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IMDbPro

When We Were Kings

  • 1996
  • Tous publics
  • 1h 28min
NOTE IMDb
7,9/10
20 k
MA NOTE
Muhammad Ali in When We Were Kings (1996)
Theatrical Trailer from Gramercy Pictures
Lire trailer1:43
1 Video
51 photos
SportBoxeDocumentaireDocumentaire sportif

Ajouter une intrigue dans votre langueBoxing documentary on the 1974 world heavyweight championship bout between defending champion, George Foreman, and the underdog challenger, Muhammad Ali.Boxing documentary on the 1974 world heavyweight championship bout between defending champion, George Foreman, and the underdog challenger, Muhammad Ali.Boxing documentary on the 1974 world heavyweight championship bout between defending champion, George Foreman, and the underdog challenger, Muhammad Ali.

  • Réalisation
    • Leon Gast
  • Casting principal
    • Muhammad Ali
    • George Foreman
    • Don King
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,9/10
    20 k
    MA NOTE
    • Réalisation
      • Leon Gast
    • Casting principal
      • Muhammad Ali
      • George Foreman
      • Don King
    • 78avis d'utilisateurs
    • 62avis des critiques
    • 83Métascore
  • Voir les informations de production sur IMDbPro
    • Récompensé par 1 Oscar
      • 12 victoires et 5 nominations au total

    Vidéos1

    When We Were Kings
    Trailer 1:43
    When We Were Kings

    Photos50

    Voir l'affiche
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    Rôles principaux35

    Modifier
    Muhammad Ali
    Muhammad Ali
    • Self
    George Foreman
    George Foreman
    • Self
    Don King
    Don King
    • Self
    James Brown
    James Brown
    • Self
    B.B. King
    B.B. King
    • Self
    Mobutu Sese Seko
    Mobutu Sese Seko
    • Self (President of Zaire)
    Spike Lee
    Spike Lee
    • Self
    Norman Mailer
    Norman Mailer
    • Self - Writer
    George Plimpton
    George Plimpton
    • Self - Writer
    Thomas Hauser
    Thomas Hauser
    • Self
    Malick Bowens
    Malick Bowens
    • Self - Artist
    • (as Malik Bowens)
    Lloyd Price
    Lloyd Price
    • Self - Concert Promoter
    The Spinners
    The Spinners
    • Themselves
    Miriam Makeba
    Miriam Makeba
    • Self
    Drew Bundini Brown
    Drew Bundini Brown
    • Self - Ali's Ass't Trainer
    • (as Drew 'Bundini' Brown)
    Odessa Clay
    • Self - Ali's Mother
    Howard Cosell
    Howard Cosell
    • Self - ABC Sports
    Wilton Felder
    • Self
    • (as The Crusaders)
    • Réalisation
      • Leon Gast
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs78

    7,920K
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    Avis à la une

    kevink868

    fascinating piece of history, even for non-fight fans

    It goes nearly without saying that Ali is a transcendent figure of his generation. For those currently in their twenties who did not grow up in Ali era, this film is a glimpse at why the world choked up upon seeing Ali light the flame at the Atlanta Olympiad.

    While Gast's footage of Ali in Kinshasa is sparse, interview segments with Plimpton, Mailer and Lee, and a pulsing soundtrack fill in the blanks to tell a surprisingly complete tale. The characters are fascinating: A young Don King, who had not yet made his name; a sullen, menacing George Foreman bearing no resemblance to the huckster we see today; the creepy Mobutu, who is rarely seen though his presence is felt, and Howard Cosell, who appears briefly to predict the defeat of the man who practically created him. Far, FAR superior to Michael Mann's Ali, which lifted huge pieces from this documentary. While Mann's film provides much more for the eye, Gast's "Kings" is a superior example of pure storytelling.
    8boblipton

    There Can Only Be One King

    Leon Gast's documentary about the 1974 "rumble in the jungle" championship fight between George Foreman and Muhammad Ali is...

    Well, is it even about that, or is it about Ali? I incline to the view that it is the latter. Foreman is not much seen before the fight, and never speaks. Ali is all over the place, talking about his strategy, his love for Africa. We hear celebrities of the day, and boxing commentators. Foreman remains a brooding, fear-inspiring, mysterious opponent, who plans to corner Ali and beat him to death.

    Of course, that's not the way it happened, and when this Oscar-winning film came out, more than two decades after the fight, everyone knew it then. So are the film makers trying to evoke the tension in the Ali camp at the time, that he was going to get himself beaten to death for half the $10,000,000 purse, or just to make the story better? Or a combination of the two? Probably the combination. Whichever it is, it's a well told story, and put together very well with talking heads and clips of the time edited together very well.
    CinemaClown

    Lets Get Ready To Rumble

    A testament to the greatness of the man, the myth & the legend, When We Were Kings documents the build-up to arguably the greatest sporting event of the 20th century and follows the 32-year old Muhammad Ali as he starts training for the historic boxing bout against the undefeated world heavyweight champion George Foreman which was held in Congo in 1974 and was billed as "Rumble in the Jungle".

    Directed by Leon Gast, it may have taken him 22 years to bring this documentary to cinematic life but it still packs a hard-hitting knockout punch that can floor its viewers. The film not only takes into account the preparation of both fighters but also delves into Ali's beliefs, political stance & powerful connection with the African crowd before heading into the memorable match that left the world shell-shocked to its core.

    It also provides a brief overview of Congo's (then known as Zaire) history, its ruthless dictator, its music & rich culture. Also present are many interviews with reporters or journalists who had rather strong opinions about Ali. The fight in itself, though not shown in its entirety, is riveting from start to finish. It shows how quick, tactical & inventive Ali was with both his hands & his mind as he takes on a younger, unbeaten champion in his prime.

    Overall, When We Were Kings is one of the best sports documentaries out there, and certainly makes for a welcome tribute to the Greatest whose cocky attitude, larger-than-life aura, strong voice & gifted in-ring ability made him an enduring icon of the sport with a legacy that still has no equals. Packed with adrenaline & burning with passion, this Academy Award-winning documentary is entertaining, inspiring & rewarding in more ways than one and comes highly recommended.
    10Sylviastel

    Impressive Documentary of an Historic Event!

    The fight between Muhammad Ali aka Cassius Clay and George Foreman in Zaire. The fight was nicknamed the rumble in the jungle. The documentary follows Ali and Foreman. It also has insight from writers and witnesses, Norman Mailer and George Plimpton, and African American film director, Spike Lee, who later directed the film, "Ali." This documentary is a rare treasure that captures history, culture, and relationships. Ali is the underdog in the ring against Foreman on October 30, 1974. The outcome is remarkable as is the story behind both fighters. Ali is proud of being an African American, honest, opinionated, and vocal about civil rights in America and in Africa. He was proud to see Africans who flew, lived, and governed their own country. Sadly, Ali isn't well with Parkinsons. The disease has crippled his voice but not his message in recent years. The documentary is historical for so many reasons.
    8a_trotskyite

    Superb documentary, excellent movie.

    I watched this movie last night on CBC, my third viewing. It keeps getting better. As fascinating a story as one would ever hope to see in any movie. In case anyone does not know why Muhammed Ali was widely named as the athlete of the century by many in 1999. This film will explain.

    Ironically, the long delay in finishing and releasing this film may have improved the finished product. The increased perspective of more than a decade may have sharpened the editing choices. Not a method I would recommend as it is rather hard on the artist, but we benefit in this case.

    It is important to recognize that whatever this film started out as, it became a study of Ali. And what a subject for study. What an athlete, what a man.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      When the film won the Academy Award for Best Feature Documentary, George Foreman and Muhammad Ali came to the stage with the filmmakers to show they had made peace. Foreman helped Ali, stricken with Parkinson's Disease, climb the steps to the stage.
    • Citations

      Muhammad Ali: It is befitting that I leave the game just like I came in, beating a big bad monster who knocks out everybody and no one can whup him. That's when little Cassius Clay from Louisville, Kentucky, came up to stop Sonny Liston. The man who annihilated Floyd Patterson twice. HE WAS GONNA KILL ME! But he hit harder than George. His reach is longer than George's. He's a better boxer than George. And I'm better now than I was when you saw that 22-years old undeveloped kid running from Sonny Liston. I'm experienced now, professional. Jaws been broke, been knocked down a couple of times, I'm bad! Been chopping trees. I done something new for this fight. I done wrestled with an alligator. That's right. I have wrestled with an alligator. I done tussled with a whale. I done handcuffed lightning, thrown thunder in jail. That's bad! Only last week I murdered a rock, injured a stone, hospitalised a brick! I'm so mean I make medicine sick!

      Don King: Bad dude!

      Muhammad Ali: Bad, fast! Fast! Fast! Last night I cut the light off in my bedroom, hit the switch and was in the bed before the room was dark.

    • Connexions
      Edited from The Rumble in the Jungle (1974)
    • Bandes originales
      Am Am Pondo
      Written by Miriam Makeba

      Miriam Makeba Music (ASCAP)

      Performed by Miriam Makeba

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    FAQ17

    • How long is When We Were Kings?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 23 avril 1997 (France)
    • Pays d’origine
      • États-Unis
    • Langues
      • Anglais
      • Français
    • Aussi connu sous le nom de
      • Kelebek Gibi Uçar Ari Gibi Sokarım
    • Lieux de tournage
      • Kinshasa, Democratic Republic Of Congo
    • Sociétés de production
      • Das Films
      • David Sonenberg Production
      • Polygram Filmed Entertainment
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut aux États-Unis et au Canada
      • 2 789 985 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 12 479 $US
      • 27 oct. 1996
    • Montant brut mondial
      • 2 789 985 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 28min(88 min)
    • Couleur
      • Color
    • Mixage
      • Dolby Digital
    • Rapport de forme
      • 1.85 : 1

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