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Paradise Lost: The Child Murders at Robin Hood Hills

  • 1996
  • Not Rated
  • 2h 30min
NOTE IMDb
8,2/10
19 k
MA NOTE
Paradise Lost: The Child Murders at Robin Hood Hills (1996)
Home Video Trailer from HBO Home Video
Lire trailer3:51
1 Video
60 photos
Documentaire policierCriminalitéDocumentaire

Ajouter une intrigue dans votre langueA horrific triple child murder leads to an indictment and trial of three nonconformist boys based on questionable evidence.A horrific triple child murder leads to an indictment and trial of three nonconformist boys based on questionable evidence.A horrific triple child murder leads to an indictment and trial of three nonconformist boys based on questionable evidence.

  • Réalisation
    • Joe Berlinger
    • Bruce Sinofsky
  • Casting principal
    • Tony Brooks
    • Diana Davis
    • Terry Wood
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    8,2/10
    19 k
    MA NOTE
    • Réalisation
      • Joe Berlinger
      • Bruce Sinofsky
    • Casting principal
      • Tony Brooks
      • Diana Davis
      • Terry Wood
    • 88avis d'utilisateurs
    • 42avis des critiques
  • Voir les informations de production sur IMDbPro
    • Récompensé par 1 Primetime Emmy
      • 9 victoires et 10 nominations au total

    Vidéos1

    Paradise Lost: The Child Murders at Robin Hood Hills
    Trailer 3:51
    Paradise Lost: The Child Murders at Robin Hood Hills

    Photos60

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    Rôles principaux58

    Modifier
    Tony Brooks
    • Self - KAIT-TV
    • (images d'archives)
    Diana Davis
    • Self - KAIT-TV
    • (images d'archives)
    Terry Wood
    • Self - KAIT-TV
    • (images d'archives)
    Dick Clay
    • Self - KAIT-TV
    • (images d'archives)
    Jenna Newton
    • Self - KAIT-TV
    • (images d'archives)
    Gary Gitchell
    • Self
    Tommy Stacy
    • Self
    • (as Rev. Tommy Stacy)
    Melissa Byers
    • Self
    Todd Moore
    • Self
    Dana Moore
    • Self
    Pam Hobbs
    Pam Hobbs
    • Self
    Jessie Misskelley Sr.
    • Self
    Gail Grinnell
    • Self
    Joe Hutchinson
    • Self
    John Mark Byers
    John Mark Byers
    • Self
    Jason Baldwin
    Jason Baldwin
    • Self
    Damien Wayne Echols
    Damien Wayne Echols
    • Self
    Jessie Misskelley
    Jessie Misskelley
    • Self
    • (as Jessie Miskelly)
    • Réalisation
      • Joe Berlinger
      • Bruce Sinofsky
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs88

    8,219K
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    Avis à la une

    annenk38

    Beyond "Deliverance"

    Truth may be stranger than fiction, but the American courtroom is stranger, still. For the two hours during which I've watched this film I've gained a valuable insight into the nature of the witch trials. I feel powerless, as there is not much I can do to help these kids. But perhaps there is a lesson in it for us, and everyone who has seen the film should have taken some mental notes. First -- never name youself or your children 'Damien' -- especially if you live in the Bible Belt. And, as a general survival strategy, do not be the black sheep of the local community. There may come the time when your eccentric behavior alone will be used against you to sentence you to death.
    10SnakesOnAnAfricanPlain

    Paradise Lost: The Child Murders at Robin Hood Hills (1996)

    I always believed that a case needed only reasonable doubt to find people innocent. Apparently I was very wrong. I am in no way claiming my support for the three found guilty, but I for one could never convict them based on this evidence. The film shows just how unstable people can be when faced with those that don't conform. I was amazed by how much I disliked the parents of the murdered boys. They ramble and scream about killing these three, already convinced of their guilt. They seem more unstable and threatening to me, and not just because their children have been murdered. No real physical evidence is brought up against the boys, whom should probably start training professional killers on how not to leave evidence at a murder site. I know for a fact that a lot of details were left out of this documentary, and the celebrity worship that has followed the accused since is a bit too much. However this film is terrifying. It shows that just because of the way you look, and what people say about you, can take away your entire life. Make sure to check out all the evidence for yourself.
    strauss12

    inspires frustration and ultimately, apathy

    Despite all the praise this documentary has received, I did not find it very moving at all. Granted, it was a horrible crime, and the footage of the three young victims' bodies was shocking and almost unwatchable. But most of this film serves only to expose the extreme incompetence of everyone involved in the case. With regard to the wrongly(?) accused boys -- never have I seen three innocent people put up such a weak, pathetic fight for their innocence. Most of the time, they stare doe-eyed and slack-jawed in front of the camera, seemingly uninterested in their own fates. Sure, these boys were only 16-17 years old and very scared, but they seem to have no intuition for survival whatsoever in this life-or-death situation. Any realistic grasp of the situation eludes these boys completely -- they behave almost as if they're playing a part in a movie. It is quite possible, and perhaps even probable, that they are indeed innocent, but they themselves do not seem to care, and so dear viewer, why should you? The overwhelming impression I get from these boys is that they lead very boring lives in a very stagnant town, and they know that this whole case is the most exciting thing that will ever happen to them. They seem interested not in the issue of their guilt or innocence, but rather in the surreal quality of their quasi-celebrity (in the end, Damien waxes romantic over the notion that his name will become famous in West Memphis as a synonym for "bogeyman", scaring generations of children to come). They are genuinely pleased with all of the attention they're receiving -- not that they have much to say, but they're just happy that someone is asking.
    9snakejenkins

    A Modern Tragedy

    The question at hand in the film Paradise Lost is not as much did these three teenagers commit this heinous act, but rather was there enough evidence to convict them for the murders. The answer, presented by material in the film, is an unflinching no. There was only speculation and rumor to convict the three.

    The film's strengths are that it doesn't preach, at least not in an overly wrought narrative, and it contains intimate moments with the accused and their families as well as the families of the victims. Being a victim of a violent crime to something of this degree I understand the pain and confusion of the victim's families. What is hard to understand is the bloodlust and need for revenge and retribution that immediately takes hold of them. The victims' families are the most terrifying aspect of this film. At one point the mother of the Byrnes child says in a hateful and spiteful tone "I hate them... I hate them and the mother's that bore them."

    Is there anything wrong with being hellishly angry with someone who has butchered your child? No, quite natural really. But the point of this film is that judgment was passed on these kids long before the trial even started. I imagine the Bible belt is a very scary place to be raised in... I'll have to ask Brad Pitt what he thinks about it some time.

    On the issue of the prosecution. They had next to nothing. A very questionable confession from a terrified kid, Jessie, with a 72 IQ, hearsay from a couple of kids who claim they heard Damien bragging about the murder but have no proof, a knife found behind Damien's house which doesn't match the wounds on the bodies, and the assertion that because Damien read about Wicca, he must be a Satanist.

    To look at the three kids is also an interesting aspect of the film. Jessie, a very small and slow kid seems a bit lost in the world. His IQ is low but he has no previous records of any type of behavior that would associate him with murder. Jason speaks in short breathless words and seems also to suffer from a low IQ. Damien is the key to everything in this film though. The defense made the key mistake of letting Damien take the stand for two reasons. The first reason is that Damien appears to have ADD and after the first 10 minutes of questioning he sort of fades away and answers in bland yes and no's. The second reason, and the most important, is that Damien is obviously extremely bright. Normally this wouldn't seem to be a problem but judging from every single person the filmmakers put on camera, smart people are hard to come by in that area of the world. Damien scared them.

    All of this adds up to the fact that there was not enough evidence to put these kids away and there were other, more sinister and shocking, suspects that needed to be pursued. The war rages on for the West Memphis Three and it is indeed frightening to think that they did it, and terrifying to think they didn't.
    chaosnbeer

    disturbing documentary

    I remember watching this documentary when it appeared on HBO and being completly disgusted. This was a witch hunt. The trial of these boys was based more on their look and taste in music more than actual hard evidence. I grew up around this area and I know exactly what it's like to be a noncormist..you're automatically accused of being a satanist and associated with murders just because you look and think a certain way. Now I can't honestly sit here and say that these boys didn't do it..because I don't know..it's possible..and my heart tells me they didn't..but ya know i'd look like an ass if the evidence came up that they did. What disgusted me was the trial..and the assassination of the boys . There was no real concrete facts..just their lifestyle of music and fashion. The second one focused more on the father of the murdered children..all evidence pointed at him and away from the boys..just my opinion. This is a disturbing look at corrupted justice in the Bible belt.

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    Histoire

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    Modifier
    • Anecdotes
      First feature film to contain licensed music of Metallica, something that the band was initially opposed of doing. The band was involved in raising public awareness of the accused. Joe Berlinger would later do a documentary on Metallica in "Metallica: Some Kind of Monster".
    • Gaffes
      Damien reads this Shakespearean quote while on trial: "Life's but a walking shadow...full of sound and fury signifying nothing." He incorrectly refers to it as being from A Midsummer Night's Dream. It is, in fact, a soliloquy famously from Macbeth.
    • Citations

      Damien Wayne Echols: I knew from when I was real small people were gonna know who I was, I always had that feeling... I just never knew how they were gonna learn. I kind of enjoy it now because even after I die, people are gonna remember me forever. People are gonna talk about me for years. People in West Memphis will tell their kids stories... It'll be sorta like I'm the West Memphis boogie man. Little kids will be looking under their beds - "Damien might be under there!"

    • Connexions
      Featured in Siskel & Ebert & the Movies: The First Wives Club/Big Night/Surviving Picasso/Last Man Standing/Paradise Lost: The Child Murders at Robin Hood Hills (1996)
    • Bandes originales
      Welcome Home (Sanitarium)
      By Metallica

      Written by James Hetfield, Lars Ulrich, and Kirk Hammett

      Produced by Flemming Rasmussen (uncredited) with Metallica (uncredited)

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    FAQ15

    • How long is Paradise Lost: The Child Murders at Robin Hood Hills?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 10 juin 1996 (États-Unis)
    • Pays d’origine
      • États-Unis
    • Site officiel
      • arabuloku.com
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • America Undercover: Paradise Lost - The Child Murders at Robin Hood Woods
    • Lieux de tournage
      • West Memphis, Arkansas, États-Unis
    • Sociétés de production
      • Creative Thinking International Ltd.
      • Home Box Office (HBO)
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 2h 30min(150 min)
    • Couleur
      • Color
    • Mixage
      • Stereo
    • Rapport de forme
      • 1.37 : 1

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