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Normal Life

  • 1996
  • R
  • 1h 41min
NOTE IMDb
6,2/10
2,6 k
MA NOTE
Ashley Judd and Luke Perry in Normal Life (1996)
Chris is young idealistic cop who falls in love and gets married to Pam, a beautiful but emotionally unstable woman who suffers from alcoholism and drug addiction.
Lire trailer1:14
1 Video
25 photos
Crime véritableCriminalitéDrame

Ajouter une intrigue dans votre langueA rookie cop marries Pam, a troubled woman battling addiction. Their marriage strains under her spending and their mounting debts. After losing his job, Chris turns to bank robbery using his... Tout lireA rookie cop marries Pam, a troubled woman battling addiction. Their marriage strains under her spending and their mounting debts. After losing his job, Chris turns to bank robbery using his police expertise.A rookie cop marries Pam, a troubled woman battling addiction. Their marriage strains under her spending and their mounting debts. After losing his job, Chris turns to bank robbery using his police expertise.

  • Réalisation
    • John McNaughton
  • Scénario
    • Peg Haller
    • Bob Schneider
  • Casting principal
    • Ashley Judd
    • Luke Perry
    • Bruce A. Young
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,2/10
    2,6 k
    MA NOTE
    • Réalisation
      • John McNaughton
    • Scénario
      • Peg Haller
      • Bob Schneider
    • Casting principal
      • Ashley Judd
      • Luke Perry
      • Bruce A. Young
    • 30avis d'utilisateurs
    • 28avis des critiques
  • Voir les informations de production sur IMDbPro
  • Vidéos1

    Trailer
    Trailer 1:14
    Trailer

    Photos25

    Voir l'affiche
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    + 19
    Voir l'affiche

    Rôles principaux30

    Modifier
    Ashley Judd
    Ashley Judd
    • Pam Anderson
    Luke Perry
    Luke Perry
    • Chris Anderson
    Bruce A. Young
    Bruce A. Young
    • Agent Parker
    • (as Bruce Young)
    Jim True-Frost
    Jim True-Frost
    • Mike Anderson
    • (as Jim True)
    Edmund Wyson
    Edmund Wyson
    • Darren
    Michael Skewes
    • Officer Swift
    Scott Cummins
    Scott Cummins
    • Hank Chilton
    Kevin Mukherji
    Kevin Mukherji
    • Homeowner
    Kate Walsh
    Kate Walsh
    • Cindy Anderson
    Tom Towles
    Tom Towles
    • Frank Anderson
    Penelope Milford
    Penelope Milford
    • Adele Anderson
    Brian McCann
    Brian McCann
    • Justice of the Peace
    Dawn Maxey
    • Eva
    Kevin Hurley
    • Norman
    Brian Blondell
    • Toy Store Clerk
    Grady Hutt
    • Jeremy Anderson
    Jonathan Lavan
    • Funeral Director
    Diane Dorsey
    • Head Teller
    • Réalisation
      • John McNaughton
    • Scénario
      • Peg Haller
      • Bob Schneider
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs30

    6,22.6K
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    10

    Avis à la une

    7SKG-2

    Strange and ultimately unsatisfying

    I don't know why, but I haven't been able to get into the films of director John McNaughton. Of the films of his I've seen(HENRY: PORTRAIT OF A SERIAL KILLER, MAD DOG AND GLORY, WILD THINGS, and this), I can see obvious talent, but for some reason he hasn't put it all together for me(HENRY, the best of those, was tighter, but had some problems). At least here, I can detail what went wrong for me. For one, there were too many shouting matches(someone ought to tell actors that yelling is not the only way to express anger). For another, I've never really liked Luke Perry, and he runs the gamut of expressions here from A to B. Ashley Judd is quite good here, giving an intuitive performance, and never quite answering what's wrong with her character, but letting us guess for ourselves(of course, she's a drug addict and alcoholic, but there seems to be more to it). And the details of this supposedly true story seem fascinating. I just wish it added up to more.
    7jpn

    A decent, modern "Bonnie and Clyde"

    I must admit that seeing 90210's Luke Perry in Normal Life's leading role did not inspire me, but after watching this film I was pleasantly surprised. The foreshadowing scene at the very start of the film gives a sense of foreboding doom that pervades the rest of the story. Pam (Ashley Judd) is a woman torn between living on the edge and having a normal, storybook life. Chris (Luke Perry) longs for such a life, but also seems to be excited by Pam's wild side. He goes from cop to bank robber in a first successful, but then futile attempt to make things right, which only seems to excite Pam more. Eventually their luck runs out, and the inevitable ensues. The last 15 minutes of this film are the best part with some surprising twists right near the end.
    7raymond-15

    Well drawn characters of a hopelessly incompatible couple.

    An incompatible couple try to find a normal life. Differences of opinion constantly lead to outbursts of anger and threats of ending the partnership. Pam (Ashley Judd) is an irresponsible woman who makes up for the lack of excitement in her life by indulging in drugs and alcohol. She is certainly not content to be a housewife. Policeman Chris (Luke Perry) on the other hand is a level-headed husband who pampers her in every material way. He is soon in dreadful debt.

    The turbulent life-style of these two main characters occupy the screen most of the time and we feel there is no hope for either of them. Indeed their incompatibility is enough to put one totally off marriage. Their shouting matches are quite savage and somewhat depressing.

    When Chris resigns from the police force and discovers a new way to riches and living life to the full, excitement takes over and the characters are fired with a new enthusiasm. Pam insists she be a part of this new game and for a time she becomes a new woman.

    The characters are well drawn, the car chases quite exciting. This change of mood spices up their sex lives clearly depicted in a series of bedroom scenes.

    The final sequences are dramatic and exciting so stay with the film to the end. The old saying that "Crime does not pay" is clearly delivered and understood.
    7mackjay2

    Good-Looking Cast, Superficial Treatment

    Superficial look at l'amour fou and its consequences. Two very good-looking people meet by chance and enter into a life of crime. Besides a mutual attraction it's hard to see why this pair stay together, even get married. We don't get enough background for the characters. There's nothing wrong with the acting. Ashley Judd has the showier part to play--a bipolar nightmare--and she gives it her all, only occasionally flirting with excess; and she looks great Luke Perry's character puts up with more than most me would stand. With his slight build, a mustache adding some maturity to the character, he's quite sympathetic, even when plot turns goes a little beyond credibility (although this is based on true-life incidents). In sum, it's more like a made-for-TV movie. It will certainly hold a viewer's attention, and others in the cast are more than adequate.
    7pepekwa

    good movie

    I always like being surprised by films I've never heard of or come across and this one is a very good way to pass the time.

    Luke perry was very good in one of his first "grown up roles" as a by the book cop who becomes obsessed with a clearly deranged ashley judd who does a good impression of a young angelina jolie. If you're a Judd fan, you'll be pleased to know there's several topless shots of said lady.

    Tittle-tattle aside, this is a very entertaining movie to watch, it doesn't spend ages on building up characters but gives you all you need to know with the minimum of fuss which allows time for the film to progress nicely.

    There are a few plot holes and there wont be any awards for acting but this was a decent enough thriller that should be checked out.

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      The bar where Chris and Pam first meet is the Bartlett Tap located in downtown Bartlett, Illinois. The tavern has been in existence since the 1800s.
    • Gaffes
      Pam Anderson said her telescope was a Newtonian reflector; however, it was a long focal length 60mm refractor.
    • Citations

      Chris: I Can't on sunday, Mike.

      Mike: We never see you anymore. What is it with you two? Still in your honeymoon? Too fucking busy, or too busy fucking?

    • Versions alternatives
      Portuguese version misses about 9 minutes of the original movie. There are no scenes of nudity or sex, and not a single swear word. Even the scenes showing characters with guns pointed at their own heads were removed. In Portugal there is no censorship, but it seems the local distributor brought in a version made for American networks.
    • Connexions
      Featured in Siskel & Ebert & the Movies: The Associate/High School High/Normal Life/Twelfth Night/Trees Lounge (1996)
    • Bandes originales
      Just Before Mary Goes
      Written by Leslie Stanwyck (as L. Stanwyck) and Johnny Sinclair (as J. Sinclair)

      Performed by Universal Honey

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    FAQ16

    • How long is Normal Life?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 25 octobre 1996 (États-Unis)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Нормальне життя
    • Lieux de tournage
      • Hanover Park, Illinois, États-Unis
    • Sociétés de production
      • Fine Line Features
      • New Line Cinema
      • Normal Life Productions
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut aux États-Unis et au Canada
      • 22 891 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 3 315 $US
      • 27 oct. 1996
    • Montant brut mondial
      • 22 891 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 41min(101 min)
    • Mixage
      • Ultra Stereo
    • Rapport de forme
      • 1.85 : 1

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