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Carmin profond

Titre original : Profundo carmesí
  • 1996
  • 16
  • 1h 55min
NOTE IMDb
7,2/10
2,2 k
MA NOTE
Carmin profond (1996)
The life of a man who preys on unsuspecting women for a living is changed when he finds an accomplice in the woman who loves and controls him.
Lire trailer1:45
1 Video
38 photos
True CrimeCrimeDramaRomanceThriller

Ajouter une intrigue dans votre langueThe life of a man who preys on unsuspecting women for a living is changed when he finds an accomplice in the woman who loves and controls him.The life of a man who preys on unsuspecting women for a living is changed when he finds an accomplice in the woman who loves and controls him.The life of a man who preys on unsuspecting women for a living is changed when he finds an accomplice in the woman who loves and controls him.

  • Réalisation
    • Arturo Ripstein
  • Scénario
    • Paz Alicia Garciadiego
  • Casting principal
    • Regina Orozco
    • Daniel Giménez Cacho
    • Sherlyn
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,2/10
    2,2 k
    MA NOTE
    • Réalisation
      • Arturo Ripstein
    • Scénario
      • Paz Alicia Garciadiego
    • Casting principal
      • Regina Orozco
      • Daniel Giménez Cacho
      • Sherlyn
    • 23avis d'utilisateurs
    • 20avis des critiques
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 20 victoires et 11 nominations au total

    Vidéos1

    Trailer
    Trailer 1:45
    Trailer

    Photos38

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    + 32
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    Rôles principaux20

    Modifier
    Regina Orozco
    • Coral Fabre
    Daniel Giménez Cacho
    Daniel Giménez Cacho
    • Nicolás Estrella
    Sherlyn
    Sherlyn
    • Teresa
    • (as Sherlyn González)
    Giovani Florido
    Giovani Florido
    • Carlitos
    • (as Giovanni Florido)
    Fernando Palavicini
    • Don Dimas
    • (as Fernando Soler P.)
    Patricia Reyes Spíndola
    Patricia Reyes Spíndola
    • Sra. Ruelas
    Alexandra Vicencio
    • Imelda
    • (as Alexandra Vincenzio)
    Julieta Egurrola
    Julieta Egurrola
    • Juanita Norton
    Esteban Soberanes
    • Barman
    Gastón Melo
    • Ticket Seller
    Juan de la Loza
    • Car Salesman
    Marisa Paredes
    Marisa Paredes
    • Irene Gallardo
    Rosa Furman
    Rosa Furman
    • Sara Silberman
    Álvaro Carcaño
    Álvaro Carcaño
    • Motel Proprietor
    Paco Mauri
    • Mailman
    Verónica Merchant
    Verónica Merchant
    • Rebeca Sanpedro
    Bianca Florido
    • Mercedes
    Rene Pereyra
    • Iduarte
    • (as René Pereyra)
    • Réalisation
      • Arturo Ripstein
    • Scénario
      • Paz Alicia Garciadiego
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs23

    7,22.2K
    1
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    10

    Avis à la une

    8gonz30

    Once again, Ripstein proves himself the king of Mexican cinema

    Mexican director Arturo Ripstein delivers one good drama after the other, and in so doing shows us ever changing aspects of this surprisingly rich country, so unfairly characterized around the world by cliched stereotypes. Though this crime drama doesn't help Mexico's image as a crime-ridden country throughout its history, it does tell a compelling story, free of cliches, of obsessed love driven to serial killings in an unusual road movie. This description, though long, sums up PROFUNDO CARMESI. Ripstein's direction is enhanced by the dramatic presence of Spain's Marisa Paredes in a crucial role. A must for those interested in contemporary Latin American cinema.
    8rdoyle29

    A unique take on a familiar story

    Arturo Ripstein's "Deep Crimson" is based on the same Lonely Heart Killers case that inspired "The Honeymoon Killers". Regina Orozco is riveting as the unattractive and fundamentally unlikeable nurse who abandons her children to take up with Daniel Giménez Cacho's pathetic, balding gigolo. They answer letters from lonely widows with the intention of robbing them, but jealousy and general incompetence lead them into a string of murders. Despite the sordid and depressing subject matter, the film has a distinct satirical edge and is often quite funny. Highly recommended, especially for fans of the earlier film.
    8debblyst

    The Dangers of Passionate Love

    The plot has been commented by other viewers, so let's move on. I saw this movie when it came out in theaters and loved it, especially the development of the plot (based on the same true events portrayed in Leonard Kastle's cult classic "The Honeymoon Killers") and the way Ripstein expertly evolves from black humor to suspense to bloody tragedy. I also loved the bolero-like title (say it in Spanish -Profundo Carmesí- beauuutiful), the choice of colors (thick greens, reds, blacks and browns), the set decoration, the actors, the all-imposing Catholic symbols and Catholic guilt which are so present in Latin American cultures...

    So I thought it was a film about SICK love and misleading appearances, how harmless-looking people can hide sick violent personalities that may ignite under certain circumstances, never to return to what they were before.

    A few years later, I happened to see an interview with Ripstein about this film, which urged me to see it again. He said it was a film about the dangers of romantic passion, tout court -- in the sense that passionate love is just one step away from isolation from society's values and conventions - and I thought "yes, this makes sense!". "Profundo..." is (also) about the pathological potential of any passionate love: the anti-social, selfish, self-consuming and potentially destructive behavior a love affair can trigger, to the risk of excluding friends, family and professional life from the lovers' agenda, and when nothing really matters except each other, their plans and their being together against all odds or reasons. Coral's behavior, dumping her children, lying, stealing, killing, marching on regardless of everyone else's feelings or actual physical integrity is a depiction of a sick personality...or is just a step or two further than the average person "madly" in love??

    "Profundo Carmesí" is great, but do I have to mention not to expect anything uplifting? My vote: a good 8 out of 10, just don't see it if you've been recently dumped by your lover/husband/wife; it might give you bad ideas!!
    8raymond-15

    Gripping journey to the last drop of blood!

    Smooth-tongued Nicolas and over-sized Coral meet through a sexy advertisement in the personal columns. Coral who adores Charles Boyer clings to Nicolas as the next best thing. They form a partnership and decide on a plan - to seduce rich women and make off with their money and valuables. It looks all too easy.The plan works well until Coral believes he might be over-doing the seductions and falling for the ladies. It really seems we are in for a good comedy. Nicolas is having trouble with his hairpiece and Coral really does have a weight problem.I guess the comic situations do accent the drama which is to follow. The frivolous dialogue starts to become more serious, especially when one of the victims informs them she has become pregnant. Because many of the homes visited are isolated in desert areas of Mexico, it would seem easy to dispose of a human being should that person be involved in some kind of accident.With cold determination Nicolas and Coral become involved in a new plan - one of murder. At this point we grip our seats and anticipate the worst for the unwary victim. The atmosphere is tense, no help is at hand and the murderers carry out their horrible plan. The ending I think is rather abrupt (some scenes have been edited out, perhaps) but it makes the point that crime does not pay. I have seen many road movies, but this one, I must confess, is the bloodiest of them all.
    abigailtate

    Too much of a good thing.

    Viewed the film for the first time last night. I was familiar with the Raymond Fernandez and Martha Beck 'Lonely Hearts Club' murders for years. I had no idea it was turned into a film adaptation. I thought the film was done extremely well. It's disheartening to see two people who seem so insecure go to these lengths to feel they are loved by someone, seemingly anyone. Nicolas who seems to be in total control at the start of the movie, looses the ball.. and Coral, runs with it. He is a confidence trickster who has finally has met his match in Coral, she is just what he was so in need of, a woman who is willing to do anything it takes to be with him. This giving him a boost in his waning self confidence. Leaving her two young children at a doorstep of an orphanage, because he can't be bothered with them, was all she needed to prove her loyalty to him. They begin to portray themselves as brother and sister, in a scam across the countryside to take advantage of widows/lonely women on their own. This starts to go painfully wrong from the beginning. Coral agrees to not be jealous of Nicolas' affections/pursuits toward the women he is out to scam, after all, it's just part of the act. It seems a harder task for her than she assumed it would be. They manage to stay calm and in control all the way through this. The most bizarre thing about this film,is that it really did happen. As, I mentioned it was loosely based on the aforementioned murders. Although mainly a fictional work, some of the mechanics, were there. The strong need in some for submission from another. The longing for a loyal lover, romance and excitement. This remarkable blend of dark lust and true crime won't disappoint.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      This story was first told in Les Tueurs de la lune de miel (1970).
    • Citations

      Nicolás Estrella: I don't need your pity. I need my hairpiece!

    • Versions alternatives
      A new Director's Cut premiered in September 2023 at the Venice Film Festival. It includes 24 minutes of previously unreleased footage. Most notably, the scene in which Coral prepares to perform an abortion is extended to show the procedure, and the scene in which she prepares to murder the a child plays out in full, with her shown putting the girl in the tub and drowning her.
    • Connexions
      Featured in Siskel & Ebert & the Movies: Midnight in the Garden of Good and Evil/The Sweet Hereafter/John Grisham's the Rainmaker/Deep Crimson (1997)
    • Bandes originales
      By the Sleepy Lagoon
      Composed by Eric Coates

      Jim Long Music/ASCAP

      Courtesy of Desert Island Records

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    FAQ15

    • How long is Deep Crimson?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 29 janvier 1997 (France)
    • Pays d’origine
      • Mexique
    • Langue
      • Espagnol
    • Aussi connu sous le nom de
      • Deep Crimson
    • Lieux de tournage
      • Cananea, Sonora, Mexique
    • Sociétés de production
      • Consejo Nacional para la Cultura y las Artes (CONACULTA)
      • Fondo de Fomento a la Calidad Cinematográfica
      • Gobierno del Estado de Sonora
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 55 minutes
    • Mixage
      • Mono
    • Rapport de forme
      • 1.85 : 1

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