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Normal Life

  • 1996
  • R
  • 1h 41min
NOTE IMDb
6,2/10
2,6 k
MA NOTE
Ashley Judd and Luke Perry in Normal Life (1996)
Chris is young idealistic cop who falls in love and gets married to Pam, a beautiful but emotionally unstable woman who suffers from alcoholism and drug addiction.
Lire trailer1:14
1 Video
25 photos
CriminalitéDrameCrime véritable

Ajouter une intrigue dans votre langueA rookie cop marries Pam, a troubled woman battling addiction. Their marriage strains under her spending and their mounting debts. After losing his job, Chris turns to bank robbery using his... Tout lireA rookie cop marries Pam, a troubled woman battling addiction. Their marriage strains under her spending and their mounting debts. After losing his job, Chris turns to bank robbery using his police expertise.A rookie cop marries Pam, a troubled woman battling addiction. Their marriage strains under her spending and their mounting debts. After losing his job, Chris turns to bank robbery using his police expertise.

  • Réalisation
    • John McNaughton
  • Scénario
    • Peg Haller
    • Bob Schneider
  • Casting principal
    • Ashley Judd
    • Luke Perry
    • Bruce A. Young
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,2/10
    2,6 k
    MA NOTE
    • Réalisation
      • John McNaughton
    • Scénario
      • Peg Haller
      • Bob Schneider
    • Casting principal
      • Ashley Judd
      • Luke Perry
      • Bruce A. Young
    • 30avis d'utilisateurs
    • 28avis des critiques
  • Voir les informations de production sur IMDbPro
  • Vidéos1

    Trailer
    Trailer 1:14
    Trailer

    Photos25

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    + 19
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    Rôles principaux30

    Modifier
    Ashley Judd
    Ashley Judd
    • Pam Anderson
    Luke Perry
    Luke Perry
    • Chris Anderson
    Bruce A. Young
    Bruce A. Young
    • Agent Parker
    • (as Bruce Young)
    Jim True-Frost
    Jim True-Frost
    • Mike Anderson
    • (as Jim True)
    Edmund Wyson
    Edmund Wyson
    • Darren
    Michael Skewes
    • Officer Swift
    Scott Cummins
    Scott Cummins
    • Hank Chilton
    Kevin Mukherji
    Kevin Mukherji
    • Homeowner
    Kate Walsh
    Kate Walsh
    • Cindy Anderson
    Tom Towles
    Tom Towles
    • Frank Anderson
    Penelope Milford
    Penelope Milford
    • Adele Anderson
    Brian McCann
    Brian McCann
    • Justice of the Peace
    Dawn Maxey
    • Eva
    Kevin Hurley
    • Norman
    Brian Blondell
    • Toy Store Clerk
    Grady Hutt
    • Jeremy Anderson
    Jonathan Lavan
    • Funeral Director
    Diane Dorsey
    • Head Teller
    • Réalisation
      • John McNaughton
    • Scénario
      • Peg Haller
      • Bob Schneider
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs30

    6,22.6K
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    Avis à la une

    MOSSBIE

    Far more psychologically fierce than Bonnie and Clyde

    Both films were based on characters and the budgets were many millions of dollars apart in spite of the fact, in B and C we NEVER get to know either of the characters and what today is so outdated, is made up by the incredible performance of Ashley Judd, who employs no clichés of a a wild drunk and does not reveal herself as a clearly bipolar,drugged out mess. Later, to his credit the script writer does not delve into her childhood past beyond one scene,thus throwing pity at her.This is way truer than fashion icon Bonnie whose famous line "we rob banks" thrilled people and made heroes out of them and Theodora Van Runkle.Most surprising is Luke Perry (with bad mustache created to make him not so baby faced)who is really good and we get a glimpse of how honorable a man is who falls for a gorgeous unpredictable girl/woman whose heroes and myths lie in astronomy and chaos and lack of fear.I have known two women like them and been in love with them who were equally beautiful and could be so appealing and sexy one minute and the next out of their minds. In their case it was a lot of speed when it was legal,and they fascinated a lot of guys whose lives they messed up before dumping them prior to me. I had to leave them because they had such power. One married 5 times to millionaires and institutionalized while the other is now the most normal mother who looks great and goes to PTA meetings.She was exactly like the Judd character while the other drove around Hollywood with shotguns her classic sports cars and a Bentleys drinking champagne.Exactly like Judd's character. This film is far more real and explains the unexplainable but it usually has to do with drugs and booze while in B and C it was fashionable to love the underdog during the depression and feel compassion for them. Ashley Judd, again is a genuinely intelligent and gorgeous actress with an educational b.g. which is astonishing and may have influenced the director/writer to involve her in the astronomy which was a masterful quirky touch.The dialogue rings true and again Perry and her amaze.
    7SKG-2

    Strange and ultimately unsatisfying

    I don't know why, but I haven't been able to get into the films of director John McNaughton. Of the films of his I've seen(HENRY: PORTRAIT OF A SERIAL KILLER, MAD DOG AND GLORY, WILD THINGS, and this), I can see obvious talent, but for some reason he hasn't put it all together for me(HENRY, the best of those, was tighter, but had some problems). At least here, I can detail what went wrong for me. For one, there were too many shouting matches(someone ought to tell actors that yelling is not the only way to express anger). For another, I've never really liked Luke Perry, and he runs the gamut of expressions here from A to B. Ashley Judd is quite good here, giving an intuitive performance, and never quite answering what's wrong with her character, but letting us guess for ourselves(of course, she's a drug addict and alcoholic, but there seems to be more to it). And the details of this supposedly true story seem fascinating. I just wish it added up to more.
    7raymond-15

    Well drawn characters of a hopelessly incompatible couple.

    An incompatible couple try to find a normal life. Differences of opinion constantly lead to outbursts of anger and threats of ending the partnership. Pam (Ashley Judd) is an irresponsible woman who makes up for the lack of excitement in her life by indulging in drugs and alcohol. She is certainly not content to be a housewife. Policeman Chris (Luke Perry) on the other hand is a level-headed husband who pampers her in every material way. He is soon in dreadful debt.

    The turbulent life-style of these two main characters occupy the screen most of the time and we feel there is no hope for either of them. Indeed their incompatibility is enough to put one totally off marriage. Their shouting matches are quite savage and somewhat depressing.

    When Chris resigns from the police force and discovers a new way to riches and living life to the full, excitement takes over and the characters are fired with a new enthusiasm. Pam insists she be a part of this new game and for a time she becomes a new woman.

    The characters are well drawn, the car chases quite exciting. This change of mood spices up their sex lives clearly depicted in a series of bedroom scenes.

    The final sequences are dramatic and exciting so stay with the film to the end. The old saying that "Crime does not pay" is clearly delivered and understood.
    bob the moo

    Good performances & well plotted

    The film starts with the FBI arresting Luke Perry during a car robbery and tracks back to two years prior. It is at this point that Perry first meets Ashley Judd and his life begins to change. Essentially he becomes trapped by his love with a woman that is clearly no good for him - leading to fights, crime and his eventual capture.

    Perry takes a huge leap away from his 90210 posterboy image with a good haunted performance as the man forced to live outside his small-town "normal life" by Judd's desire for more excitement than a small town can give.

    Ashley Judd is excellent as Pam, constantly riddled with suffering and inconsistency as she flies around emotionally, cuts herself with knives and puts guns to her head and only finds peace when taking drugs, spending money or stealing. The only criticism is that she is required to be nude almost once every ten minutes - this doesn't develop her character and made me think that the director wanted to have it there to satisfy the men in the audience, it almost like she was being exploited.

    Overall the film is well plotted and makes Perry's change almost believable - however his final change doesn't totally make sense. That said it's a pretty emotional ride that doesn't let you get bored at any point, is well acted and well scripted. All through the film you can't help but feel sad for Perry as he is henpecked, corrupted and ultimately tormented by Judd's childish alluring Pam.
    7pepekwa

    good movie

    I always like being surprised by films I've never heard of or come across and this one is a very good way to pass the time.

    Luke perry was very good in one of his first "grown up roles" as a by the book cop who becomes obsessed with a clearly deranged ashley judd who does a good impression of a young angelina jolie. If you're a Judd fan, you'll be pleased to know there's several topless shots of said lady.

    Tittle-tattle aside, this is a very entertaining movie to watch, it doesn't spend ages on building up characters but gives you all you need to know with the minimum of fuss which allows time for the film to progress nicely.

    There are a few plot holes and there wont be any awards for acting but this was a decent enough thriller that should be checked out.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      The bar where Chris and Pam first meet is the Bartlett Tap located in downtown Bartlett, Illinois. The tavern has been in existence since the 1800s.
    • Gaffes
      Pam Anderson said her telescope was a Newtonian reflector; however, it was a long focal length 60mm refractor.
    • Citations

      Chris: I Can't on sunday, Mike.

      Mike: We never see you anymore. What is it with you two? Still in your honeymoon? Too fucking busy, or too busy fucking?

    • Versions alternatives
      Portuguese version misses about 9 minutes of the original movie. There are no scenes of nudity or sex, and not a single swear word. Even the scenes showing characters with guns pointed at their own heads were removed. In Portugal there is no censorship, but it seems the local distributor brought in a version made for American networks.
    • Connexions
      Featured in Siskel & Ebert & the Movies: The Associate/High School High/Normal Life/Twelfth Night/Trees Lounge (1996)
    • Bandes originales
      Just Before Mary Goes
      Written by Leslie Stanwyck (as L. Stanwyck) and Johnny Sinclair (as J. Sinclair)

      Performed by Universal Honey

    Meilleurs choix

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    FAQ16

    • How long is Normal Life?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 25 octobre 1996 (États-Unis)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Нормальне життя
    • Lieux de tournage
      • Hanover Park, Illinois, États-Unis
    • Sociétés de production
      • Fine Line Features
      • New Line Cinema
      • Normal Life Productions
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut aux États-Unis et au Canada
      • 22 891 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 3 315 $US
      • 27 oct. 1996
    • Montant brut mondial
      • 22 891 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 41min(101 min)
    • Mixage
      • Ultra Stereo
    • Rapport de forme
      • 1.85 : 1

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