

There have been sequels based on Verne's own Nemo sequel ("Mysterious Island"), "inspired" sequels ("Captain Nemo and the Underwater City"), futuristic versions ("Nautilus"), and even futuristic "inspired" versions ("The Black Hole"). I am such a fan of the genre that even a cheesy version will hold my attention for the mere fun of it (as fans, such as myself, of the different versions of Doyle's "The Lost World" do!)

In this case we have the first re-make of the original story of "20,000 Leagues Under the Sea" since Disney's 1954 classic (it had been filmed before as silent films in 1907 and 1916). Curiously a second 1997 TV version starring Michael Caine came out at the exact same time which confuses everything so let's consider that in an alternate Universe. I like this remake despite the fact that it seems to have a heavy influence from James Cameron's "Titanic," most notably the romance. But this is film entertainment and it seemed to add something...why not? The novel introduces us to Professor Aronnax and his young male assistant who go off in search of a sea monster attacking ships in the North Pacific. When Disney adapted the story they kept the gender of the assistant but aged him into a role suitable for actor Peter Lorre. This film keeps the age in tact but changes the gender...and relationship to the Professor (Richard Crenna), by introducing us to his beautiful daughter Sophie (played perfectly by the beautiful Julie Cox). At first she must pretend to be his young male assistant to even be allowed on board the USS Lincoln in search of the sea monster. Julie Cox in male drag could have passed for a teenaged Elijah Wood and there was a neat little look from handsome stud-sailor Ned Land (Paul Gross) to the Professor and the ship's captain when he seemed to be thinking "are you two crazy? This is a girl!." By the way, that was my exact reaction to Elijah Wood when I saw him in the remake of "Flipper!"

Unlike other film versions much more time is spent prior to the actual meeting of Captain Nemo and the Nautilus. We get a feel of the time period on board an ornate passenger ship (our first introduction to the Titanic influence) and on land. It isn't long before the Professor, his daughter, and sailor Ned Land (for those keeping track, Kirk Douglas in the Disney version) are thrown off the deck of the USS Lincoln from a ramming by Captain Nemo (Ben Cross) and his metallic "sea creature." The sets of the Nautilus are cold and grey with great iron bolts and the cold grey uniforms worn on board are reminiscent of 20th century Communist military uniforms. There is something very cold war Russian when Captain Nemo (with neatly trimmed beard) and his men stand atop the submarine staring off toward the oncoming American warship in a thick grey mist. Even Nemo's organ (an ornate pipe organ in the Disney film) is just a plain little organ. But there are rooms of incredible museum collections decorating the submarine, salvaged from shipwrecks that add the richness one would expect. Best addition of all is a series of large circular view ports that allow the actors to look out into the vast oceans. Ben Cross does a credible job as Nemo in this context, a bit cold, a bit distant, dangerous. He is at home among his jeweled possessions in the same way a shark is at home against colorful coral waiting for his prey. But he is also human, and his reasons for attacking ships has changed from the original novel to one of revenge. Despite all of this Nemo and the Professor become friends and the two plan to have young Sophie marry Nemo (a plot device lifted from 1969's "Captain Nemo and the Underwater City.") Nemo also wants Ned Land dead to end any speculation of a relationship between Ned and Sophie. On an expedition outside the submarine Nemo sets Ned up for certain death. Those plot devices along with a different look for the Nautilus and a brisk pace by the director were plenty to please me and become a welcome chapter in the Nemo world.

New take on for TV with agreeable casting and an acceptable Ben Cross as Nemo. The film talks about the known story from Jules Verne novel and previously rendered in the classic by Richard Fleischer . The oceans are no longer safe , many ships have been lost, the sailors have returned to New England's fishing port with tales of vicious giant whale with long horn . Admiral Selling (Michael Jayston) assigns to naturist, biologist expert named professor Pierre Aronnax ( Richard Crenna in the role of Paul Lukas) a dangerous mission . Aronnax , her daughter as helper , along with a professional whaler named Ned Land( Paul Gross in the character of Kirk Douglas) join forces in an expedition that attempts to unravel the mysterious sinking ships by an unknown creature . Aboard the ship called USS Abrahan Lincoln , they go out to investigate . At sea, Professor Aronnax was aboard the ship 'Abraham Lincoln' when Nautilus rammed it and threw the Professor, his daughter and Ned Land into the water .Their ship is sunk and are captured and get thoroughly involved with captain Nemo ( Ben Cross in the role of James Mason) and take an extraordinary adventure underseas in an advanced submarine called Nautilus. Prisoners at first, they are now treated as guests to view the underwater world and to hunt under the waves. Nemo will also tells them about the Nautilus and the revenge that has driven him for all these years .

This fantastic TV movie displays sensational adventures, drama, intrigue, marvelous scenarios and is pretty enjoyable. Surprise-filled entertainment and with plenty of action on grand scale with good special effects made by a computer generator and some ship and submarine by maquette or scale model . However, overlong runtime is not boring but is entertaining and amusing . Memorable and likable cast as Ben Cross plays a captain Nemo who falls in love with the Annorax's daughter ; Richard Crenna plays perfectly to Annorax while in Disney version was an old Paul Lukas ; attractive Julie Cox in a new role, she has a loving triangle with Nemo and Ned Land played by Paul Gross who is an obstinate, stubborn young , just like Kirk Douglas . Atmospheric and vivid score by John Scott. Colorful cinematography by Alan Hume reflecting wonderfully underwater scenes . This TV picture is well produced by Robert Halmi Sr from ¨Hallmark , Hall of fame¨ TV , which has produced several films and series about historical happenings and known personages , as : Cleopatra, Odyssea(Ulises), Hercules , Jason and the Argonauts, Joan of Arc, Lion in Winter( Henry II and Leonor Aquitania), Prince and pauper( Henry VIII and Edward VI ), and numerous retelling based on famous novels .

The television movie is correctly directed by Michael Anderson. Other versions from the classic story are an old mute (1916) by Stuart Paton , the best adaptation by Richard Flescher and for TV directed by Rod Hardy with Michael Caine and Richard Crenna , furthermore a cartoon movie directed by Arthur Rankin.The motion picture will appeal to fantasy-adventure buffs.

The only reason I looked this up on IMDb was to verify the year was correct. I understand it was made for TV, but it looks for all the world as if it had been made in the 50s or 60s. The music, the cinematography, the scenes. The way the camera pans in on the actress's face and all of a sudden her skin is dewy and translucent, as she stares with a damsel-in-distress expression, for just one example. This is done repeatedly. I truly thought the date listed on my television was an error. The show itself was OK. Most of the acting wasn't magnificent, but they weren't given much to work with either. I have never seen any other version of 20,000 Leagues nor have a I read the book, so this did get me interested enough to follow through with other versions. My husband and I agreed that this was a decent show for its time, until we realized it was made in 1997!

A beautifully mounted version of Jules Verne's classic. Unlike the Disney version of the fifties this one offers an understanding of Nemo's reasons for his actions. The photography was masterful and the music was sublime. Richard Crenna once again rises to the occasion and Ben Cross is outstanding as the master of the Nautilus. Julie Cox had not yet quite developed the excellence of performance that she would later with Children of Dune, but still brought much to her role as Sophie. It is true that there were a few weak spots in the storyline, but nothing that could deserve the negative reviews that I have read here. This Nemo was always true to who he set out to be, unlike James Mason's Nemo who too shallow. All in all a visual splendor.

After what seems like an age of prologue material, "Prof. Aronnax" (Richard Crenna) and his daughter "Sophie" (Julie Cox) finally set sail on the USS "Abraham Lincoln" under the command of "Capt. Farragut" (Jeff Harding) in search of a sea monster that has been marauding the South Seas terrorising the shipping. Luckily they have harpoon man "Ned Land" (Paul Gross) on board, so catching and killing this beast ought to be a synch. Well, the animal duly arrives and next thing, the threesome find themselves guests of the enigmatic "Capt. Nemo" (Ben Cross) who has a serious axe to grind with those on the surface. This smacks of a pilot episode to a television series. It takes far too long with character establishment then relies almost entirely on the underwater visual effects to tell a story that is really bereft of decent acting and writing skills. Jules Verne wrote a great story that offers loads to a film-maker, but Michael Anderson seems content to leave us with this lacklustre sequence of pretty predictable, lame even, adventures and there is even room for a little love triangle between the captain, the harpoonist and the daughter (who reminded me of Sheena Easton) who is fed up having to compromise as a woman in a man's world. Nothing at all memorable here, Cross is shockingly wooden and if this is the story for you, then the 1954 Disney version and the 1916 silent ones are far, far better.