Leila

Ingmar Bergman would be proud of this film that enters the soul of an Iranian woman and effects the heart of those who observe. Set in upper-suburbia Teheran where life for Leila takes a turn when she finds herself unable to have children. This has an affect on her marriage caused by outside interference of the family. Leila wants to keep the peace and goes along with the charade of getting her husband a second wife to have children with, a situation that affects everyone. The camera catches the distinct feature of the actors as an over abundance of dialogue takes over. But the dialogue, (with some bad subtitles that is easily overlooked), carries the story onwards while we the audience enter Leila's tormented mind which is the centre stage of this beautifully crafted piece of cinema. Occasionally you want to kick Leila and tell her to get her act together and rebel against her husband's family. But tradition has a hold of her and she remains silent, sending herself into a slow deteriorating state of existence. A tradition that I can almost relate too.

I watched this film in the cinema 3 years ago and I remmeber it when I watch another film that Leila Hatami play in it (SHEIDA).

I think this film is one of the best work of Mehrjoi, the subject of this film happen commonly between young couple's marriage when the woman can't have a children her husband's mother force him to take second wife, and Mehrjoi show it very well ofcourse we don't forget that Leila Hatami play very well as Leila.

I SUGGEST you get this film and watch it today!

this film is indicating a semi modern Iranian couple ,who are trying to fight with old believes &old generation.in this battle they fail cause the man is not strong enough.if you really want to understand this film you must know a lot about Iranian nowadays culture. Leila is the symbol of a young Iranian woman who marry with love but others interferer her life with the name of family traditions and customs.specially her husbands family .at the end of film it shows that every one is damaged by this interference Leila,her husband,mother in law&... the subject is some how strange for westerners,but many of your subjects are strange for easterners too!

This is a touching love story starring a sterile Iranian woman, who has to deal with her in-laws' continuous desire for a grandchild. It is by no means Hollywood-friendly: the story unfolds as it would in real life. It is a perfect example of art imitating life.

The cast is very proficient. Leila does an amazing job of conveying her deep yet veiled anxiety, annoyance and anger every time she speaks to her mother in-law. Sheikhi is equally proficient at making us scorn her. I did feel that Ali Mosaffa stole the show: he is flawless in his role of trying to keep the different protagonists happy, yet staying blind to their actual feelings.

This movie may lose a lot of its punch for non-farsi speakers.

Leila Hatami (Leila, the Wife) - 7/10 - Great when acting, not as great at narrating.

Ali Mosaffa (Reza, the Husband) - 10/10 - Compelling flawless performance.

Jamileh Sheikhi (Reza's Mother) - 8/10 - Successfully makes us shriek every time she speaks.

Dariush Mehrjui - 8/10 - Very good script and good rhythm, though I felt that the movie was unusually dark. I am not sure if this was intended, poor cinematography or my failing TV set.

When people speak of Dariush Mehrjui's films what comes. across most often is his ability to paint. complex relationships and emotions without skipping a beat in the film's rythm or pace. Sounds artsy right? But it's true. Leila is a movie with such compassion and tenderness that you can feel. your stomach knot with every event that Leila endures. The film is paced so well and ends so eloquently that (trust me) you don't want to be disturbed by any other sights or sounds for a long time after. Leila is a young iranian girl, in the a social throes, something that she has no choice about. Wish i could summarise the story, but saying anything will give away too much. Especially since the movie is comprised of a series of interlinked events, and any passage of time can only be measured by Leila's everyday agony.