Norma Jean & Marilyn

As a huge fan of Marilyn Monroe, I was excited to see this movie. Mira Sorvino did a pretty good job portraying her, as did Ashley Judd. The story was just very dark, it shows Marilyn's abuse physically and sexually. She has also been abused emotionally by producers and directors. Although the story is very good, it is just very dark.

I must say that this movie was very interesting, and more than a little disturbing. My knowledge of Marilyn info is not that expansive, but I thought the movie glossed over/fibbed/forgot about some important stuff in her life and chose to focus on the drugs/abuse/breakdown side of her personality. I adore both Ashley Judd and Mira Sorvino, but neither were very convincing as Marilyn in my humble opinion. (Altho Mira had her voice down pat) The movie was entertaining, but I felt it painted Marilyn more as "deranged over the edge Marilyn" than "gifted star with problems Marilyn".

For years, the 1996 HBO movie NORMA JEAN AND MARILYN has been maligned and skewered by critics and viewers alike because it was not an accurate biography of Marilyn Monroe. Frankly, if you're looking for an accurate film biography of Marilyn Monroe, there is no such animal (though the ABC-TV movie with Catherine Hicks is pretty close). NORMA JEAN AND MARILYN is not supposed to be a biography of Marilyn. So much has been written about Marilyn over the past 50 years, how can there be anything that people don't know at this point? That's why this movie took a different tack and presented a probing psychological drama that speculates about the inner demons that tormented Marilyn from her childhood as Norma Jean throughout her adult life as Marilyn. Ashley Judd lights up the screen as a young Norma Jean, the young woman determined to forget a loveless marriage to Jim Dougherty and carve out a career for herself as a movie star, even if she has to sleep her way to the top to do it. Norma Jean makes no bones about what she wants, even if it means using and abusing good friend Eddie Jordan (Josh Charles)to get to his famous uncle as an "in" to the Hollywood crowd. The screenplay splices together fantasies and inner dialogues with some actual events in Norma Jean's life in order to give us a look into Marilyn's psyche. Once Norma Jean gets signed to Fox and she changes her name to Marilyn Monroe, Mira Sorvino takes over the role in an uncanny reincarnation of the screen's greatest sex symbol. Sorvino is warm and heartbreaking as Marilyn, recreating some of Marilyn's greatest on screen moments with frightening accuracy while at the same time beautifully conveying the decay of Marilyn's mind, thanks to booze, pills, men, and the treatment she received from studio heads, acting coaches, and others who tried to help her. What makes this film unique and indicates that it is not just a typical biopic is that after Sorvino takes over the role, Ashley Judd still appears as the inner Norma Jean, coaching and encouraging Marilyn to do the right thing and ridiculing her when she does the wrong thing. This movie is an examination of the inner Marilyn who lived in constant mental anguish and was never satisfied with anything she ever did or any relationship she had. The movie is well-written with flashbacks and flash forwards that require close attention in order to stay with the story but it is well worth it. Sorvino and Judd receive solid support from David Dukes as Arthur Miller, Peter Dobsono as Joe DiMaggio, Ron Rifkin as Johnny Hyde, and Lindsay Crouse as Natasha, Marilyn's acting coach who, according to this film,was in love with her. This is a haunting and disturbing film that will not answer all your questions about her, but might help you to understand what a tormented soul she was. If you're looking for a biography of Marilyn, go to a library and check out a book on Marilyn. If you're looking for a unique film experience about a side of Marilyn we rarely saw, then give NORMA JEAN AND MARILYN a look.

This film used a bit of gimmick casting; having one actress play the young and hungry starlet Norma Jean, and another playing 'Marilyn; after she had achieved fame and wealth. Add to that Marianne Davis, who plays Norma Jean when she was a frightened young girl being moved from place to place.

The movie is not entirely successful, because Sorvino plays Marilyn as her flighty image of the films rather than a logical continuation of the Norma Jean persona, making her death occur with a whimper rather than a grand crash. But it is very definitely worthwhile for seeing Ashley Judd play Norma Jean to the hilt as a woman whose delicate features overlay a soul of chromium steel, determined never to repeat the humiliations of her girlhood. It was an entirely different angle on Norma Jean/Marilyn to see her arrive late (!) for an audition and blithely push her way past other starlets to catch the attention of the producer; or watch her, in a fantasy sequence, run over her former hapless self in a car. I was sorry when 'Norma Jean's half' of the movie was over, and pleased to see her return briefly at the end.

Well, being a big fan of Marilyn Monroe, and her life, I have to say this movie was not very good, and was a poor depiction of Marilyn's life. It seems that every other scene they did something wrong. I'm not picky, but facts are facts. First off, the way they had her die was completely and totally wrong. Second, they portrayed her as a dits who felt sorry for herself all the time. It wasn't like that. While she did have her share of problems, it wasn't as foolish as they made it out to be. I wouldn't rent this.