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Carmin profond

Titre original : Profundo carmesí
  • 1996
  • 16
  • 1h 55min
NOTE IMDb
7,2/10
2,3 k
MA NOTE
Daniel Giménez Cacho and Regina Orozco in Carmin profond (1996)
The life of a man who preys on unsuspecting women for a living is changed when he finds an accomplice in the woman who loves and controls him.
Lire trailer1:45
1 Video
39 photos
CriminalitéDrameRomanceThrillerCrime véritable

Ajouter une intrigue dans votre langueThe life of a man who preys on unsuspecting women for a living is changed when he finds an accomplice in the woman who loves and controls him.The life of a man who preys on unsuspecting women for a living is changed when he finds an accomplice in the woman who loves and controls him.The life of a man who preys on unsuspecting women for a living is changed when he finds an accomplice in the woman who loves and controls him.

  • Réalisation
    • Arturo Ripstein
  • Scénario
    • Paz Alicia Garciadiego
  • Casting principal
    • Regina Orozco
    • Daniel Giménez Cacho
    • Sherlyn
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,2/10
    2,3 k
    MA NOTE
    • Réalisation
      • Arturo Ripstein
    • Scénario
      • Paz Alicia Garciadiego
    • Casting principal
      • Regina Orozco
      • Daniel Giménez Cacho
      • Sherlyn
    • 23avis d'utilisateurs
    • 20avis des critiques
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 20 victoires et 11 nominations au total

    Vidéos1

    Trailer
    Trailer 1:45
    Trailer

    Photos39

    Voir l'affiche
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    + 33
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    Rôles principaux20

    Modifier
    Regina Orozco
    • Coral Fabre
    Daniel Giménez Cacho
    Daniel Giménez Cacho
    • Nicolás Estrella
    Sherlyn
    Sherlyn
    • Teresa
    • (as Sherlyn González)
    Giovani Florido
    Giovani Florido
    • Carlitos
    • (as Giovanni Florido)
    Fernando Palavicini
    • Don Dimas
    • (as Fernando Soler P.)
    Patricia Reyes Spíndola
    Patricia Reyes Spíndola
    • Sra. Ruelas
    Alexandra Vicencio
    • Imelda
    • (as Alexandra Vincenzio)
    Julieta Egurrola
    Julieta Egurrola
    • Juanita Norton
    Esteban Soberanes
    • Barman
    Gastón Melo
    • Ticket Seller
    Juan de la Loza
    • Car Salesman
    Marisa Paredes
    Marisa Paredes
    • Irene Gallardo
    Rosa Furman
    Rosa Furman
    • Sara Silberman
    Álvaro Carcaño
    Álvaro Carcaño
    • Motel Proprietor
    Paco Mauri
    • Mailman
    Verónica Merchant
    Verónica Merchant
    • Rebeca Sanpedro
    Bianca Florido
    • Mercedes
    Rene Pereyra
    • Iduarte
    • (as René Pereyra)
    • Réalisation
      • Arturo Ripstein
    • Scénario
      • Paz Alicia Garciadiego
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs23

    7,22.2K
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    Avis à la une

    abigailtate

    Too much of a good thing.

    Viewed the film for the first time last night. I was familiar with the Raymond Fernandez and Martha Beck 'Lonely Hearts Club' murders for years. I had no idea it was turned into a film adaptation. I thought the film was done extremely well. It's disheartening to see two people who seem so insecure go to these lengths to feel they are loved by someone, seemingly anyone. Nicolas who seems to be in total control at the start of the movie, looses the ball.. and Coral, runs with it. He is a confidence trickster who has finally has met his match in Coral, she is just what he was so in need of, a woman who is willing to do anything it takes to be with him. This giving him a boost in his waning self confidence. Leaving her two young children at a doorstep of an orphanage, because he can't be bothered with them, was all she needed to prove her loyalty to him. They begin to portray themselves as brother and sister, in a scam across the countryside to take advantage of widows/lonely women on their own. This starts to go painfully wrong from the beginning. Coral agrees to not be jealous of Nicolas' affections/pursuits toward the women he is out to scam, after all, it's just part of the act. It seems a harder task for her than she assumed it would be. They manage to stay calm and in control all the way through this. The most bizarre thing about this film,is that it really did happen. As, I mentioned it was loosely based on the aforementioned murders. Although mainly a fictional work, some of the mechanics, were there. The strong need in some for submission from another. The longing for a loyal lover, romance and excitement. This remarkable blend of dark lust and true crime won't disappoint.
    8Nazi_Fighter_David

    A stylish film, with a camera that roams elegantly around the cluttered interior of 1940s Mexico and occasionally out to the empty spaces of the plains

    The best Mexican cinema has its roots firmly planted in popular genres… "Deep Crimson" is a crime film, based on the real exploits of the so-called Lonely Hearts Club killers in the post-war United States…

    Nicolás and Colar are a grotesque version of Bonnie and Clyde, who rob not banks but vulnerable rich women…Nicolás is a middle-aged man of abundant charm with an unconvincing wig, who appeals to the snobbery of elderly widows by his ability to pose as a Spaniard, affecting the accent and mannerisms of the expatriate… Coral is an overweight single mother who drives her children and takes off with Nicolás, pushing him from robbery to murder…

    Though money is the apparent motive, Coral is addicted to romance, as we see in the first shot of her bedroom, stuffed with cheap but gaudy clothes, Mills & Boon-type novels, and photographs of film stars… The killings the pairs commit are dictated by Coral's passion for Nicolás… He seduces women in order to steal them, and this incurs Coral's murderous jealousy…

    Arturo Ripstein's film is essentially a study of thwarted passion turning repugnant… Coral is vicious, even to the extent of killing a young girl who has witnessed her mother's murder… Yet her gesture of offering her own hair to make Nicolás a new wig is at once tender and ridiculous
    8rdoyle29

    A unique take on a familiar story

    Arturo Ripstein's "Deep Crimson" is based on the same Lonely Heart Killers case that inspired "The Honeymoon Killers". Regina Orozco is riveting as the unattractive and fundamentally unlikeable nurse who abandons her children to take up with Daniel Giménez Cacho's pathetic, balding gigolo. They answer letters from lonely widows with the intention of robbing them, but jealousy and general incompetence lead them into a string of murders. Despite the sordid and depressing subject matter, the film has a distinct satirical edge and is often quite funny. Highly recommended, especially for fans of the earlier film.
    7=G=

    Odd, dark, and not for everyone

    "Deep Crimson", a subtitled Mexican film, tells of a man who uses his hair-piece, good looks, and charm to bilk mature women out of their money. When he woos a very large and homely woman longing to be loved, she divests herself of her children, insinuates herself into his life, and goes off scamming with him while pretending be his sister. The backbone of the story is the strange symbiosis which develops between the partner/lover duo as we watch their relationship grow deeper and their scheming more nefarious. A moderately entertaining though schizophrenic film, "Deep Crimson" is too much of a comedy to be taken seriously and too much of a drama to be funny. The result is a marginally engaging film which will play best to those with a taste for black comedies from south of the border. (B)
    7SnoopyStyle

    Honeymoon Killers

    Coral Fabre is a troubled chubby middle-aged nurse and a single mom to two kids. She has a fling with charming Nicolás Estrella. She continues pursuing him despite him stealing money from her. She abandons her kids to follow him in a crime spree across the country. She pretends to be his sister while he dates older lonely women. Their crimes escalate leaving a trail of broken hearts.

    This is a Mexican film similar to the American film The Honeymoon Killers which dramatizes the story of "Lonely Hearts Killers", the true crime partners Raymond Fernandez and Martha Beck. The style is stripped down and minimal. These two are solid actors delivering compelling performances. Oddly for me, the most emotional scene is when she abandons her kids. These are troubled souls. She is possibly the more troubling of the two.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      This story was first told in Les Tueurs de la lune de miel (1970).
    • Citations

      Nicolás Estrella: I don't need your pity. I need my hairpiece!

    • Versions alternatives
      A new Director's Cut premiered in September 2023 at the Venice Film Festival. It includes 24 minutes of previously unreleased footage. Most notably, the scene in which Coral prepares to perform an abortion is extended to show the procedure, and the scene in which she prepares to murder the a child plays out in full, with her shown putting the girl in the tub and drowning her.
    • Connexions
      Featured in Siskel & Ebert & the Movies: Midnight in the Garden of Good and Evil/The Sweet Hereafter/John Grisham's the Rainmaker/Deep Crimson (1997)
    • Bandes originales
      By the Sleepy Lagoon
      Composed by Eric Coates

      Jim Long Music/ASCAP

      Courtesy of Desert Island Records

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    FAQ16

    • How long is Deep Crimson?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 29 janvier 1997 (France)
    • Pays d’origine
      • Mexique
    • Langue
      • Espagnol
    • Aussi connu sous le nom de
      • Profundo carmesí
    • Lieux de tournage
      • Cananea, Sonora, Mexique
    • Sociétés de production
      • Consejo Nacional para la Cultura y las Artes (CONACULTA)
      • Fondo de Fomento a la Calidad Cinematográfica
      • Gobierno del Estado de Sonora
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 55min(115 min)
    • Couleur
      • Color
    • Mixage
      • Mono
    • Rapport de forme
      • 1.85 : 1

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