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La jurée

Titre original : The Juror
  • 1996
  • Tous publics avec avertissement
  • 1h 58min
NOTE IMDb
5,7/10
21 k
MA NOTE
Demi Moore and Alec Baldwin in La jurée (1996)
Home Video Trailer from Columbia Pictures
Lire trailer1:08
2 Videos
68 photos
Legal ThrillerPsychological ThrillerCrimeDramaThriller

Un juré dans un procès de la mafia est forcé de convaincre les autres jurés de voter non coupable par un exécuteur de la foule.Un juré dans un procès de la mafia est forcé de convaincre les autres jurés de voter non coupable par un exécuteur de la foule.Un juré dans un procès de la mafia est forcé de convaincre les autres jurés de voter non coupable par un exécuteur de la foule.

  • Réalisation
    • Brian Gibson
  • Scénario
    • George Dawes Green
    • Ted Tally
  • Casting principal
    • Demi Moore
    • Alec Baldwin
    • Joseph Gordon-Levitt
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    5,7/10
    21 k
    MA NOTE
    • Réalisation
      • Brian Gibson
    • Scénario
      • George Dawes Green
      • Ted Tally
    • Casting principal
      • Demi Moore
      • Alec Baldwin
      • Joseph Gordon-Levitt
    • 78avis d'utilisateurs
    • 31avis des critiques
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 1 victoire et 3 nominations au total

    Vidéos2

    The Juror
    Trailer 1:08
    The Juror
    The Juror: A Little Exciting
    Clip 0:35
    The Juror: A Little Exciting
    The Juror: A Little Exciting
    Clip 0:35
    The Juror: A Little Exciting

    Photos68

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
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    + 61
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    Rôles principaux61

    Modifier
    Demi Moore
    Demi Moore
    • Annie
    Alec Baldwin
    Alec Baldwin
    • Teacher
    Joseph Gordon-Levitt
    Joseph Gordon-Levitt
    • Oliver
    James Gandolfini
    James Gandolfini
    • Eddie
    Lindsay Crouse
    Lindsay Crouse
    • Tallow
    Anne Heche
    Anne Heche
    • Juliet
    Tony Lo Bianco
    Tony Lo Bianco
    • Louie Boffano
    Michael Constantine
    Michael Constantine
    • Judge Weitzel
    Matt Craven
    Matt Craven
    • Boone
    Todd Susman
    Todd Susman
    • Bozeman
    Michael Rispoli
    Michael Rispoli
    • Joseph Boffano
    Julie Halston
    Julie Halston
    • Inez
    Frank Adonis
    Frank Adonis
    • DeCicco
    Matthew Cowles
    Matthew Cowles
    • Rodney
    Polly Adams
    Polly Adams
    • Forewoman
    Jack Gilpin
    Jack Gilpin
    • Accountant
    Chuck Cooper
    Chuck Cooper
    • Stockbroker
    Charle Landry
    • Musician
    • Réalisation
      • Brian Gibson
    • Scénario
      • George Dawes Green
      • Ted Tally
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs78

    5,721.3K
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    10

    Avis à la une

    7perfectbond

    Great lead performances but...

    This movie is enough to recommend on the strength of the acting from Moore, Gandolfini, and especially Alec Baldwin but it is a shame that some of the excesses and superfluousness (especially the unsatisfying escapade in Guatemala) could not have been cut out. Instead of more action it would have been interesting if the ethical aspect of a compromised juror (albeit unwillingly) could have been explored in the spirit of 12 Angry Men. Anyway, this movie still rates a 7/10 on the strength of some undeniable suspense and very strong acting especially from Baldwin.
    5pomeu-63850

    Flashes of brilliance

    A movie with this much pedigree should have been better. Solid acting all around, competent direction, a better than average script from Ted Tally, somewhat fresh off his Oscar win for Silence of the Lambs.

    It's just that nothing really happens. Or not much, at least. The beginning is taut and engaging. But then it plods through until the extremely predictable ending. And how they missed the opportunity not to hang the bad guy at the end, given the San Simon reference earlier, I don't know. I guess they wanted one less than obvious thing in there. Pacing is the biggest problem here, along with the lack of action. 20 minutes should have been hacked off the final product and this could have been quite a bit better.
    5Doylenf

    Average potboiler is too far-fetched to be convincing...

    Obviously aimed for those who love the John Grisham type of thriller, THE JUROR has all the elements for a suspenseful film about jury tampering amid the trial of a Mafia boss, but doesn't quite reach its full potential. Perhaps the climactic showdown in Guatemala is where the story really runs into trouble finding a proper conclusion.

    DEMI MOORE remains rather detached in her role as a young woman who is approached by ALEC BALDWIN for seemingly innocent purposes, when it turns out that he is actually someone called "The Teacher" assigned to get her to sway the others on the jury to vote for an acquittal.

    He's so menacing (and Baldwin does "menacing" as well as any method actor available), that she reluctantly does her best to persuade the jurors to change their votes. Fortunately, these lamebrains have no capacity for thinking because it seems the lawyers have done an excellent job of finding the dumbest panel imaginable. But the story doesn't end with Moore influencing the verdict. That's just the beginning of even more peril for her.

    It's the kind of film that works up to a point. But once the plot deals with further issues, it really gets out of hand. MOORE gives one of her less impressive performances, barely looking like a damsel in distress at any point. However, it's ALEC BALDWIN who makes the deepest impression with his sadistic villainy. He's never been one of my favorite persons (off the screen) but I have to admit he can play lowlifes with the best of them.

    It's an average thriller, too lengthy for its own good and with an ending that should have been rewritten to make it more believable.
    8DennisLittrell

    Underrated thriller

    Alec Baldwin comes on quoting from the Tao Te Ching, making me think he's my kind of anti hero. He's urban, sophisticated and seemingly very safe since he's an art curator, or seems to be. Demi Moore as Annie Laird, a gifted and original sculptor (she sculpts works of art that you feel with your hands by reaching up into them: it's all tactile), is thrilled when he offers to buy her work and sell it to the Japanese. Wow. She has arrived as an artist.

    Thus we have an intriguing and original premise for a thriller. One almost wishes that there weren't this little matter of her agreeing to serve on the jury in the case of a Mafia boss on trial for murder..

    I will gloss over the excellent, if unlikely, plot since it would be preemptive to reveal any of it, and concentrate on Demi Moore who is gorgeous, strange and riveting.

    It might seem impossible to give an 'heroic' performance in a thriller, since the point of a thriller is pure entertainment, but this movie manages to look into the nature of good and evil a bit more than most, and Moore plays her part like our dream of a true heroine. Her character has strength and cunning; she's sharp without pretension. I always thought Moore was better than her reputation, but somehow she always seemed a little on the not entirely bright side, the kind of actress who would never presume to play Shakespeare. But now I think she's a 'natural,' like a gifted athlete-I'd almost say an 'animal'-as an actress, which is probably why some people don't like her. She can project the beautiful woman, an ordinary woman, or herself as a matronly woman with just a turn of her head. She can display a wide range of emotions and be, by turns, both a masculine and a feminine entity; but she is not androgynous. The role she plays here is, in a sense, the feminine counterpart of many Harrison Ford roles, the ordinary person elevated to heroic action by compelling circumstances. I would not say that Demi Moore is a great actress, but she is close, and I could be wrong.

    Alec Baldwin combines megalomania with a seductive cynicism. He fills the screen with his presence like something you can't get rid of. He is so compelling you want to push him away or just give up. And he is charming-evil, but charming.

    Brian Gibson's direction is unobtrusive and clever, and he pays attention to detail. The script is relatively free of the implausibilities that usually mar the genre, and the editing is crisp without jarring. The story practically transcends the genre by making us feel the evil of violent crime and how it perverts society, the sort of revelation not usually attempted in a thriller. I was especially delighted to see the Mafia demeaned and defeated, even if it's only by a new breed of international criminal. This is a superior thriller.

    (Note: Over 500 of my movie reviews are now available in my book "Cut to the Chaise Lounge or I Can't Believe I Swallowed the Remote!" Get it at Amazon!)
    7fallyhag

    Top notch acting with tension and drama

    This is an A list cast with matching performances. The story is run of the mill but it works. The right level of nastiness, tears, agony, despair and surprise. This is Baldwin in his prime.

    I've just watched this again and know for definite that it sits around a rating of 7 without doubt. I can only assume the lack of shootouts and explosions has meant it gets a lower score. But this is a solid 7 and I do recommend it.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      This film features both James Gandolfini and Michael Rispoli playing mob/ underworld figures. Three years later, Gandolfini and Rispoli would appear together in HBO's acclaimed mafia series Les Soprano (1999) with each actor portraying the boss of the DiMeo crime family at varying times. When casting the series Sopranos' creator David Chase almost gave the lead role of Tony Soprano to Rispoli before finally giving it to Gandolfini.
    • Gaffes
      Jurors are sequestered, especially in high-profile cases where members of organized crime are involved, in order to avoid juror tampering.
    • Citations

      Teacher: Hey Joseph... look at your old man.

      [Joseph sees Louie being blown up by a concealed bomb]

    • Connexions
      Featured in Siskel & Ebert & the Movies: Screamers/Richard III/Bed of Roses/Once Upon a Time When We Were Colored/Angels and Insects (1996)
    • Bandes originales
      The Sidewinder Sleeps Tonite
      Written by Bill Berry (as William Berry), Peter Buck, Mike Mills & Michael Stipe

      Performed by R.E.M.

      Courtesy of Warner Bros. Records Inc.

      By Arrangement with Warner Special Products

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    FAQ20

    • How long is The Juror?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 19 juin 1996 (France)
    • Pays d’origine
      • États-Unis
    • Langues
      • Anglais
      • Espagnol
    • Aussi connu sous le nom de
      • La jurado
    • Lieux de tournage
      • Metepec, Morelos, Mexique
    • Société de production
      • Columbia Pictures
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 44 000 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 22 754 725 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 8 411 178 $US
      • 4 févr. 1996
    • Montant brut mondial
      • 22 754 725 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 58 minutes
    • Couleur
      • Color
    • Mixage
      • Dolby Digital
    • Rapport de forme
      • 2.35 : 1

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