Tesis

Why is death and violence so fascinating? Is it morally correct to show violence in movies? If so, is there a limit to what we should show? That is the subject of Ángela's examination paper.

As a film made by a film student about film students, much of "Tesis" is metafilmic and comments on the Spanish film industry, Hollywood influence and the voyeuristic nature of the horror and snuff genres. Following the aesthetic of the American horror genre, Angela operates as the "Final Girl," or resourceful female protagonist that defies stereotypical feminine traits.

This is every bit as gritty as a Hollywood horror film or thriller, and it is something of a surprise that it seems to be largely unknown. Even though it is foreign, die-hard horror fans should have latched on to it. And these days, it is a bit of a shock no one tried to remake it.

"Tesis" is not only a tantalizing Horror Thriller, but is also an intelligent study of people's fascination with death and the imagery of death. Several movies about the topic of snuff films have come up in the last several years (8 MM, for example), this one is definitely the best.

Angela is a young woman who is writing a thesis on violence in the media, in order to get her degree in communication science. Doing research, she gets to know Chema, a fellow student who is obsessed with violent movies. Angela finds a snuff video of a girl tortured to death, Chema recognizes the girl as a former student from their school, who disappeared several years ago. Angela and Chema get themselves into great danger, trying to find out who killed the girl.

Thrilling from the first to the last minute, and sometimes quite shocking and disturbing, "Tesis" is a movie that will definitely not disappoint you if you're looking for suspense. But not only is the movie thrilling and entertaining it also makes some very interesting points in the questions why people are fascinated with death and violence, what the effects of fascination with violence are and how media are dealing with it. I'll never forget the beginning of the movie, when a suicide occurs in the Madrid subway and Angela, although she doesn't want to be 'fascinated with violence', can't help but try to get a look at the dead body.

The acting in the movie is very good, specially Ana Torrent as Angela and Fele Martínez as Chema. A good cinematography supports the suspense and the thrilling atmosphere. Alejandro Amenábar did a great job writing and directing this movie, one of the most thrilling of the 90's. A great horror thriller, researching people's fascination with violence and death, 'Tesis' is disturbing, terrifying and intelligent! 8 out of 10!

This film is an efficient thriller from Spain. It deals with the popular urban legend of "snuff" films (films which depict a real-life murder committed purely for the sake of the film).

The plot involves a young film student Angela (Ana Terrant) who is doing a thesis on cinematic violence. To research her thesis she seeks out the most extreme violence films she can find and accidentally stumbles upon a snuff film depicting the torture and murder of a fellow student from her university. She soon starts investigating the film.

The film is well-made and well-acted with several effective scares and twists. It's main message is that the people who watch violent films are in some way accomplices to the violent acts that they watch. This is an old point that has been made several times before. It also deals with the attraction of the forbidden. For example, in the opening scene, Angela goes to see a dead body on a railway track, partly because she has been told not to. Just when she, and the audience, are about to see the body she is stopped. In another scene, Angela is looking away from the snuff film but takes a quick look when she is told not to.

First effort by now affirmed Spanish director Amenebar, Tesis starts brilliantly (with a magnificent mix of music and images) and it develops perhaps too slowly and with a unsatisfying ending - at least for a mystery lover - butt it is for a rest a perfect machine explaining how a movie works, how it captures the attention of the viewers. Its aim and final analisys of the movie event and how violence is the basis of today's society could be debatable, but Amenebar has a gift to take good script and turn them in masterpieces.

This suspenseful movie concerns about Angela(Ana Torrent), she's an university student at a journalism university in Madrid. She comes across a snuff movie that shows a girl being tortured and killed. She befriends Chema(Fele Martinez), a young completely obsessed with violent films. They find out that the girl was an university at their school and her former fiancé named Bosco(Eduardo Noriega) holds a camera similar to the snuff's shooting. They early discover the killing was actually filmed on campus.

The motion picture displays genuine chills, suspense, mystery and dark atmosphere with a shocker finale . Packs excellent creation of tension, thriller, terror , emotions and brief gore. It's an exciting, bizarre film; skillfully proceeded by Alejandro Amenabar and turns out to one of the most unusual Spaniard horror movie ever made and certainly one of the most unsettling. Plenty of shocks, the eerie images deliver the exciting united a creepy score by Amenabar, also screenwriter, along with Mateo Gil, of the thrilling plot. Intelligent edition, special use of murky sets and slick utilization of shock images make this one, a magnificent terror film. Gloomy and sombre cinematography by Hans Burman which heightens the suspense. The picture is well directed by Amenabar in his first movie. After he achieved various hits, such as : 'Open your ears, The others and Mar adentro' . Rating : Better than average.