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Ajouter une intrigue dans votre langueA rookie cop marries Pam, a troubled woman battling addiction. Their marriage strains under her spending and their mounting debts. After losing his job, Chris turns to bank robbery using his... Tout lireA rookie cop marries Pam, a troubled woman battling addiction. Their marriage strains under her spending and their mounting debts. After losing his job, Chris turns to bank robbery using his police expertise.A rookie cop marries Pam, a troubled woman battling addiction. Their marriage strains under her spending and their mounting debts. After losing his job, Chris turns to bank robbery using his police expertise.
- Réalisation
- Scénario
- Casting principal
Bruce A. Young
- Agent Parker
- (as Bruce Young)
Jim True-Frost
- Mike Anderson
- (as Jim True)
Avis à la une
The film starts with the FBI arresting Luke Perry during a car robbery and tracks back to two years prior. It is at this point that Perry first meets Ashley Judd and his life begins to change. Essentially he becomes trapped by his love with a woman that is clearly no good for him - leading to fights, crime and his eventual capture.
Perry takes a huge leap away from his 90210 posterboy image with a good haunted performance as the man forced to live outside his small-town "normal life" by Judd's desire for more excitement than a small town can give.
Ashley Judd is excellent as Pam, constantly riddled with suffering and inconsistency as she flies around emotionally, cuts herself with knives and puts guns to her head and only finds peace when taking drugs, spending money or stealing. The only criticism is that she is required to be nude almost once every ten minutes - this doesn't develop her character and made me think that the director wanted to have it there to satisfy the men in the audience, it almost like she was being exploited.
Overall the film is well plotted and makes Perry's change almost believable - however his final change doesn't totally make sense. That said it's a pretty emotional ride that doesn't let you get bored at any point, is well acted and well scripted. All through the film you can't help but feel sad for Perry as he is henpecked, corrupted and ultimately tormented by Judd's childish alluring Pam.
Perry takes a huge leap away from his 90210 posterboy image with a good haunted performance as the man forced to live outside his small-town "normal life" by Judd's desire for more excitement than a small town can give.
Ashley Judd is excellent as Pam, constantly riddled with suffering and inconsistency as she flies around emotionally, cuts herself with knives and puts guns to her head and only finds peace when taking drugs, spending money or stealing. The only criticism is that she is required to be nude almost once every ten minutes - this doesn't develop her character and made me think that the director wanted to have it there to satisfy the men in the audience, it almost like she was being exploited.
Overall the film is well plotted and makes Perry's change almost believable - however his final change doesn't totally make sense. That said it's a pretty emotional ride that doesn't let you get bored at any point, is well acted and well scripted. All through the film you can't help but feel sad for Perry as he is henpecked, corrupted and ultimately tormented by Judd's childish alluring Pam.
An incompatible couple try to find a normal life. Differences of opinion constantly lead to outbursts of anger and threats of ending the partnership. Pam (Ashley Judd) is an irresponsible woman who makes up for the lack of excitement in her life by indulging in drugs and alcohol. She is certainly not content to be a housewife. Policeman Chris (Luke Perry) on the other hand is a level-headed husband who pampers her in every material way. He is soon in dreadful debt.
The turbulent life-style of these two main characters occupy the screen most of the time and we feel there is no hope for either of them. Indeed their incompatibility is enough to put one totally off marriage. Their shouting matches are quite savage and somewhat depressing.
When Chris resigns from the police force and discovers a new way to riches and living life to the full, excitement takes over and the characters are fired with a new enthusiasm. Pam insists she be a part of this new game and for a time she becomes a new woman.
The characters are well drawn, the car chases quite exciting. This change of mood spices up their sex lives clearly depicted in a series of bedroom scenes.
The final sequences are dramatic and exciting so stay with the film to the end. The old saying that "Crime does not pay" is clearly delivered and understood.
The turbulent life-style of these two main characters occupy the screen most of the time and we feel there is no hope for either of them. Indeed their incompatibility is enough to put one totally off marriage. Their shouting matches are quite savage and somewhat depressing.
When Chris resigns from the police force and discovers a new way to riches and living life to the full, excitement takes over and the characters are fired with a new enthusiasm. Pam insists she be a part of this new game and for a time she becomes a new woman.
The characters are well drawn, the car chases quite exciting. This change of mood spices up their sex lives clearly depicted in a series of bedroom scenes.
The final sequences are dramatic and exciting so stay with the film to the end. The old saying that "Crime does not pay" is clearly delivered and understood.
"Normal Life" was barely given a theatrical release by its studio, Fine Line. That's a shame, because there is a lot that is worthy in this movie. John McNaughton was a good choice to direct this movie, because in "Henry: Portrait Of A Serial Killer", he showed he had a talent for showing those in lower class positions with low self esteem - just like the two main characters in this movie. These characters have high ambitions and try to do better (at least initially), but they are shot down by themselves and their surrounding society. They want, but don't get, respect. The movie is focused on their insides, not much on what surrounds them like their jobs. They are drawn together because they are two lost souls - they at least have that to share. The two actors are excellent in their roles (Luke Perry sheds his pretty-boy image completely here.) The movie is not perfect - there are a few details that are not explained (like what exactly is used to justify Perry's character's firing from his job.) Also, the movie is a bit too long, more noticeably in the first half of the movie - cutting fifteen or so minutes from the movie would have helped. But despite these faults, the movie is still well worth seeking out.
I always like being surprised by films I've never heard of or come across and this one is a very good way to pass the time.
Luke perry was very good in one of his first "grown up roles" as a by the book cop who becomes obsessed with a clearly deranged ashley judd who does a good impression of a young angelina jolie. If you're a Judd fan, you'll be pleased to know there's several topless shots of said lady.
Tittle-tattle aside, this is a very entertaining movie to watch, it doesn't spend ages on building up characters but gives you all you need to know with the minimum of fuss which allows time for the film to progress nicely.
There are a few plot holes and there wont be any awards for acting but this was a decent enough thriller that should be checked out.
Luke perry was very good in one of his first "grown up roles" as a by the book cop who becomes obsessed with a clearly deranged ashley judd who does a good impression of a young angelina jolie. If you're a Judd fan, you'll be pleased to know there's several topless shots of said lady.
Tittle-tattle aside, this is a very entertaining movie to watch, it doesn't spend ages on building up characters but gives you all you need to know with the minimum of fuss which allows time for the film to progress nicely.
There are a few plot holes and there wont be any awards for acting but this was a decent enough thriller that should be checked out.
I don't know why, but I haven't been able to get into the films of director John McNaughton. Of the films of his I've seen(HENRY: PORTRAIT OF A SERIAL KILLER, MAD DOG AND GLORY, WILD THINGS, and this), I can see obvious talent, but for some reason he hasn't put it all together for me(HENRY, the best of those, was tighter, but had some problems). At least here, I can detail what went wrong for me. For one, there were too many shouting matches(someone ought to tell actors that yelling is not the only way to express anger). For another, I've never really liked Luke Perry, and he runs the gamut of expressions here from A to B. Ashley Judd is quite good here, giving an intuitive performance, and never quite answering what's wrong with her character, but letting us guess for ourselves(of course, she's a drug addict and alcoholic, but there seems to be more to it). And the details of this supposedly true story seem fascinating. I just wish it added up to more.
Le saviez-vous
- AnecdotesThe bar where Chris and Pam first meet is the Bartlett Tap located in downtown Bartlett, Illinois. The tavern has been in existence since the 1800s.
- GaffesPam Anderson said her telescope was a Newtonian reflector; however, it was a long focal length 60mm refractor.
- Versions alternativesPortuguese version misses about 9 minutes of the original movie. There are no scenes of nudity or sex, and not a single swear word. Even the scenes showing characters with guns pointed at their own heads were removed. In Portugal there is no censorship, but it seems the local distributor brought in a version made for American networks.
- Bandes originalesJust Before Mary Goes
Written by Leslie Stanwyck (as L. Stanwyck) and Johnny Sinclair (as J. Sinclair)
Performed by Universal Honey
Meilleurs choix
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- How long is Normal Life?Alimenté par Alexa
Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 22 891 $US
- Week-end de sortie aux États-Unis et au Canada
- 3 315 $US
- 27 oct. 1996
- Montant brut mondial
- 22 891 $US
- Durée1 heure 41 minutes
- Mixage
- Rapport de forme
- 1.85 : 1
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By what name was Normal Life (1996) officially released in India in English?
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