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The Mirror Has Two Faces is one of Barbra's finest works. In this movie you have two people,(Barbra and Jeff Bridges),who are both weary and skeptical about "true" love, but both have different outlooks on it. Barbra is optimistic and hopeful, while Jeff Bridges feels that the only way to make a relationship last is to completely take the sex out of it and have a loving friendship only,(one based strictly on companionship). The movie explores both of the main characters inner fears and inner struggles in a way that, not unless you're not human, you can certainly relate with. For instance: In reality, Barbra's character felt inwardly about herself that she wasn't good enough....wasn't attractive enough. She liked the idea of marrying Jeff Bridges character under the premise of strictly a loving companionship only because her character feels...well, my goodness! Here's a really handsome man that really likes me and likes being with me. He wants to take sex out of the equation, but...that's okay. It's NOT what I really want, but I'll "SETTLE". On the other hand, Jeff Bridges character, Gregory, feels that with all his failed relationships of the past, that if he takes sex out of the picture, that maybe, just maybe, it'll last. He wants a true, loving, one on one relationship with another woman but he really doesn't want to have it be without physical love either. But...out of fear that it wont last, he decides that he's got to take the physical part out of it, even though deep down inside, he doesn't really want that. So...he "SETTLES" as well. In reality, they have both truly fallen in love with each other, but both are trying to abide by what they both agreed to; a loving friendship only, with absolutely no physical love. This creates many, many tense situations between them that end up creating very funny scenes and lines. Theres a scene right after they get married and the two of them are in their home, all done for the day unpacking and getting settled. Jeff Bridge's character says to Barbra's..."So! What do you want to do now?" Barbra, innocently meaning to suggest they both go to sleep, shrugs her shoulders and says..."Go to bed". Jeff's eyes get all nervous looking and he starts having difficulty breathing. Barbra's character replies..."No! I mean, to sleep, that is! One goes to bed...to sleep!" A little later on she is unloading all this frustration and tension to her sister Claire in a phone conversation. She says..."I don't know how to ask for it Claire!" Meaning sex. She continues to say..."Sometimes we're so "polite" to each other I feel like we're two roommates living in a charm school!" Her sister replies..."Just give him a "look" that makes him "know" you want sex!" Barbra's character then replies..."I tried that once. He thought I had something in my eye!" Yes indeed, there are many great moments in this film. In the end, what's great is that both of the characters understand that what they did was "settle", and "settling", especially with something as important as true love is never a good idea. But more importantly, they learn that in the end, anything truly worthwhile, sometimes you have to take risks for. Unless you are really that jaded, you can not leave this movie by it's end without feeling,(even if just a little),good! The supporting cast is great, including Lauren Bacall, Brenda Vacaro and George Segal. A wonderful film. Truly one of Barbra's finest.

It's unfortunate that so many people give this movie a low rating. Barbra Streisand and Jeff Bridges do a fantastic job in this funny and romantic comedy. This movie is for you if you like a sweet romance where the leading actress doesn't look like a 16-year-old model. Barbra looks great for her age and more power to her!

About the only redeeming characteristics are that Jeff Bridges' character realizes that he has been a schmuck, and Lauren Bacall's character realized how hurtful the cumulative effect of words can be. Otherwise, I found myself becoming annoyed at the overall message.

First off, why must a woman re-make herself totally in order to be seen as sexually attractive? Rose looked far better at the start of the movie than she did at the end. Secondly, What was wrong with the way "Rose" looked at the start of the movie? Totally comfortable, quirky, and sensible. And the idea that a size eight is considered "fat" .... well, I just rolled at that one.

Rose does repudiate sheer looks by the end of the film, but the moment is almost too tiny to be noticed. The bulk of the film shows a woman thinking she's ugly, when she is far from it (but that's a Streisand trope: Babs, you have a big nose, and who cares? You look fine and very attractive), and thinking that comfortable clothes mean frumpiness. It encourages the over-awareness of body--since when has a size eight been "too fat"?????? Basically, Rose's re-awakening to the importance of mind and self, not external standards of beauty, is too little to compensate for all the rest of the film.

I just want to begin by saying that, yes, I am a Barbra Streisand fan. However I am not the type of fan that regards everything she does as perfect. For instance I can safely say that "Yentl", while a very good idea and a noble effort was overindulgent and in desperate need of editing. Now as far as this film is concerned I never went to see it because I was told that all it was about was some ugly Jewish girl who in order to get her man bleaches her hair and loses weight. But after a spontaneous rental I was surprised to find myself actually enjoying it. At the end I realized that it wasn't as "sexist" and "anti-woman" as I had initially believed. Instead, it took seeing the "made-up" Barbra for Jeff Bridges to realize how beautiful the "un-made" Barbra was. The film was well acted all around, and well directed by Ms. Streisand.

Let me just say that despite mixed reviews and public jesting, if it weren't Barbra Streisand that made this movie and it were someone else, no one would make fun of it like they do. Everyone just likes to pick on Barbra. But this movie is actually good! This film, about a man (Jeff Bridges) who goes looking for a nonsexual relationship and finds it with a middle-aged dateless professor (Barbra Streisand). As the two leads, these actors shine immensely! Mimi Rogers and Brenda Vaccaro are equally good in their supporting and often comic roles, as is George Segal. But the star of this movie, I must say, is Lauren Bacall as Streisand's beautifully aging mother. Bacall, who is not really known for her comedy roles, took the role and ran with it, making her character hilarious at times, heart-pouring at others. She is terrific! As for the actual storyline of the movie, it is somewhat predictable in its final outcome, but the routes it takes along the way are always interesting. The music is terrific; who doesn't like Luciano Pavarotti's "Nessun Dorma"? A very delightful romantic comedy!