Personnel et confidentiel

The film tries to give an idea of the difficulties of TV journalists to succeed and the problems they may face during the job. The director of the film seems to be interested of what may happen in Cuba, and the film touches partially the ethic of contra group in Miami. It also shows how mass media are always behind sensation of the news, sometimes sacrificing the life of the reporters, and this is what happened to Robert Redford, one of the heros of the film. This is not an easy film to be seen, but the argument is acceptable.

You know how there are some movies which you know you're not supposed to like but end up liking anyway? That perfectly describes this movie. This umpteenth re-telling of A STAR IS BORN is sappy, unbelievable(while previous "Norman Maine" characters are down because of alcohol, Redford's character is down because of his "integrity." Yeah, okay), and contains an unbearable Celine Dion(of course, in my opinion, unbearable and Celine Dion is redundant, but that's my opinion). But darn it if the romantic chemistry between Redford and Pfeiffer doesn't make this worth watching. And say what you want about director Jon Avnet(and I'm not a fan of his), he knows how to direct actors. Joe Mantegna, Stockard Channing, and Kate Nelligan are all excellent here. You may not like yourself for liking it, but there you go.

Sally 'Tally' Atwater (Michelle Pfeiffer) is ambitious and green starting out as a local TV reporter in Miami hired by news director Warren Justice (Robert Redford) from her amateur tape. They fall in love as he grooms her rise from weather girl to star reporter in the newsroom. Agent Bucky Terranova (Joe Mantegna) recruits her to a bigger Philadelphia station. She struggles from jabs by jealous anchor Marcia McGrath (Stockard Channing) and unkind public judgment. Warren has been struggling himself. Sensing her despair, he goes to Philadelphia to help her recover.

This is loosely based on the late NBC News anchor Jessica Savitch but it has more in common with the play Pygmalion. It's a bit too broad at first with Pfeiffer stumbling awkwardly to portray inexperience. It's so broad that it actually becomes off-putting. There is also the age difference but Pfeiffer and Redford are great enough to overcome it. The plot has much of the formula of a good romance but it just feels false. The actors' cinematic presence helps a lot. In the end, I don't feel it.

I don't know how anyone could watch this movie and not love it. The line up of actors in the move are amazing and maybe that's why some people expected a different kind of movie. The movie moves a long perfectly, telling the story in a great time line. It doesn't drag and there is not one part of the story that doesn't fit. It's as if a friend is telling you the main highlights of a friends' love life. I gave it a ten - Redford an Pfieffer make a great, believable couple and you can tell they put their heart into this movie. They both play people who are intelligent and aren't afraid to fight for what they believe it, something we all strive for. Get a tissue, you'll need it.

"Up Close and Personal" proves again that charismatic stars and good production values can overcome a weak story. This story of two television journalists (Redford and Pfeiffer) has few surprises, no fresh insights about the news business, and its big moments are both predictable and overblown. Nevertheless, Redford and Pfeiffer provide enough star power to make for a reasonably entertaining couple of hours. There is one particularly funny line, though. When the Pfeiffer character says of a co-worker, "He's so stupid!" her boyfriend, the Redford character, with a quizzical expression on his face, says, "He's an anchorman." 6 out of 10, marginally recommended.