Comrades, Almost a Love Story

This movie is a classic. Maggie Cheung, in what I consider her best work, is simply brilliant as the young Chinese woman who emigrates to Hong Kong in search of a better life. While it is a classic love story, Peter Chan has done a fantastic job of making it extremely fresh and captivating. The script is very well-written, and the rest of the cast and crew perform admirably. But it is Maggie who steals the show, and for this role she deservedly won Best Actress at the Hong Kong Film Awards.

Other reviewers have said it well: this is a wonderfully romantic film. I hate to make a statement like, "It's the Asian version of . . . ", because the film doesn't need a comparison to any American film to have an identity, BUT it has several things in common with "The Way We Were", "Comrades" follows an up-and-down romance over the span of several years and has that same quality of bittersweet fate hanging over them throughout. The early scenes in which Li Xiaojun (Leon Lai) and Li Qiao (Maggie Cheung) begin their love affair are particularly entertaining. A favorite scene: Li Xiaojun helping Li Qiao on with her coat, they get closer and closer, their lips brush together, then they embrace, then a full on kiss, then mutual passion overtakes them as they both feverishly unbutton that same coat they had just been struggling to button. The scene is both sweetly romantic and humorous.

Another similarity to "The Way We Were" is that both films benefit from a tear-inducing song, in this case a love song by Taiwanese singer Teresa Tang which plays a vital role in the plot. Great job of direction by Peter Chan and a wonderful script, but it's the performance by Maggie Cheung that really sells the film. From the moment you see her behind the counter at McDonald's you're hooked by her energy, spunk, attitude, and determination. Her character runs the gamut of emotions during the course of the film and there wasn't one false moment in her performance. She is totally believable, whether she's flashing a self-satisfied grin into her ATM machine or dealing with a devastating loss (I won't give it away, but Cheung's reaction is heart-wrenching). "Comrades" is truly a wonderful film.

Every time I watch this kind of film, I feel as long as I have lived a lifetime

Peter Chan's COMRADES: ALMOST A LOVE STORY is a touchstone of Hong Kong cinema, a decade-spanning romance revolves around two Chinese main-lander finding their feet in HK from the bottom-line and shoved together by loneliness, camaraderie and simmering affection, yet their life trajectory would bifurcate by checkered fate, only to be reunited in a foreign land of New York City, ten years after their first encounter, serendipitously facilitated by the news of the sad demise of their favorite singer Teresa Teng (1953-1995).

Li Xiaojun (Lai) and Li Qiao (Maggie Cheung), he is a wide-eyed Northerner arrives in HK to stay with his auntie (Tsu), doesn't speak Cantonese but his dream is to earn enough money to bring her fiancée Xiaoting (Yang) to HK and tie the knots; she, a Southerner from Guangdong Province who sports a fluent Cantonese (initially, she withholds her provenance from him), is more opportunistic and all she wants to be is a successful Hong Kong citizen, thus, the biggest barrier between them is their disparate nature of their goals, but that doesn't stop them from being friends and sometimes, bed-mates through the vicissitude of their lives. But the key is always in her hands, from a MacDonald girl, to various sidelines, it is the unethical job of a masseuse introduces Li Qiao to the triad boss Pao (Tsang), an ostentatious, chubby shorty whom she grows attached with, in Ivy Ho's organically unforced script, this reflects a limpid sensibility of don't-judge-the-book-by- its-cover philosophy, and this sidebar would culminate in a heart-string-tugging crescendo where Maggie Cheung enthralls us with a textbook exemplar of how to turn on the waterworks.

Both Xiaojun and Li Qiao would attain their dreams in due course, but that doesn't automatically bring them the happiness they pine for, it is a familiar scenario of right people meet in the wrong time, which is well-integrated into their backdrop of an unglamorous view of Hong Kong at its time, a financial hub beckons a better life, but also rifles with geometrical and language discrimination (the Teresa Teng mythos), speculative business (dubious stock market), nostalgia (auntie's lingering on the beggar-belief history with William Holden) and an undertow of uncertainty during that consequential decade, before Hong Kong would be returned to its motherland in 1997 to bookend its colonial history.

Burnished by Ivy Ho's top-notch diegesis (one particularly coup-de-maître comes when Li Qiao accidentally honks her car, which prompts Xiaojun into action of rekindling their affair, with Teresa's autograph emblazoned as an oracular signpost, it is one of those fortuitous incidents actually could become a game-changer in one's life), and two leads' deeply engaging performances, Leon Lai is thoroughly uncontrived in a very sympathetic and good-natured role without coming off as cutesy, and Maggie Cheung, the Hong Kong cinema goddess, one just cannot overpraise her magnificence and versatility (please, come back to the silver screen!), Peter Chan's outstanding romance saga eschews every nook and cranny to embarrass itself as a schlocky weepie and withstands its emotional punch up until its well-rounded cyclical coda, a knowing nod to the numinous methodology of predestination.

The film deals with an every-day subject that lots of films have dealt with so far: boy meets girl. So many people might tend to say "It's always the same with that kind of stories", but in this case they are wrong. This film is simply lovely. Everything is there. The rough meeting, the soft touch, the first realization, the despair in the rain, the slight hope, the fate's sign and finally the supernatural power of emotions. All this with Hongkong and New York - two of the most exciting cities in the world - as background and casted with the outstanding actress Maggie Cheung who I'd love to see more often in the cinema.

There might be bigger love stories, but for those two hours you watch this film the most beautiful love story comes from Hongkong.