Swingers

"The point is, Mike, that it all depends on how you look at it."

Swingers is the quintessential guy movie. Not to say that a woman won't enjoy it, or that it's a stereotypical collection of all the things that men are supposed to love in movies, like a non-stop testosterone-fueled orgy of naked women, explosions, and violence. 

Nope, Swingers is the quintessential guy movie because almost every guy can relate to at least part of it at some time during his life. The uncertainty about your career, the lingering pain of losing a girlfriend you truly loved, the camaraderie (and annoyances) of your friends, the frustrating world of dating and the games and "rules" that come along with it, and the feeling of that moment when you finally realize that your life can go on without that other person it revolved around so long.

The story focuses on Mike (Jon Favreau), an aspiring comedian in Los Angeles who has recently gone through a break-up with his long-term girlfriend back east, and his group of friends. Most of whom try to help Mike get over his break-up by meeting women in and around L.A. and Las Vegas. Especially his two best friends, ladies man Trent (Vince Vaughn) and Rob (Ron Livingston)  Most of the movie follows the group on their nightly romps through the city, or Mike as he struggles with the loss of the relationship that he was very much invested in.

I enjoyed the casual conversations the guys had about women, video games, their job efforts, and other things. Swingers really nailed the dynamics of how guys act with each other.

It's also pretty funny, though it's not a total comedy by any means. A lot of the humor derives from Mike's painful attempts to talk to women, after six long years off the market. There's a really hysterical sequence about Mike and a woman's answering machine later in the movie that will have you howling. 

I got the sense that Swingers is the kind of movie that holds up well after repeated viewings, and maybe even gets better. It's not amazing, or anything like that, but it is hard to imagine anyone (especially guys aged 20-29) not appreciating it.

Before watching "Swingers," I saw Jon Favreau and Vince Vaughn paired off in "Made." Now, I didn't like "Made" all that much, but that didn't lower my expectations when watching "Swingers." I already knew the two actors had a great chemistry and as long as the script is well-written, they can really go places. "Swingers" is a thoroughly original, wonderfully written comedy that's filled with big laughs.

Favreau and Vaughn's characters are like polar opposites, and it's hilarious to watch them argue. The rest of the actors are also good (I think the black guy is the blind character from "Becker"--I could be wrong), but Vince Vaughn steals the show as the smooth-talking Trent. We all have friends like Trent. Some of us aspire to be like Trent. Some of us are Trent. I admit, I would compare myself more to Favreau's character--the more reserved, sensitive type. But the great thing about a film like this is it's down to earth. It's about everyday people in everyday situations, and I guarantee many of us can relate to the characters in "Swingers" in one way or another, just like how many of us relate to the characters on "Seinfeld." This isn't a plot-driven film, so you can call this a movie about nothing. It's simply about a group of studs on the prowl, hitting the clubs and casinos, and sharing their philosophies on sex and dating. There are several films that tried to replicate this format and failed ("Whipped" comes to mind).

If you're in the mood to laugh hysterically and be wildly entertained, "Swingers" is the movie for you. About my only criticisms would be a few lame attempts to be stylish. Come on, would 5 guys really drive in their own cars and follow each other all the way without anyone cutting them off?

My score: 8 (out of 10)

Sometimes a movie doesn't have to be flashy or have incredible production value for it to still invoke intense feelings in me. I never lived in Los Angeles or went to flashy clubs like they did in the movie but the way it was shot felt so raw and brought me back to younger days with the men out in college and post-college 20s. This movie might not resonate as much with women but it makes me feel like going back to my friend group from that time. I can see why Jon Favreau caught his big break with this one because he was able to take his true story and make it feel so authentic in the film. I was very surprised by how much I liked this film based on the low quality of lighting and shots but if the screenplay hits so well and resonates with me sometimes that's all it takes to bump up the rating. 4/5 stars.

Upon hearing about this movie from friends, I was told that it was "money". They were right. This is "so money and they don't even know it." Entertaining comedy about letting go, and finding new romance and who your real friends are. Enough one-liners to quote for years, friends still quote it today! Nothing but beautiful babies, and a great upbeat soundtrack to get you dancing!

I chanced upon Swigers one evening after reading an article on writer/star Jon Favreau, and trying to figure out which character he played in Friends (it's Pete Becker by the way); don't you love it when you uncover a gem. From the opening credits, set to Dean Martin crooning "You're Nobody Until Somebody Loves You", I knew that this film was the very personification of cool, spawning one of the coolest characters in any film...ever, that being Trent Walker played by Vince Vaughn, with a swinging soundtrack and a real sense of fun which you don't often get in mainstream Hollywood; and this film is effortless in a way which Tarantino could only dream about.

The story centres around Favreau's loser-in-love Mikey, trying to make a living as an actor in L.A after leaving his long-term girlfriend behind in New York. His best buddy, Trent, tries incessantly to get Mikey back 'into the game' so to speak; cue a trawl around L.A's hippest night-spots, some hilarious insight into dating rituals (when is it cool to call? 2 days?), and a trip to Las Vegas in which Trent tries to 'pull a Fredo' (bedding cocktail waitresses two at a time). The central duo are ably supported by a cast of lovable rogues, all intent on getting laid.

Doug Liman directs in a laid-back manner, befitting of the film, and Favreau's script (based on Vaughn and himself) is full of witty insights and in-jokes, as well as enough movie references to keep everyone happy.

Although the characters are almost impossibly cool, they never appear obnoxious due to the over-riding sense that they are just a bunch of lovable losers trying to con their way into the beds of L.A's female population; sometimes succeeding, sometimes not, and there is a certain sweetness added by Favreau's predicament. The pay-off is cool, Favreau finally 'getting digits' and we are left with a role-reversal between the two main protagonists as Trent makes a fool of himself with a woman in the closing scene.

Altogether a classy, breezy, often hilarious film, a certain cult classic, and a fine addition to the date movie genre.