The Lottery

This modern day adaptation of the short story by Shirley Daniels is a gripping horror tale that successfully grabs the attention of our modern day teenagers while also making the point Ms. Daniels intended. This story warns us that sometimes traditions can be negative, and we must always stand up for what is truly right. I would love to get a copy of this movie for my own collection.

This current day (90ish) version of "The Lottery" doesn't do the original (1948) short story by Shirley Jackson justice. However it is an interesting modernized version of the short story, with a modern day twist. For anyone who hasn't read "The Lottery" it's a great short story. It starts off as a pleasant story which could have taken place in any century. Once she has you hooked, the story takes an unexpected turn. If you like Edgar Allan Poe, you'll really enjoy Shirley Jackson's original story "The Lottery". Originally published in the June 28, 1948 issue of the New Yorker.

There are some things in this world that are tied very exclusively to one time period, and though their essence is eternal, there is a need, sometimes, to bring subtle changes to the details in order to allow other generations to share in their merit. Unfortunately for the film version, 'The Lottery' is not one of these. The original short story by Shirley Jackson is the perfect encapsulation of every interesting facet the story had to offer. it beautifully and subtly creates tension and then shocking horror, and makes us question ourselves and the things we hold to be normal. It does all this in a few scant pages.

The movie drags on and on for about an hour and a half, and the payoff is exactly the same. Along the way you have to sit through mercilessly lame acting and flat, dull characters. The idea that the town has a mysterious secret is introduced almost immediately, but the film's final climax is where everything is revealed. Simple enough, but it unfortunately means that through the vast bulk of the movie, the same theme is repeated over and over. Jason comes to a situation that seems mysterious. But the townies won't tell him what's going on! Even if it were well acted, even if the subplots were remotely engaging, there just isn't any way to get around the tedious repetition. And folks, the acting is not good. And the subplots are just corny as all hell. Keri Russel in particular seems unfathomably cast. She stands out as totally inappropriate for the role of a small-town girl with her modern vernacular and of course her suspiciously flawless tan. Most of the other character actors just play the predictable role of "belligerent small town sheriff" and the like. Nothing to see here. The film particularly produces groans with it's implausible romance -replete with an exploding car, natch - and absurdly vague expository dialog.

As for the end, its executed with appropriate style. But the wait it takes to get there just isn't justified. All and all, the film can't get past the troublesome point that there just isn't enough there to fill an hour and a half. Read the short story instead, its impact is at least as potent. And considerably more eloquent as well.

This spooky, intelligent television horror movie moves at a good steady pace, building towards its nightmarish climax, with a perfectly achieved sinister small town atmosphere. A clearer explanation of why the townsfolk do what they do would help, but the acting and writing keep you interested throughout. It's a classy excursion into horror from the writer that gave us "The Haunting".

By all means, read Shirley Jackson's original short story; it gets down to business without the padding this film adds to it.

To all who think that the ending is sick and pointless, that was Ms. Jackson's intention exactly -- the original story is an allegory about the cruelty man inflicts upon his neighbor in the name of upholding "tradition". Ms. Jackson's story is much more affecting than this film.