Some Mother's Son

The music from "Some Mother's Son", composed and conducted by Bill Whelan, is hauntingly beautiful. Eleanor McEvoy's vocal on "The Seabird" is outstanding.

However, it is too bad the storyline in the movie doesn't match the quality of the music. Quite frankly, the movie was boring!

Helen Mirren and Fionnula Flanagan give first rate performances as the mothers (Kathleen Quigley and Annie Higgins) of two IRA terrorists imprisoned following a rocket attack on British soldiers. David O'Hara (Frank Higgins) plays the hard core murderer who appears to enjoy killing the British. Aiden Gillen is Gerard Quigley, the unlikely terrorist, who aids his friend Higgins in the attack. O'Hara and Gillen are very believable in their roles. In fact all of the actors are good.

The problem is with the storyline and lack of action after the initial rocket attack and subsequent capture of Higgins and Quigley. The scene involving the IRA's retaliation murder of the Maze prison guards happens far too quickly for the viewer to understand what is going on. And let's face, watching people starve to death is not very exciting.

I still gave this movie 6 out of 10, because of the fine acting and music.

Irish44

S0ME MOTHER'S SON is one of the most accurate depictions about the ordinary families caught up in the turmoil and oppression of Northern Ireland. The characters are loosely based on real persons living today, who were caught up in the Great Hunger Strike of 1981. (I know Annie, the Fionnula Flanagan character personally) The British injustice and oppression, portrayed is accurate and no ones imagination, it continues today. Helen Mirren captures the true spirit of the indomitable Irish women, the true heroes of Ireland. Fionnula Flanagan's character is brilliant, and often steals the scene from Ms. Mirren. It has little character insights typical of women of Ulster. Want an accurate movie, about the gallant people of Northern Ireland? this is it! It makes no apologies for the I.R.A.(refreshing.) The I.R.A. may be a grey area to some, but SOME MOTHERS SON shows the viewer that there wouldn't be an I.R.A. if there wasn't British oppression.

While it is difficult to separate oneself from the politics of "the troubles" I think its important to keep in mind that this is a film, not a documentary. Its goal is to be historically authentic, not accurate. The message is one that speaks to mothers on all sides of the political divide. I think that one of the reviewers unfortunately missed the point of the movie which is featured in the title.

As a film this is an incredibly moving portrait of the horror, sacrifice and absurdity of war. The cast is outstanding; Helen Mirren is simply stunning, Fionnula Flanagan gives a powerful performance, Aidan Gillen is stirring as Helen Mirren's son and Bobby Sands' cell mate and finally John Lynch portrays the role of Bobby Sands quite fairly. The writers and director Terry George and Jim Sheridan have done an outstanding job writing and filming a story that transcends conflict and speaks to humanity we all share. While it shows the injustice of the position from which many of the North Ireland Catholics faced (and therein lies its political slant) the title firmly roots this film as so much more. I highly recommend this film for its historical authenticity and the brilliant performance by Helen Mirren.

'Some Mother's Son' focuses on the 1981 Maze Prison hunger strike in which the IRA captives demanded to be treated as POW instead of criminals, for they regard their struggle as a war, not 'ordinary' crime. The leader, Bobby Sands, was elected in jail as MP but eventually died on 5 May, 1981. Several mothers then intervened in order to save their sons' lives: they did not want to watch their sons die.

I personally think this film is quite thought-provoking and the acting is convincing. Helen Mirren, as Kathleen Quigley, who has not been aware that her son Gerard (Aidan Gillen) is an IRA soldier, is determined to help her son to survive, while Fionnula Flanagan (Annie Higgins) is terrific as a nationalist mother who is right behind her son's beliefs but eventually witnesses his death, only after losing her other son, who is shot dead by the British Troops.

Some might say many of us are IRA sympathisers and that they are nothing but a bunch of killers, that they are nothing but a bunch of terrorists. However, as one reviewer put, 'there would be no IRA if there was no British oppression'.

break, break, break, on thy cold grey stones, oh sea

I saw this movie when it first came out, and just watched it again last night. I still feel that it's an important movie, and also that everyone in the audience except for me <insert smile here> is missing the point. It's not about the right or wrong of the IRA/Sinn Fein or Thatcher's administration, it's about a more-or-less unprecedented friendship that evolves between two sons' mothers, and how they deal with their sons' impending self-imposed deaths, a friendship that quite suddenly excludes class issues, precisely because it is about _mother's sons_.

This is evoked in many subtle ways: Mrs Quigley's daughter leaves her job at the bank because no one trusts her after her brother has been arrested, and ends up tending bar somewhere outside North Ireland -- rather declassee for a young woman who'd been working in a bank; Mrs Higgins lives her life on a bicycle, gets a driving lesson on the sea-strand from Mrs Quigley, and they both end up getting saved from an incoming tide by British/North Irish soldiers. If you check the screenplay, you can see the change in the use of forenames and last names between the two women -- it's unfair to expect Yanks to pick that up. I can't even begin to explain it to my friends, and hell, I live in a border state.

There's a unifying theme in this movie and it's the sea: the sea the mothers are connected to, and that their sons are not permitted to see.