Du vent dans les saules

Fantastic family fun sees the Python team back on top form. Director Terry Jones (Who also writes and fantastically plays the part of Green - headed pink - cheeked fly - eating fantastically funny Toad in the film) sees the film to suit all ages. We've got a touching performance from Steve Coogan as heroic/overwimpy Mole, Overcooked portrayal of Rat from Eric Idle, and excellent performance from Nicol Williamson as Badger, and really cherrie performance from Michal Palin as the Sun. But by far the best performance was Antoney Sher's portrayal of the hissable Cheif Weasel. A real feast of cherrie popcorn fodder and tounges remain firmly in cheek throughout. Highly enjoyable.

Hey, what's going on?

I've been reading the reviews of this film, and can't understand the (over) reaction to it.

This is a children's film. For children. Adults watching it who are not amused must have hearts of stone - even though it does not follow the current trend of having a subtext directed at the adult audience.

And yet, other reviewers are comparing it to Monty Python, Pink Floyd, The Decline and Fall of the Roman Empire, John Majors pre 97 UK - et al. This is ridiculous.

It's a light hearted representation of the story which does not stick to the original text. I'm sure the author would have laughed in the right places. I've seen (a few) better films of the genre - I've seen many, many worse.

The low points?

• the songs

• the pet food factory plot (Why??)

The high points?

• the fact the songs are very short

• the costumes (an eclectic mix of modern, Victorian, Edwardian, and Middles Ages which I think work really well).

• Toad's green face paint

• The steam train.

Anyway, my children, who can be deeply cynical of films like this, loved it. I laughed. End of story.

Don't get me wrong, I did really like it, but like most films, there were a number of flaws that undermined what could have been a fun romp for kids. The first, and main problem, was the story. There were some times when it bared some resemblance to one of the best children's books ever written, up there with Peter Pan and the Hans Christian Anderson Fairy tales, for imagination and complexity. However, I especially disliked the dog meat factory subplot, that's where it got really clumsy and it made the climax feel really cluttered. The songs were also nothing to write home about. They were fun to listen to (especially the Weasel song), but they were definitely forgettable. The direction, by I think Terry Jones(also actor), lacked at times the director's usual silliness and fun. There were some scenes, like the train scene where the action felt a bit rushed. However, there were a number of redeeming qualities to the film. Some scenes, like the introduction to Rat, were beautifully shot, and reminded me of Three Men in a Boat. The sets and scenery are very colourful and pretty and the costumes didn't bother me all that much, admittedly though some of the special effects were so-so. The script was good, very witty at times, with some priceless lines especially with Toad, Badger and St John, while maintaining the book's gentleness and drollness which I liked. The performances were in general excellent especially Nicol Williamson as Badger, who brought a much needed gruffness to the character as well as having a gift for comedy. Steve Coogan was touching as Mole. Eric Idle and Terry Jones were very funny in their roles, Idle is wonderfully sympathetic and jovial while Jones has a ball as the juiciest character. The courtroom scene was hilarious because of Toad's increasingly silly breaking-into- song moments, and was the highlight of the film. John Cleese and Stephen Fry were good(Cleese especially), but their appearances were too brief. Anthony Sher was adequately menacing as Chief Weasel, but like everyone else involved, he has been better. All in all, a likable, colourful and funny but unfortunately at times clumsy film, with a 7/10. Bethany Cox

Although "Wind In the Willows" (released on video here in the US as "Mr. Toad's Wild Ride") is marketed as a kid's film, Monty Python fans are likely to get more out of it. The movie features Terry Jones (who wrote and directed it as well), Eric Idle, Michael Palin, and John Cleese (in a brilliant cameo as Toad's lawyer). Too bad they couldn't get Terry Gilliam on this project. The movie tells the famous children's story with the unique silliness, British humor and over-the-top delivery that we've come to expect from the Python troupe.

This is a movie that can not only be enjoyed by kids, but adults as well. Especially if they're Python fans. It won't replace your prized copy of "Monty Python and the Holy Grail," but it's well-worth checking out. It's a crime that the studio did little to promote this film.

Venturing out from his underground home, Mole joins Ratty for a river trip. They come across the rich Mr Toad, who has taken up caravanning as a new hobby. However this hobby is replaced by a new one when he is run off the road by a motorcar – sparking a new passion in his life. While Badger, Mole and Ratty try to cure Toad of his car obsession, the weasels use it against him in order to get the deeds to Toad Hall.

After making this film, Terry Jones had a public falling out with Disney resulting in them pulling it from a theatrical release, giving it a stupid title and dumping it out direct to video – a fate it certainly didn't deserve. It is Disney that now looks stupid though as this is a wonderfully fun film that is pure simple fun to watch, it is the sort of kid's film that adults love because they can easily enjoy it just as much as their children.

The plot is a good adaptation of Grahame's classic book with only the factory bit towards the end being the biggest change to the source material.

In honesty, this thinly veiled attack on the ethics of big business is not only what most likely annoyed Disney but also is the bit of the film that doesn't work that well – it is cluttered, overly busy, noisy and lacking in the clean, fresh wit of the majority of the film. However this is a minor complaint as the rest of the film is a real joy.

The film has a constant spring in it's step and is fresh and funny. For my money the best scene to demonstrate this humour is the wonderful courtroom scene where absurd wit runs amuck (Cleese's 'defence of Toad had me rolling!). I'm sorry for gushing about this but it is an underseen film due to Disney's shoddy treatment of it and, expecting it to be bad like all video releases, I was really surprised to find just how enjoyable it was. As director, Jones does a great job on the film – it looks great and only the odd bit of special effect work let it down: the land is an idyllic, colourful place full of leisure time and a kind, friendly sun that always shines!

What really raises the film up is an amazing cast who are pretty much all used well rather than just being cameos for cameos' sake. Idle is really good as Ratty, as is Coogan in a nicely played role as Mole – they both play the characters as I imagined them. Jones has the film's most fun role and he really does it very well, keeping the audience on Toad's side by playing up his childish side rather than an arrogant side. Sher is great as the chief weasel and has great fun, Williamson is well cast but has less fun with his role than the others. The support cast is great – not only most of the Python team but good little roles from Fry, Hill, Planner, Wood and others are all used well and rarely is a bum note hit.

Overall this is a big, lively, colourful film that will please children no end. For adults it is never silly enough to be just for kids and there are plenty of famous faces to keep them entertained. However more than that, adults will enjoy the film's constant absurd wit in the script and direction that only really flags when the film pulls itself into a straight finish with a cluttered finale that is good but not as fresh and free as what had gone before. Despite Disney's best efforts this remains a really good film and one that is worth hunting out if you want a good bit of fun for family viewing.