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6,1/10
36 k
MA NOTE
Doug qui n'a jamais assez de temps pour faire ce qu'il veut se voit offrir la possibilité de se faire dupliquer. Mais bientôt deux Doug lui semblent insuffisants..Doug qui n'a jamais assez de temps pour faire ce qu'il veut se voit offrir la possibilité de se faire dupliquer. Mais bientôt deux Doug lui semblent insuffisants..Doug qui n'a jamais assez de temps pour faire ce qu'il veut se voit offrir la possibilité de se faire dupliquer. Mais bientôt deux Doug lui semblent insuffisants..
- Réalisation
- Scénario
- Casting principal
Avis à la une
Okay, so the premise is obviously before it's time, and there isn't too much to the plot. A guy clones himself a few times and problems/hilarity ensues. This movie could've easily gone to the b-movie shelf if not for Michael Keatons above average acting. Of course Andie MacDowell was good as his wife, but Michael Keaton steals the show. It's hard to get bored over the course of the movie because you keep wanting to see what Michael Keatons various personalities are going to do next. The effeminate Doug alone makes the movie worth a watch. My main issue is probably with the editing. I'm sure it's hard to edit one guy being multiple guys (especially in 1996) but a few of the panning shots were kinda choppy. Not a huge deal, but it does take you out of the moment for a second. This movie is probably a 7 out of 10, but giving it an 8 to make up for the undeserved 5.7. I'm pretty picky about my comedies, but this one raised itself above the pack. Consider other comedies from the same year: "Bio-Dome," "House Arrest," "Black Sheep, "Jingle All the Way," "Down Periscope." Out of all of them "Multiplicity" is the only one that I can recommend. If you like Michael Keaton, you can't miss this one. And if for some reason you don't, this movie might change your mind.
This is one of those films that maybe the first time you watch it, you just think, "eh." But on subsequent viewings you realize how funny it is and the absolutely great characters & how well developed each one of the Michael Keaton's are. He does an amazing job & this film was completely overlooked by just about everyone. Granted the plot is nothing to write home about, but neither is "Dumb & Dumbers" but that isn't why it is remembered. It's for all the hilarity that ensues just as this one does. I'm hoping that someday people will realize just how funny Michael Keaton can be in film & that he wasn't just BATMAN! A new generation will soon come to see everything that is classically done & some filmmaker will stick Mr. Keaton in another comedic role so that they can see just how well he can shine as a comedian. Here's hoping it's soon too! So if you liked "Old School, Napoleon Dynamite, & yes even "The Hangover" (though it's far less dirty) then this is right up your alley.
I like Michael Keaton. He was perfect in Pacific Heights and is still the 'Sean Connery' of the Batmen.
But the reason I liked multiplicity was because for once, in a movie about clones, the clones werent out to sabotage the original due to their disgruntlement at playing 2nd 3rd and 4th fiddle.
These clones try as hard as they can to abide by the rules and make sure that the original Michael Keaton's life runs as smoothly as possible: after all thats why they were spawned. And it is really amusing listening to the clones refer to Michale Keaton's Character as Doug (or 'Steve' in the case of #4) but are quite happy and comfortable in referring to each other by the numerical order in which they were created.
One of the most hilarious parts of the movie is when rule number one is put to the test....watch it and you'll see what I mean.....and also how number 2 warns number 3 that Dougs wife is going upstairs.............
Some people might think the character of 4 was a bit over the top, but if he had of been any less crazy than what he was..........it wouldnt have come off as well. After all, when a copy of a copy of a human doesnt come out right......you have to wonder what sections have been muddled up....Brain cells, chromosomes, Dna etc.....when you think of that, number 4's character was fairly tame.
A good movie that uses the talents of a good actor.
8/10
But the reason I liked multiplicity was because for once, in a movie about clones, the clones werent out to sabotage the original due to their disgruntlement at playing 2nd 3rd and 4th fiddle.
These clones try as hard as they can to abide by the rules and make sure that the original Michael Keaton's life runs as smoothly as possible: after all thats why they were spawned. And it is really amusing listening to the clones refer to Michale Keaton's Character as Doug (or 'Steve' in the case of #4) but are quite happy and comfortable in referring to each other by the numerical order in which they were created.
One of the most hilarious parts of the movie is when rule number one is put to the test....watch it and you'll see what I mean.....and also how number 2 warns number 3 that Dougs wife is going upstairs.............
Some people might think the character of 4 was a bit over the top, but if he had of been any less crazy than what he was..........it wouldnt have come off as well. After all, when a copy of a copy of a human doesnt come out right......you have to wonder what sections have been muddled up....Brain cells, chromosomes, Dna etc.....when you think of that, number 4's character was fairly tame.
A good movie that uses the talents of a good actor.
8/10
Doug Kinney never has enough time to do what he wants to do, his life is frantic and his family life is strained, then one day he gets the chance to have himself duplicated.
It would seem that a lot of complaints about this film are about it being a waste of a good premise, well for sure Multiplicity is far from being a comic masterpiece, but to say it doesn't deliver laughs set amongst its charming romantic heart, is a touch unfair I feel. What we get here is four Doug Kinney's, each one having their own driving personality to make it real easy for the audience to distinguish which is which. So, with Michael Keaton delivering four excellent performances as the Dougs, the comic relief flows pretty much all through the picture.
However, director Harold Ramis is guilty of staying safe with the material to hand because from the off the conclusion is never in doubt, the feel good factor is evident even as the Dougs are chaotically imploding. But is that really a reason to do the film down? Well no as far as I'm concerned, Multiplicity is a tidy fusion of sci-fi comedy and romance that isn't taking the science literally.
For Doug number 4 alone, with his skiing skills and pizza fetish, this film deserves 7/10, whilst Keaton deserves a far higher score indeed.
It would seem that a lot of complaints about this film are about it being a waste of a good premise, well for sure Multiplicity is far from being a comic masterpiece, but to say it doesn't deliver laughs set amongst its charming romantic heart, is a touch unfair I feel. What we get here is four Doug Kinney's, each one having their own driving personality to make it real easy for the audience to distinguish which is which. So, with Michael Keaton delivering four excellent performances as the Dougs, the comic relief flows pretty much all through the picture.
However, director Harold Ramis is guilty of staying safe with the material to hand because from the off the conclusion is never in doubt, the feel good factor is evident even as the Dougs are chaotically imploding. But is that really a reason to do the film down? Well no as far as I'm concerned, Multiplicity is a tidy fusion of sci-fi comedy and romance that isn't taking the science literally.
For Doug number 4 alone, with his skiing skills and pizza fetish, this film deserves 7/10, whilst Keaton deserves a far higher score indeed.
Though nowhere near as good as Groundhog Day (director Harold Ramis's previous movie) this is still a solid comedy with several big laughs. Though its situation of a man cloning himself in order to make his life more manageable would have been an interesting one to play with a serio-comic focus, Multiplicity - despite some token moralizing - is pretty much content to play its premise for wacky farce. As such, however, it does an expert job: the timing in the scenes is impeccable and the interplay between the main characters is sharp and memorable. This is especially amazing since the "main characters" here are almost exclusively played by Michael Keaton. His ability to not only delineate between the four versions of himself, but also to play each of these "selves" off convincingly against the others is nothing short of superb. In my mind, this represents a much more awesome achievement than does Eddie Murphy's similar multiple role-playing in The Nutty Professor - and here it's not just pointless showboating (there was no reason besides vanity that Murphy had to play every member of his family), but absolutely intrinsic to the movie's success. Essentially, the film rides on Keaton's ability to do precisely what he does as well as he does. Multiplicity represents his funniest film work in years, and perhaps his best ever.
A couple of scenes in particular stand out as howlingly funny set pieces - such as the one in the restaurant and the one where the clones are left alone with Keaton's wife, played by Andie McDowell. It's a shame her character wasn't at least a little bit more sketched in by the writers (compare this, for example, to her wonderfully three dimensional role in Groundhog Day) - it might have made the film a little fuller. In fact, none of the supporting characters are really given much to do here, making it solidly a one man show. But what a show! With Keaton truly hitting every comic grace note available, you don't really have much time to notice or care about the lack of secondary characters. I have seen this film four times and it has yet to lose one iota of its hilarity or charm. Hey, how much more can you demand from a comedy?
A couple of scenes in particular stand out as howlingly funny set pieces - such as the one in the restaurant and the one where the clones are left alone with Keaton's wife, played by Andie McDowell. It's a shame her character wasn't at least a little bit more sketched in by the writers (compare this, for example, to her wonderfully three dimensional role in Groundhog Day) - it might have made the film a little fuller. In fact, none of the supporting characters are really given much to do here, making it solidly a one man show. But what a show! With Keaton truly hitting every comic grace note available, you don't really have much time to notice or care about the lack of secondary characters. I have seen this film four times and it has yet to lose one iota of its hilarity or charm. Hey, how much more can you demand from a comedy?
Le saviez-vous
- AnecdotesIn filming the shot in which Doug #1 introduces Doug #3 to Doug #2, Doug #2 tosses a beer to Doug #1. Michael Keaton catching the beer (tossed by a body double) was shot first. Keaton tossing the beer (this time *to* a body double) was filmed later. Keaton's toss so perfectly matched the body double's original toss that the planned special effect of digitally erasing the tossed beer can then adding in a digital beer can was not needed, thereby saving the production quite a bit of money. This was referred to by the special effects crew as "The Million Dollar Miracle Beer Can Toss".
- GaffesWhen Doug #4 is delivering pizzas on a bike, it is implied that he is delivering in Miami. Clear in the scenery are California Fan Palms. Although not as common in Florida as California, Fan Palms are still visible in some parts of Florida, but do not appear as tall or abundant in Florida as depicted.
- Citations
Doug Kinney #4: [after having sex with Doug #1's wife] She touched my peppy, Steve.
- Crédits fousThe first few opening credits each appear on screen two or more times.
- Bandes originalesLa Gallinita De Los Huevos De Oro
Written by Jairo Varela
Performed by Grupo Niche
Courtesy of Sony Discos Inc.
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- How long is Multiplicity?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Mis otros yo
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 45 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 21 075 014 $US
- Week-end de sortie aux États-Unis et au Canada
- 5 075 340 $US
- 21 juil. 1996
- Montant brut mondial
- 21 075 014 $US
- Durée1 heure 57 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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By what name was Mes doubles, ma femme et moi (1996) officially released in India in English?
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