Rasputin

For once, after all the nonsense written and shown about the infamous Grigori Rasputin, this film makes an excellent effort at accuracy and objectivity. The characters look incredibly like the historical people they play: Alexis (The heir and narrator), the Tsar (Masterfully played by Ian Mc Kellam), the four daughters; unfortunately, the character of the Empress, Alexandra, is terrible; not only does she not look like her but portrays none of Alexandra's personality (Unlike the excellent job done by Janet Suzman in Nicholas and Alexandra). The movie is breathtaking in its on-location shots, especially St. Petersburg and the interiors of the palace. With so much effort put into accuracy, though, I don't understand how, with the climax of the film, Rasputin's murderers are incomplete: it was not just Felix Yussupov but the Tsar's nephew and favorite, Grand Duke Dmitri, who pulled off the killing. This movie completely excludes Dmitri. Still, if the viewer is just looking for an above average account of the strangest period in history (Without looking TOO close), this movie will do the trick.

Rickman's Rasputan is not only scary, but at times funny. The story of the downfall of the Russian Kingdom and the man and the myth that was Rasputan is now one of HBO better movies. The production value of this made for cable movie is better than most box office duds that try to call themselves period pieces. Rasputan rivals Reds with a better story of the Russian peoples struggle during World War 1 and the start of communist (Soviet)control. Alan Rickman carries the movie as the star of the film. His character acting surpasses other great actors such as Al Pacino and Tim Curry. Without talking, Rickman's use of his eyes create a Rasputan more horrific than any other adaptation to date. A great movie with a powerful ending.

Miracle man or a fraud? Saint or devil? Holy person or someone with good tricks to show? HBO's cinebiography of Father Grigori Rasputin doesn't reveal the mystery and always gives us more and more questions about one of the most influential and controversial figures of Russia during the kingdom of the last Russian tsar.

Played by Alan Rickman as an unstoppable enigma, Rasputin was priest, drunken, womanizer and troublemaker, gaining notoriety by helping sick people to get cure for things that were incurable, claiming to have seen the Virgin Mary and working as sort of an holy authority capable of performing miracles. His most famous patient (and strangely selected as the story's narrator) was Prince Aleksei (Freddie Findlay),hemophiliac and the only male child of the Romanov's, tsar Nicholas II (Ian McKellen) and Alexandra (Greta Scacchi), and as many knows the treatment works wonders, surprising everyone in the family and causing some doubts and jealousy among the Royal doctors, suspicious of such miracle maker, who seeks to interfere on the politics of the country. That involvement and his troubled behavior led to a conspiracy in which he was the main victim but taking with him the destiny of a nation and the end of an empire.

Favorable points: the great costumes and the detailed, spectacular art direction, and some insights about the main figure specially what concerns about his talent for predicting things like the death of one of Nicholas aides and the fall of the empire. The story, even with its focus on social and political issues, is simple to follow, very informative to viewers.

Less favorable points: those who deeply know about the man and his life won't find this film so satisfying or enjoyable. Uli Edel didn't put much vigor in this work, sometimes melodramatic and forced. The cast is good but they don't move us in the it was supposed to; Rickman is the best in show, really exposing some pain and some madness but he's not my favorite Rasputin. I suggest you to check Tom Baker's performance in "Nicholas and Alexandra" (1971) where he stole the show from the leading characters with an amazing realism, natural. He seems bigger than life but at the same time he looks real, believable. And let's face it, that was a better movie as well.

"Rasputin" doesn't stain the reputation of the man nor judges him; it just incites doubt in our heads in trying to figure out who he really was. A decent film, but far from being memorable. 6/10

OK, you can look at this film in two ways - either as a good play, or as an historical drama. It works both ways, although my main quibble would be that one is left with little real idea of why the revolution took place and what Rasputin's role in this was. For that reason, it could have done with being a bit longer and more detailed. Rickman plays Rasputin with humour and humanity - not the one-dimensional monster of most other films about him, which is a good thing from both a dramatic and historical point of view. Ian McKellen as Nicholas II has sweetness and dignity although he is probably too old for the role, and the scenes where he almost loses his temper are (historically) highly improbable! I have no problems with Greta Scaachi's acting, but from a historical point of view her portrayal of the Empress is altogether too vulnerable and lacking in fight; and why the German accent in certain scenes!?

I doubt there will ever be a film that pleases all of the various fans/critics of Nicholas and Alexandra, Rasputin and the Russian revolution; this one is better and less sensational than most.

Now, I'm normally not one for historical movies, but this film was absolutely magnificent. Beautiful performances from Alan Rickman, reminding us why he is one of Britain's great actors, along with Ian McKellen, another sterling performance from him. Greta Scacchi effectively underplayed the role of the Tsarina, while there was a brief but excellent performance from James Frain, who is another young actor to watch. It is very hard to find fault in this film, as it was so well directed, written, acted, with wonderful costumes and sets, although I didn't realise how many Russians had a perfect english accent(ba-boom-tish). Excellent work all round.