NOTE IMDb
5,6/10
29 k
MA NOTE
Un groupe d'hommes de fortune visite une légendaire « cité perdue », située au Tibet. Ils prévoient de voler une statue inestimable, le « Golden Dragon », pendant le tournoi d'arts martiaux.Un groupe d'hommes de fortune visite une légendaire « cité perdue », située au Tibet. Ils prévoient de voler une statue inestimable, le « Golden Dragon », pendant le tournoi d'arts martiaux.Un groupe d'hommes de fortune visite une légendaire « cité perdue », située au Tibet. Ils prévoient de voler une statue inestimable, le « Golden Dragon », pendant le tournoi d'arts martiaux.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 nomination au total
Shane Thomas Meier
- Red
- (as Shane Meier)
Jen Kuo Sung
- Phang (Siamese Fighter)
- (as Jen Sung Outerbridge)
Avis à la une
The Quest is an odd mix of martial arts and epic adventure. Its running time is too short for it to be deemed a true epic, but the panoramic worldwide locations hint that Van Damme was trying to give it the flavour of an epic.
It's a painfully simplistic story. Young American pickpocket Chris (Van Damme) has to flee from New York in the 1920s after a botched robbery. He ends up on a pirate ship headed for the Orient. Soon, he is rescued by another ship (another pirate vessel, this time captained by gentleman buccaneer Roger Moore). Moore drops him off on a Thai island where young men are trained as fighters, and before long young Chris is a very handy fighter indeed, with aspirations to win an ancient golden dragon in a fighting competition. The final third of the film is comprised entirely of fight sequences in which competitors from various nations combat each other in an effort to take the ultimate prize.
The film marked Van Damme's directorial debut, and he gives it a lovely sense of scale and period but can't wring much out of the thin and obvious story. The backdrops pictured in the film are beautiful. Some of the martial arts moments are well choreographed. Roger Moore gives a surprisingly thoughtful and moving performance. Beyond that, it's very childish and simple-minded and doesn't contain enough memorable moments to be anything other than a passable time filler.
It's a painfully simplistic story. Young American pickpocket Chris (Van Damme) has to flee from New York in the 1920s after a botched robbery. He ends up on a pirate ship headed for the Orient. Soon, he is rescued by another ship (another pirate vessel, this time captained by gentleman buccaneer Roger Moore). Moore drops him off on a Thai island where young men are trained as fighters, and before long young Chris is a very handy fighter indeed, with aspirations to win an ancient golden dragon in a fighting competition. The final third of the film is comprised entirely of fight sequences in which competitors from various nations combat each other in an effort to take the ultimate prize.
The film marked Van Damme's directorial debut, and he gives it a lovely sense of scale and period but can't wring much out of the thin and obvious story. The backdrops pictured in the film are beautiful. Some of the martial arts moments are well choreographed. Roger Moore gives a surprisingly thoughtful and moving performance. Beyond that, it's very childish and simple-minded and doesn't contain enough memorable moments to be anything other than a passable time filler.
This is easily one of my favorite Van Damme films, and I really struggle to figure out why it receives little attention compared to his other work. I am choosing to ignore the infamy surrounding Frank Dux (co-writer) for the time being and instead focus on basically anything but him in this review. Action fans of all backgrounds can appreciate the elements at play here.
Van Damme himself is in fine form, performing the stunts and impressive martial arts movements on display in earnest since Bloodsport. The occasional ambiguity about his character's purpose is refreshing in this film. Typically there is very little detracting from the purity or innocence of any protagonist in movies like this, but some of the references to the reputation of thieves in society really make the viewer think twice about the moral character of Van Damme's Dubois. Sure, he is trying to make a better life for himself and the other misfits in the streets he left behind, but at the end of the day he is involved in some seedy activities.
Roger Moore does a fine job as, well, Roger Moore (and this is just fine with me). James Remar plays a loudmouth who eventually changes his ways, like he often does, but this time around his motivations are a bit more tempered. This is by far one of my favorite Remar performances. I feel as though an entire movie could be made around his Maxie Devine and it would be endlessly entertaining.
Overall, the performances are solid throughout. The locations are eye-catching, and some sea-faring and swashbuckling is thrown in to contrast the gritty streets of the US and the foreboding mystery of the tournament locale. I would not hesitate to recommend this flick to anyone who appreciates some unintentional humor and eye-rolling dialogue in their action gumbo. Most Van Damme fans have likely seen this and should check it out if not.
Van Damme himself is in fine form, performing the stunts and impressive martial arts movements on display in earnest since Bloodsport. The occasional ambiguity about his character's purpose is refreshing in this film. Typically there is very little detracting from the purity or innocence of any protagonist in movies like this, but some of the references to the reputation of thieves in society really make the viewer think twice about the moral character of Van Damme's Dubois. Sure, he is trying to make a better life for himself and the other misfits in the streets he left behind, but at the end of the day he is involved in some seedy activities.
Roger Moore does a fine job as, well, Roger Moore (and this is just fine with me). James Remar plays a loudmouth who eventually changes his ways, like he often does, but this time around his motivations are a bit more tempered. This is by far one of my favorite Remar performances. I feel as though an entire movie could be made around his Maxie Devine and it would be endlessly entertaining.
Overall, the performances are solid throughout. The locations are eye-catching, and some sea-faring and swashbuckling is thrown in to contrast the gritty streets of the US and the foreboding mystery of the tournament locale. I would not hesitate to recommend this flick to anyone who appreciates some unintentional humor and eye-rolling dialogue in their action gumbo. Most Van Damme fans have likely seen this and should check it out if not.
The Quest is a surprisingly decent Jean Claude Van-Damme movie.
Quest is a period piece, and a pretty well-done one at that. Taking place shortly after World War I, Van Damme plays Chris Dubois, a humble indentured servant figure with Rocky-like ambitions to become a big fighting champion. Dubois has set his sights on some very elite and secret tournament in some mystical forbidden city, to which only the best fighter in every country of the world gets an invitation.
To get into the tournament, Dubois enlists the help of a mischievous figure, Lord Dobbs. In one of the many parts of the plot I was unable to follow, Lord Dobbs owes him some unknown favor so he buys his freedom and makes arrangements to get the kid to Beijing, with the aide of an attractive blonde newspaper editor, Carrie Newton (Gunn).
Dobbs is played by seven-time James Bond alumni Roger Moore, who I'm so used to seeing as Bond that I half-expected him to, at a crucial point in the movie, bag the attractive news lady, beat someone up, or use some cool gadget. Sadly, Moore only accomplishes one of these three things (uses a cool gadget) and fails miserably at it. However, Moore does carry one James Bond-like trait to this part which is being a smooth talker which gets Dubois in trouble in the first place. Apparently, Dubois was never really entered into the tournament, so he must win over the guy who's slated to fight for the U.S. and get his invitation, which raises the question, isn't Dubois French?
Anyway, there's no reason to fret over little things like that, because considering the plot is secondary to the action, it's pretty well-thought out, and besides the action doesn't disappoint.
The tournament where most of the actions scenes come from is probably my favorite thing about the movie because the single elimination bracketed format has the same thrill as watching something like NCAA's March Madness. The only difference is that except for rooting for your favorite colleges, you root for Industrial Era superpowers. The other plus of this was that the clashing of such a diverse array of fighting styles (sumo wrestling, Scottish fist fighting, Brazillian street fighting, and the like) led to some great action scenes.
My main complaint about the action is that Van Damme's fight scenes attempt to create suspense by him being knocked down and then supposedly against our expectations, getting back up and winning. This just becomes predictable, and besides, because the Master of Ceremonies usually hits the gong after a guy gets knocked down, Dubois would have realistically been out in the second round after getting the crap beat out of him by the Spaniard. Even if he did get back up, he wouldn't have been able to overpower the other guy after having taken so many hits. If he is such a skillful fighter, why doesn't he just win the fight efficiently without all the drama? He reminds me of the present-day LA Lakers who slack off the entire regular season, knowing that they only really have to work during the playoffs.
This gag would have been an effective if it was restricted to only happening in the film's climatic finale. Instead, to top the earlier fights, the tournament's final match really got to be a disappointment. The master of ceremonies was incredibly generous with the gong, deciding to let the fight continue even after Dubois got knocked down twice and kicked out of the ring, where he is beaten up some more and magically throws in a couple kicks at the right moment and walks away with the medallion.
Anyway, the film is a decently played out story that has its moments.
Quest is a period piece, and a pretty well-done one at that. Taking place shortly after World War I, Van Damme plays Chris Dubois, a humble indentured servant figure with Rocky-like ambitions to become a big fighting champion. Dubois has set his sights on some very elite and secret tournament in some mystical forbidden city, to which only the best fighter in every country of the world gets an invitation.
To get into the tournament, Dubois enlists the help of a mischievous figure, Lord Dobbs. In one of the many parts of the plot I was unable to follow, Lord Dobbs owes him some unknown favor so he buys his freedom and makes arrangements to get the kid to Beijing, with the aide of an attractive blonde newspaper editor, Carrie Newton (Gunn).
Dobbs is played by seven-time James Bond alumni Roger Moore, who I'm so used to seeing as Bond that I half-expected him to, at a crucial point in the movie, bag the attractive news lady, beat someone up, or use some cool gadget. Sadly, Moore only accomplishes one of these three things (uses a cool gadget) and fails miserably at it. However, Moore does carry one James Bond-like trait to this part which is being a smooth talker which gets Dubois in trouble in the first place. Apparently, Dubois was never really entered into the tournament, so he must win over the guy who's slated to fight for the U.S. and get his invitation, which raises the question, isn't Dubois French?
Anyway, there's no reason to fret over little things like that, because considering the plot is secondary to the action, it's pretty well-thought out, and besides the action doesn't disappoint.
The tournament where most of the actions scenes come from is probably my favorite thing about the movie because the single elimination bracketed format has the same thrill as watching something like NCAA's March Madness. The only difference is that except for rooting for your favorite colleges, you root for Industrial Era superpowers. The other plus of this was that the clashing of such a diverse array of fighting styles (sumo wrestling, Scottish fist fighting, Brazillian street fighting, and the like) led to some great action scenes.
My main complaint about the action is that Van Damme's fight scenes attempt to create suspense by him being knocked down and then supposedly against our expectations, getting back up and winning. This just becomes predictable, and besides, because the Master of Ceremonies usually hits the gong after a guy gets knocked down, Dubois would have realistically been out in the second round after getting the crap beat out of him by the Spaniard. Even if he did get back up, he wouldn't have been able to overpower the other guy after having taken so many hits. If he is such a skillful fighter, why doesn't he just win the fight efficiently without all the drama? He reminds me of the present-day LA Lakers who slack off the entire regular season, knowing that they only really have to work during the playoffs.
This gag would have been an effective if it was restricted to only happening in the film's climatic finale. Instead, to top the earlier fights, the tournament's final match really got to be a disappointment. The master of ceremonies was incredibly generous with the gong, deciding to let the fight continue even after Dubois got knocked down twice and kicked out of the ring, where he is beaten up some more and magically throws in a couple kicks at the right moment and walks away with the medallion.
Anyway, the film is a decently played out story that has its moments.
Although it took four viewings before I finally lowered my rating of this from "9" to "8,", I suspect I will still watch this lame-brain action flick a few more times and enjoy it. That's because it offers a great mixture of fascinating fighters in the tournament that covers most of the final 40 minutes of the movie; is a modern-day martial-arts action film with almost no swearing and no sex; and offer some tremendous scenery in the first half of the film as Jean Claude Van Damme and company travel to the Far East for this "World's Greatest Fighter" tourney.
That tourney is a lot of fun to watch except that it got carried away in the final bout, of course, that went on almost as long as all the preliminary bouts! However, the filmmakers were smart to make all the contestants totally different with different styles, making each one fun to watch. You didn't see the same thing each fight. There was everything from a huge Sumo-type wrestler to a little guy who imitated a monkey and a snake jumping and slithering around the ring. By the way, these were real guys, not actors imitating fighters.
The photography is magnificent, far better than you would except. The colors are beautiful and the Thailand scenery spectacular. The movie benefits from a classy actor like Roger Moore joining the cast, too. Yeah, it's stupid in parts, but it's fun and highly recommended for first-time viewers who don't know the outcome of the bouts.
That tourney is a lot of fun to watch except that it got carried away in the final bout, of course, that went on almost as long as all the preliminary bouts! However, the filmmakers were smart to make all the contestants totally different with different styles, making each one fun to watch. You didn't see the same thing each fight. There was everything from a huge Sumo-type wrestler to a little guy who imitated a monkey and a snake jumping and slithering around the ring. By the way, these were real guys, not actors imitating fighters.
The photography is magnificent, far better than you would except. The colors are beautiful and the Thailand scenery spectacular. The movie benefits from a classy actor like Roger Moore joining the cast, too. Yeah, it's stupid in parts, but it's fun and highly recommended for first-time viewers who don't know the outcome of the bouts.
For a Jean Claude Van Damme movie, then "The Quest" is a fairly standard one. And if you have seen the 1988 "Bloodsport" movie, then you have essentially also seen "The Quest". And I don't think that it is a mere coincidence, especially since the story was written by Frank Dux and Jean Claude Van Damme.
The story is about Christopher Dubois (played by Jean-Claude Van Damme) who is living on the streets, when he is forced to run for his life and ending up as a stowaway on a ship. When he comes to his senses, he is put into slavery, working on the ship. By sheer luck he is rescued by Lord Edgar Dobbs (played by Roger Moore) and Harry Smythe (played by Jack McGee), two thieves and con artists. Setting out to steal a massive golden dragon in a reclusive and secret fighting tournament, Christoper Dubois finds himself fighting on behalf of the boxer Maxie Devine (played by James Remar).
Storywise, then "The Quest" focused more on the fights and action. And as in "Bloodsport", then there is lots of it, and the fight sequences are nicely executed and brought to the screen. The movie itself is as predictable as they come - but then again, aren't most of Jean Claude Van Damme's movies?
There are so many similarities between "Bloodsport" and "The Quest", that you just sit there wondering why "The Quest" was actually ever put on film. Wasn't it enough with this story being told in 1988 back when "Bloodsport" came out? But as with virtually all of Jean Claude Van Damme's movies, the main focus is the action and fighting, and whatever story or resemblance of a story there is becomes secondary. Obviously you have the fighting tournament held in an exotic location, there was the bested friend of whom Van Damme takes a headband, there was a woman reporter, there was a massive and seemingly invincible opponent, and of course there is Jean Claude Van Damme as the underdog who swoops in and wins it all against all odds.
That being said, then "The Quest" is good entertainment where you don't have to use your brain at all. Funny, how I remembered this movie being much better back in the late 90's, when I remember my brother getting it on VHS. And after having obtained the DVD in 2013 and watched it again, it wasn't as cool as I remembered it to be. But still, fun and action-packed, a fairly standard Jean Claude Van Damme movie to be honest.
The story is about Christopher Dubois (played by Jean-Claude Van Damme) who is living on the streets, when he is forced to run for his life and ending up as a stowaway on a ship. When he comes to his senses, he is put into slavery, working on the ship. By sheer luck he is rescued by Lord Edgar Dobbs (played by Roger Moore) and Harry Smythe (played by Jack McGee), two thieves and con artists. Setting out to steal a massive golden dragon in a reclusive and secret fighting tournament, Christoper Dubois finds himself fighting on behalf of the boxer Maxie Devine (played by James Remar).
Storywise, then "The Quest" focused more on the fights and action. And as in "Bloodsport", then there is lots of it, and the fight sequences are nicely executed and brought to the screen. The movie itself is as predictable as they come - but then again, aren't most of Jean Claude Van Damme's movies?
There are so many similarities between "Bloodsport" and "The Quest", that you just sit there wondering why "The Quest" was actually ever put on film. Wasn't it enough with this story being told in 1988 back when "Bloodsport" came out? But as with virtually all of Jean Claude Van Damme's movies, the main focus is the action and fighting, and whatever story or resemblance of a story there is becomes secondary. Obviously you have the fighting tournament held in an exotic location, there was the bested friend of whom Van Damme takes a headband, there was a woman reporter, there was a massive and seemingly invincible opponent, and of course there is Jean Claude Van Damme as the underdog who swoops in and wins it all against all odds.
That being said, then "The Quest" is good entertainment where you don't have to use your brain at all. Funny, how I remembered this movie being much better back in the late 90's, when I remember my brother getting it on VHS. And after having obtained the DVD in 2013 and watched it again, it wasn't as cool as I remembered it to be. But still, fun and action-packed, a fairly standard Jean Claude Van Damme movie to be honest.
Le saviez-vous
- AnecdotesFrank Dux sued Jean-Claude Van Damme over the writing credits of the movie, claiming that Van Damme and he wrote the story under the title "The Kumite: Enter the New Dragon" in 1991. Van Damme denied this, claiming the two projects were unrelated. Dux won his story credit via a ruling of the Writer's Guild of America, but lost the actual court case.
- GaffesDirectly after Christopher Dubois breaks the pipe he is chained to on the ship during the attack by Lord Dobbs it cuts to a shot of the deck, on the right hand side Dubois is standing still facing right. Followed by him coming from below deck a couple seconds later.
- Versions alternativesDespite its PG-13 rating in the US, this film was rated 18 in the UK, and the video version had a double earclap removed.
- ConnexionsFeatured in Gangsta (2018)
- Bandes originalesViva Brazil
Written and Produced by Elton Ahi (as Elton F. Ahi)
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Détails
Box-office
- Budget
- 30 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 21 686 547 $US
- Week-end de sortie aux États-Unis et au Canada
- 7 029 120 $US
- 28 avr. 1996
- Montant brut mondial
- 57 400 547 $US
- Durée1 heure 35 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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What was the official certification given to Le Grand Tournoi (1996) in India?
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