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IMDbPro

En attendant Guffman

Titre original : Waiting for Guffman
  • 1996
  • R
  • 1h 24min
NOTE IMDb
7,4/10
32 k
MA NOTE
En attendant Guffman (1996)
Trailer for Waiting for Guffman
Lire trailer2:02
1 Video
99+ photos
ComédieSatire

Ajouter une intrigue dans votre langueAn aspiring director and the marginally talented amateur cast of a hokey small-town Missouri musical production go overboard when they learn that someone from Broadway will be in attendance.An aspiring director and the marginally talented amateur cast of a hokey small-town Missouri musical production go overboard when they learn that someone from Broadway will be in attendance.An aspiring director and the marginally talented amateur cast of a hokey small-town Missouri musical production go overboard when they learn that someone from Broadway will be in attendance.

  • Réalisation
    • Christopher Guest
  • Scénario
    • Christopher Guest
    • Eugene Levy
  • Casting principal
    • Christopher Guest
    • Fred Willard
    • Catherine O'Hara
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,4/10
    32 k
    MA NOTE
    • Réalisation
      • Christopher Guest
    • Scénario
      • Christopher Guest
      • Eugene Levy
    • Casting principal
      • Christopher Guest
      • Fred Willard
      • Catherine O'Hara
    • 223avis d'utilisateurs
    • 41avis des critiques
    • 72Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 2 victoires et 3 nominations au total

    Vidéos1

    Waiting for Guffman
    Trailer 2:02
    Waiting for Guffman

    Photos144

    Voir l'affiche
    Voir l'affiche
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    + 138
    Voir l'affiche

    Rôles principaux38

    Modifier
    Christopher Guest
    Christopher Guest
    • Corky St. Clair
    Fred Willard
    Fred Willard
    • Ron Albertson
    Catherine O'Hara
    Catherine O'Hara
    • Sheila Albertson
    Parker Posey
    Parker Posey
    • Libby Mae Brown
    Deborah Theaker
    Deborah Theaker
    • Gwen Fabin-Blunt - Councilwoman
    Michael Hitchcock
    Michael Hitchcock
    • Steve Stark - Councilman
    Scott Williamson
    Scott Williamson
    • Tucker Livingston - Councilman
    Larry Miller
    Larry Miller
    • Glenn Welsch - Mayor
    Don Lake
    Don Lake
    • Phil Burgess - Blaine Historian
    David Cross
    David Cross
    • UFO Expert
    Eugene Levy
    Eugene Levy
    • Dr. Allan Pearl
    James McQueen
    James McQueen
    • Singing Auditioner
    • (as Jim McQueen)
    Turk Pipkin
    • Ping Pong Ball Juggler
    Jerry Turman
    Jerry Turman
    • Raging Bull Auditioner
    Bob Balaban
    Bob Balaban
    • Lloyd Miller
    Paul Dooley
    Paul Dooley
    • UFO Abductee
    Linda Kash
    Linda Kash
    • Mrs. Allan Pearl
    Lewis Arquette
    Lewis Arquette
    • Clifford Wooley
    • Réalisation
      • Christopher Guest
    • Scénario
      • Christopher Guest
      • Eugene Levy
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs223

    7,431.8K
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    Avis à la une

    8FilmOtaku

    Why did I wait so long?

    I'm not sure why I waited to so long to see this film as I've known about it for quite some time now, but it was purely delightful. I spent the weekend catching up on my Christopher Guest films, and watched `A Mighty Wind' then `Best in Show' and saved Guffman for last. While I still thought `A Mighty Wind' was better, (in the same way that Sprite is better than 7-Up… there's really no difference, just maybe an iota of something indescribable that is better) `Waiting for Guffman' is still huddled in there with `Best in Show' as a fantastic film.

    One thing that I noticed about `Guffman' over the others is that while all of his films have a little heart to them, this film had just a little bit more. I can also see that Guest, while having more of an acting role in this film, went on to lessen his roles substantially, but he really is a good actor. All of the actors show immense versatility, (especially Catherine O'Hara, whose hair in this film made me laugh constantly) but Guest actually surprised me. The fact that the films are primarily ad-libbed is most impressive in `Guffman' in my opinion, and the direction, while very subtle in all of the films, does not rely on editing to lead (or sometimes, create) a gag as much as his later films do.

    All of Guest's films are fairly short (clocking in at 90 minutes or less) so I would suggest that if you haven't seen any or all of his mockumentaries, to just schedule a film festival with some friends and watch them in order. It's fun to compare them, and to watch the same actors take on different personas, and `Waiting for Guffman' is a strong and hilarious piece of work.

    --Shelly
    islander40

    Pure genius

    Face it, between Best in Show and Waiting for Guffman, Christopher Guest leaves no doubt, that he alone ,is the greatest mockumentary film maker of all-time. Which film is better? Good luck with that one. Even though I have seen both of them in the past, I just watched both of them again. And could watch them, both,again. Just wanted to add my two cents.
    futures-1

    Waiting for Godot, I mean, Guffman

    "Waiting for Guffman" (1996): THE FINEST assemblage of straight-faced comedians in all of history, create one of THE funniest movies EVER. "Waiting for Guffman" is about humans with more than enough faith...AND self-delusions. Christopher Guest is the driving force, both in front of and behind the camera, and along with Eugene Levy, portray a small town's population creating a small play about their small history, which is a VERY BIG deal to them. Guest's consistent theme (throughout his films) is about humans who don't have enough insight or talent to spot the lack of it within themselves. There is an incredible blind faith, tenderness and embarrassing, misguided drive within these people. And yet, within their little world, they support the dreams for one another, and move through their lives with solid delusion. "This is Spinal Tap", "Best in Show", and "A Mighty Wind" are other great examples. Guest also has the sense to call back his actors for further projects. This is brilliant work.
    8planktonrules

    Definitely not to everyone's taste, but a lovely film nonetheless

    This is the first of several films that Christopher Guest and his friends have made using a very unusual style. Instead of a clearly defined script, some very talented actors (such as Eugene Levy, Catherine O'Hara, Fred Willard and others) took a script idea and improvised throughout. The film was then created using the best bits and I can honestly say that there is nothing like this film. While some of the jokes are very, very dry and occasionally fall flat, there is a subtle charm and wit to the film as you follow a group of 3rd rate local actors who have insane visions of Broadway.

    The film is ostensibly about a very local stage production about the founding of some small town. While these sort of pageants have been ubiquitous in small town America, this one is unique because supposedly a guy by the name of Guffman is coming to town and plans two see it. Guffman, it seems, is from Broadway and the cast has the temerity to believe that maybe they'll impress him so much that they'll become major stars. Considering the quality of the acting is well below that of an average high school production, this is very absurd. Yet, although ridiculous, there is a certain something in many of these people that is very likable so there is some depth to the film--you aren't just laughing at yokels who have ridiculous aspirations.

    I thoroughly enjoyed the film and think that people who like their humor subtle and perhaps a bit painful will enjoy this film. People who prefer broad comedy probably won't enjoy this very much.
    7Jonny_Numb

    Funny and deceptively authentic

    The current climate of cinematic comedy is comparable, to an extent, to the trend in horror: everything is geared toward pull-out-all-stops excess that is more disgusting than entertaining. We should thank our lucky stars for Christopher Guest, a consistently surprising filmmaker (he directed "Best in Show" and wrote "This is Spinal Tap") who makes 'mockumentaries' that play like actual documentaries. "Waiting for Guffman" follows Corky St. Clair (Guest), a flamboyant stage director who gathers a group of 'eclectic' locals (a cross-eyed dentist; a husband-and-wife travel agent team; a Dairy Queen employee) for a production about the sleepy town in which they live (its claim to fame being home of the footstool). There is a hilarious authenticity to the behind-the-scenes footage, but the film never laughs at its subjects--as viewers, we share Corky's (admittedly delusional) passion with bittersweet good humor. The supporting cast--consisting of Guest regulars Eugene Levy, Catherine O'Hara, Parker Posey, Fred Willard, Bob Balaban, and Larry Miller--is in top form here. "Waiting for Guffman" is a quiet comedy gem about a dull, quiet town. And it's also ridiculously rated "R" for two quick instances of F-word usage (way to call it, MPAA!).

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      When playing Blaine Fabin in "Red, White and Blaine," it becomes necessary for Dr. Pearl (Eugene Levy) to remove his glasses. Unfortunately, Dr. Pearl's glasses corrected his lazy eye problem. Actor Fred Willard was unaware of the gag during shooting, and after delivering the line, "What did your keen and perceptive eyes behold?" to Fabin, he stared at Levy's lazy eye, finally understood why his line was funny, and "was gone for about ten minutes" with laughter.
    • Gaffes
      During the last scene in the play, a tuba can be heard playing, but there is no tuba in the orchestra.
    • Citations

      Corky St. Clair: So what I'm understanding here, correct me if I'm wrong, is that you're not giving me any money, so now I'm left, basically, with nothing. I'm left with zero, in which, what can I do with zero? You know, what can I... I can't do anything with it. I need to... this is my life here we're talking about, we're not just talking about, you know, something else, we're talking about my life, you know? And it's forcing me to do something I don't wanna do: to leave. To go out and just leave and go home and say... make a clean cut here and say "no way, Corky. You're not putting up with these people." And I'll tell you why I can't put up with you people, because you're bastard people. That's what you are, you're just bastard people and I'm going home and I'm gonna... I'm gonna bite my pillow is what I'm gonna do!

    • Crédits fous
      During the end credits, Corky (Christopher Guest) shows us some of the fun memorabilia that he sells in his store.
    • Versions alternatives
      There is at least one rough cut of the film in circulation among fans of Guffman. It features an expanded performance of "Red, White and Blaine", including the musical number "This Bulging River", as well as dozens of alternate takes, as well as the exclusion of many scenes in the finished film, which were shot after this first rought cut was made.
    • Connexions
      Featured in Siskel & Ebert & the Movies: Shadow Conspiracy/Waiting for Guffman/Star Wars: Special Edition/Gridlock'd/Prisoner of the Mountains/Walkabout (1997)
    • Bandes originales
      Lightnin' Strikes
      Words and Music by Lou Christie (as Lou Christy), Twyla Herbert

      Courtesy of Music Corporation of America, Inc. (BMI)

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    FAQ19

    • How long is Waiting for Guffman?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 31 janvier 1997 (États-Unis)
    • Pays d’origine
      • États-Unis
    • Site officiel
      • Warner Bros. (United States)
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • El experto
    • Lieux de tournage
      • Gaslight Baker Theater, Lockhart, Texas, États-Unis(theatre)
    • Sociétés de production
      • Castle Rock Entertainment
      • Pale Morning Dun
      • All Night Productions
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 4 000 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 2 923 982 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 37 990 $US
      • 2 févr. 1997
    • Montant brut mondial
      • 2 925 583 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 24min(84 min)
    • Couleur
      • Color
    • Mixage
      • Dolby
      • SDDS
    • Rapport de forme
      • 1.85 : 1

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