Illtown

After being completely blown away by "Laws of Gravity" and "New Jersey Drive" I had great expectations for this bigger-budget, bigger-talent movie. Unfortunately this effort fails to achieve what Gomez's earlier offerings did so successfully. I think the biggest problem with the film is the pacing. All of the heroin-induced deadpan dialogue just wears the momentum out of the story. The talent here is just wasted in a cloudy disembodied attempt at a realistic portrayal of the world of heroin in Miami. My advice, stick with Gomez's earlier films and hope for future success from this very talented director.

Though a deliberately confusing ending ultimately undermines this film's potential, an excellent cast and unique storytelling approach make it well worth the time for anyone not expecting a straight-forward crime picture.

Director Nick Gomez, also responsible for "Laws of Gravity" and "New Jersey Drive," once again proves that he refuses to be predictable. The former plays like an updated "Mean Streets" overseen by the ghost of John Cassavetes and the latter like a straight-forward entry in the "Boyz in the Hood" sub-genre. "Illtown," on the other hand, is an ultra-stylized revenge/crime thriller mixed with a character drama mixed with wierd surrealism. The only thing I can think of to compare it to, at least on some levels, is Sergio Sollima's equally slow-paced and dreamy "Violent City." The Florida locations fit the mood perfectly. The protagonists are a bunch of laid-back, golf playin' smack dealers one would genuinely enjoy serving in a restaurant or at a ticket counter; the stereotpyes normally attached to their way of life are conspicuously absent. The final shoot-out between Rappaport and Trese is all style and no substance, but in such an oddly good way, it had me gawking with awe.

Lili Taylor, Adam Trese and Kevin Corrigan, all relative unknowns (which irks me), are all great here. Michael Rappaport, while somewhat over-exposed at this point, was also under-appreciated at the time of this film's release. He, Gomez regular Saul Stein, and even the oft-annoying Tony Danza all rise to the material, for which they are aptly cast.

Like I said, the end left me frustrated, but the overall experience is well worth it.

This film is very poorly directed and edited. I got the impression that the editor took all the pieces of the film and put them in a hat and then spliced them together in a random order. Flashbacks merge into present-tense without any rhyme or reason. Momentary images of characters pop up without justification. I watched this because I love the work of Lili Taylor who is forgettable but not offensive in this; not so for Michael Rappaport who appears to be using some of the drugs that he sells in the movie. There's an amazing last shot in the film where Rappaport is supposed to have hit a golf ball on a golf course. His gaze goes up and out to show that he's hit the ball `hundreds of yards' but it is obvious, even without freeze-framing, that the ball actually dribbles about 20 feet in front of him. The reason that I hated this movie so much is that it COULD have been good with it's fine cast and interesting script - I'll never watch a Gomez film again.

As the title says, I find this to be sort of the 'heroin' version of Scarface though the stories are not identical. The movie features strong actors who can be seen in movies/shows like True Romance, Copland, American Pie, The Sopranos, The Substitute, Ransom, etc.

The movie is trippy/surreal so in some ways it's comparable to David Lynch's directing style. The story revolves around drug dealers and an ex-dealer getting out of prison and trying to reclaim his place in the drug world in Florida. i don't want to give the story away, but you can assume from the aforementioned summary of the plot, that there will be friction, and deaths.

strong movie, obviously from the rating, it's poorly underrated.

I just watched Illtown on video, 6 years after it came out. Better late than never! I loved Laws of Gravity and wondered what happened to Nick Gomez. I knew he was directing some TV stuff (Oz, the Sopranos) and unfortunately didn't get around to seeing Illtown when it was in the theatres. Nick Gomez's directing style is so unique and powerful, and his sense of color and detail is incredible. Illtown reminded me alot of Soderberg's "The Limey", in its sophisticated sense of space and geography. Gomez's use of the Florida landscape and architecture is just as expressive as the incredible cast of characters he assembled, just as his location of Williamsburg, Brooklyn did in Laws of Gravity. I loved this film, and I encourage anyone who has any taste to see it.