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Paradise Lost: The Child Murders at Robin Hood Hills

  • 1996
  • Not Rated
  • 2h 30min
NOTE IMDb
8,2/10
19 k
MA NOTE
Paradise Lost: The Child Murders at Robin Hood Hills (1996)
Home Video Trailer from HBO Home Video
Lire trailer3:51
1 Video
60 photos
Documentaire policierCriminalitéDocumentaire

Ajouter une intrigue dans votre langueA horrific triple child murder leads to an indictment and trial of three nonconformist boys based on questionable evidence.A horrific triple child murder leads to an indictment and trial of three nonconformist boys based on questionable evidence.A horrific triple child murder leads to an indictment and trial of three nonconformist boys based on questionable evidence.

  • Réalisation
    • Joe Berlinger
    • Bruce Sinofsky
  • Casting principal
    • Tony Brooks
    • Diana Davis
    • Terry Wood
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    8,2/10
    19 k
    MA NOTE
    • Réalisation
      • Joe Berlinger
      • Bruce Sinofsky
    • Casting principal
      • Tony Brooks
      • Diana Davis
      • Terry Wood
    • 88avis d'utilisateurs
    • 42avis des critiques
  • Voir les informations de production sur IMDbPro
    • Récompensé par 1 Primetime Emmy
      • 9 victoires et 10 nominations au total

    Vidéos1

    Paradise Lost: The Child Murders at Robin Hood Hills
    Trailer 3:51
    Paradise Lost: The Child Murders at Robin Hood Hills

    Photos60

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    Rôles principaux58

    Modifier
    Tony Brooks
    • Self - KAIT-TV
    • (images d'archives)
    Diana Davis
    • Self - KAIT-TV
    • (images d'archives)
    Terry Wood
    • Self - KAIT-TV
    • (images d'archives)
    Dick Clay
    • Self - KAIT-TV
    • (images d'archives)
    Jenna Newton
    • Self - KAIT-TV
    • (images d'archives)
    Gary Gitchell
    • Self
    Tommy Stacy
    • Self
    • (as Rev. Tommy Stacy)
    Melissa Byers
    • Self
    Todd Moore
    • Self
    Dana Moore
    • Self
    Pam Hobbs
    Pam Hobbs
    • Self
    Jessie Misskelley Sr.
    • Self
    Gail Grinnell
    • Self
    Joe Hutchinson
    • Self
    John Mark Byers
    John Mark Byers
    • Self
    Jason Baldwin
    Jason Baldwin
    • Self
    Damien Wayne Echols
    Damien Wayne Echols
    • Self
    Jessie Misskelley
    Jessie Misskelley
    • Self
    • (as Jessie Miskelly)
    • Réalisation
      • Joe Berlinger
      • Bruce Sinofsky
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs88

    8,219K
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    Avis à la une

    xtine1217

    None is free as long as these three young men are imprisoned.

    Absolutely shocking and riveting from beginning to end. A brutal murder of three young boys leads to the wrongful conviction of three teens who were fingered for the crime because the police and townspeople found them "weird." Two of the teens are currently (2004) serving life sentences, and one is sitting on death row! This documentary brilliantly unfolds the story of the tragedy in West Memphis through interviews with the murdered boys' families, the accused and convicted teens, and footage of the court trials. The directors remain unbiased and let the audience decide for themselves "who did it," but there's no disputing that the police investigation was a travesty and that the West Memphis Three did not get fair trials--were found guilty before even taking the stand. Also check out the sequel: "Paradise Lost: Revelations." Be warned, though--both documentaries will make you want to scream with the injustice of it all, and rightfully concern you that despite an absence of any physical evidence linking three young men to a crime, and despite mounds of evidence indicating that the young men are innocent, the desire by influential individuals to convict won out over justice.
    strauss12

    inspires frustration and ultimately, apathy

    Despite all the praise this documentary has received, I did not find it very moving at all. Granted, it was a horrible crime, and the footage of the three young victims' bodies was shocking and almost unwatchable. But most of this film serves only to expose the extreme incompetence of everyone involved in the case. With regard to the wrongly(?) accused boys -- never have I seen three innocent people put up such a weak, pathetic fight for their innocence. Most of the time, they stare doe-eyed and slack-jawed in front of the camera, seemingly uninterested in their own fates. Sure, these boys were only 16-17 years old and very scared, but they seem to have no intuition for survival whatsoever in this life-or-death situation. Any realistic grasp of the situation eludes these boys completely -- they behave almost as if they're playing a part in a movie. It is quite possible, and perhaps even probable, that they are indeed innocent, but they themselves do not seem to care, and so dear viewer, why should you? The overwhelming impression I get from these boys is that they lead very boring lives in a very stagnant town, and they know that this whole case is the most exciting thing that will ever happen to them. They seem interested not in the issue of their guilt or innocence, but rather in the surreal quality of their quasi-celebrity (in the end, Damien waxes romantic over the notion that his name will become famous in West Memphis as a synonym for "bogeyman", scaring generations of children to come). They are genuinely pleased with all of the attention they're receiving -- not that they have much to say, but they're just happy that someone is asking.
    8runamokprods

    Important and powerful documentary

    Powerful and thought provoking look at American justice, and how we treat those who are outsiders or 'different'.

    When three very young boys are found brutally murdered, and mutilated the town of West Memphis demands retribution and closure, and so, after some fruitless weeks of police work, the suspects become three teen-age boys, who listened to heavy metal, and the oldest of whom dressed (somewhat) Goth and was interested in Wicca. A strong indictment of how, at least some of the time in our justice system 'guilty until proved innocent' is the rule.

    That said, the film makes some serious miss-steps by not being clearer about some of the evidence it brings up, but never explores. For example, we're told early on by the filmmakers that all 3 boys had alibis for the night of the killing, yet we never hear about it again. Are their defense lawyers THAT bad, or were the alibis not solid? Two said they were home with their families, yet the families never mention being with them that night. Similarly, we are never told why the police picked up the first of the boys, a borderline mentally retarded kid, who clearly didn't know what was going on, for questioning. The implication was that the cops wanted an easy pliable target, but the issue is never explored either by the defense, or by the film-makers. In a 150 minute movie, there's no need for those kind of loose ends, leaving us to question whether we've seen a fair reporting of what went on, or if there really was more evidence against the kids than we're shown.

    Still a powerful and important examination of how we often rush to judgment, socially and legally. Recent history has shown this is far from an isolated case - people are sent to prison, even death row on flimsy or incomplete evidence, and by playing on a juries fears far more often then we would all like to believe.
    billybrown41

    Great Documentary

    I'll admit that I've never been too crazy about documentaries. For one thing, I think that they are generally biased and you are only seeing what the film-makers want you to see. Now, I watched Paradise Lost for several reasons. One, I've always been intrigued by peoples' ignorance and I'm still amazed at how quick they are to point a finger at something they know nothing about. Several years ago, I remember this story being all over the news, and the way it was presented then, it was very easy to believe that these three outcasts were the killers. I've been through West Memphis numerous times since the killings and I still get the chills everytime I pass by the Blue Beacon truckwash.

    I sat down to this three hour film with a pretty open mind. While the film doesn't really answer any questions, it does bring a lot to mind and never takes sides on whether the boys did or didn't do it. That's what I admire about the film-makers. They managed to stay almost completely neutral, no matter what their feelings or opinions may have been on who the actual murderer(s) were.

    Watching this movie is scary. I've polluted my mind over the years with just about every junk-horror movie that I could find and nothing has given me that icy feeling quite like this has. I've seen it three times now and it never loses its impact.

    For those who don't know, here's the story: In West Memphis, three young children are found mutilated in a patch of woods just off the interstate. For no real reason whatsoever, three nonconformist teens are brought to trial, one of which has an I.Q. that is somewhere in the 70s. When he gives a very phony sounding confession, the trials begin with absolutely no other evidence to prove that the boys are guilty. Throughout the film, we meet each of the deceased boys parents, the defendents, and the defendents' families. Most angry of all are the parents of the Byers boy who was murdered. Now, before I get started on the step-father Mark Byers, I really want to say that I can totally empathize with the guy and his rage is completely understandable. However, what I really can't get past is the guy's bizarre behavior and the impression that he left me with. The guy takes up a lot of screen time. I know that the guy is a jeweler by trade and acting may not be his thing, but this is a DOCUMENTARY and while watching him, on more than several occasions I got a little confused. Yeah, the guy has some mental problems, he's on numerous medications, he's suffering from a brain tumor and he's going through some major grieving. But why does he act like he's been watching TOO much WWF? His lines are straight out of a BAD movie and if this is how the guy really is, I'm staying the hell out of this guy's way. Throughout the film there are several subtle (or not so subtle) indications that he may be a suspect. The fact that he gave one of the film-makers a bloody knife as a Christmas present more than proves that the guy is a little off his rocker. He even admitted to having beat the child the day that he was murdered.

    Remember, there is absolutely NO physical evidence to pin on the accused and the only thing that got them there was a false confession given by a legally retarded teenager who had been interrogated for hours. Oh, and did I mention that his story KEPT changing? Listening to Jesse Misskelly, the time that the boys were murdered takes place all over the clock. Once, he states that the boys were murdered in the A.M. hours, then during broad daylight, then at night. I don't get it. It didn't matter to the jury. Two of the boys still got life sentences and the other (Damien Eckols) got the death sentence. His crime is that he had a fondness for wearing black, had a bad haircut, and a slight interest in Wicca...Not a whole lot different from myself. Anyway, there is also mention of another mysterious person who made an appearance in a Bojangles restaurant restroom, covered in blood. Oh yeah, that is another issue that is barely mentioned, and then dropped.

    After seeing this movie, I was still terribly confused and my questions were still unanswered, but I guess that is the sign of a good documentary. I'm really glad that the film-makers stuck with the facts and never let their opions get in the way of making the film. The sequel is also very good, but still leaves nothing answered. Now, it's been several years since the first time I watched this but the boys are still in prison, still trying to get out. I reccomend this film to anyone who has ever been criticized for their appearance. It'll make you realize just how lucky you are, while questioning the justice system at the same time.
    LLAAA4837

    Seriously, Do Yourself a Favor and Watch this film.

    If you have ever doubted that there are some serious injustices in the political system, you must see this film. This is a documentary about three teenagers who are accused of being murderers simply because they aren't conformists. They are accused of murdering three innocent children, despite there being no evidence, no witness testimonies, and not a single shred of a motive, reason, or cause. The three teenagers who are convicted are Jessie Misskelly, Jr. who is a mentally impaired young man, Jason Baldwin, who is a thin, shy, and slightly underweight kid, and Damien Wayne Echols, who is into metal music, wears black, and is part of the Wiccian religion. There are the three children who are murdered, Christopher Byers, Steve Branch, and Michael Moore. The opening sequences depict the findings of the bodies in the woods. Christopher Byers looked to have been beaten to death after his genitals were mutilated. Steve Branch and Michael Moore were suffocated. There is not a single drop of blood at the murder scene despite the fact that Christopher would have bled profusely if his genitals were cut off, and yet everyone seems to be extremely convinced, for some reason, that the murder of Christopher occurred in the woods. It's possible that Michael and Steven were drowned nearby, but there doesn't appear to be any sign of a struggle. The parents of these innocent victims seem hellbent on insuring that Jessie, Jason, and Damien did it, despite there being nothing to even suggest. There are rumors of them being seen planning the murders, but those don't have any real backing. Meanwhile people make up stories about Satan worshiping and that the murder of these three boys involved some sort of sacrificial ceremony. You have got to be kidding! Why on earth would people believe this stuff!!! The town of West Memphis Arkansas is blinded by their religious faith that they aren't seeing things in a reasonable and more realistic light. This film contains footage of absolutely everything. Once you see it, you can decide for yourself if they did it or not, but I don't see any connection. Sorry.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      First feature film to contain licensed music of Metallica, something that the band was initially opposed of doing. The band was involved in raising public awareness of the accused. Joe Berlinger would later do a documentary on Metallica in "Metallica: Some Kind of Monster".
    • Gaffes
      Damien reads this Shakespearean quote while on trial: "Life's but a walking shadow...full of sound and fury signifying nothing." He incorrectly refers to it as being from A Midsummer Night's Dream. It is, in fact, a soliloquy famously from Macbeth.
    • Citations

      Damien Wayne Echols: I knew from when I was real small people were gonna know who I was, I always had that feeling... I just never knew how they were gonna learn. I kind of enjoy it now because even after I die, people are gonna remember me forever. People are gonna talk about me for years. People in West Memphis will tell their kids stories... It'll be sorta like I'm the West Memphis boogie man. Little kids will be looking under their beds - "Damien might be under there!"

    • Connexions
      Featured in Siskel & Ebert & the Movies: The First Wives Club/Big Night/Surviving Picasso/Last Man Standing/Paradise Lost: The Child Murders at Robin Hood Hills (1996)
    • Bandes originales
      Welcome Home (Sanitarium)
      By Metallica

      Written by James Hetfield, Lars Ulrich, and Kirk Hammett

      Produced by Flemming Rasmussen (uncredited) with Metallica (uncredited)

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    FAQ15

    • How long is Paradise Lost: The Child Murders at Robin Hood Hills?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 10 juin 1996 (États-Unis)
    • Pays d’origine
      • États-Unis
    • Site officiel
      • arabuloku.com
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • America Undercover: Paradise Lost - The Child Murders at Robin Hood Woods
    • Lieux de tournage
      • West Memphis, Arkansas, États-Unis
    • Sociétés de production
      • Creative Thinking International Ltd.
      • Home Box Office (HBO)
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 2h 30min(150 min)
    • Couleur
      • Color
    • Mixage
      • Stereo
    • Rapport de forme
      • 1.37 : 1

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