Hunter 1

The drama gets the viewer involved, some of the scenes are intense.

You work up a hatred for a group of bully, savage like locals, and local people hypocritically convincing themselves there is no local crime, actually turn a blind eye to it.

What transpires is a drama which at the conclusion does not deliver the just desserts to the characters that it should.

There are some appalling crimes and corruption, but apparently the justice system cannot take any action.

The opening scene of the slaughter and butchery of reindeer is to be avoided.

This is a great movie about how it can be in the north of Sweden, Norrland. The story is about a police, played by Rolf Lassgård, returning to Norrland after have lived and worked in Stockholm, the capitol of Sweden. Soon after his return he starts a investigation about illegal hunting in the area. This leads to lots of conflicts with the people in the area.....

Sundvall has made an intense movie about illegal hunting. It's loaded with tense and excitement. Actually, it's about people living in a desolated place, not wanting to play with the rules of the community. We haven't seen such an intense movie in Sweden for at least a decade.

The story here is kicked off by reports of illegal slaughter of reindeer. Local police turn a blind eye to the culprits, so a Stockholm detective, who was originally from the area, returns home and investigates. Things get complicated when he discovers his younger brother is involved but worse than that, the poaching has escalated into murder.

I had seen the sequel to this Swedish thriller recently, a film called False Trail which was made fifteen years after the first part. I am guessing that The Hunters is a fairly influential film, as it comes very early in the cycle of Nordic Noir movies which have become very popular over the course of the last decade or so. Like others in this bracket, this one derives a fair bit of its interest from its local flavour, in this case the chilly expanses of Lapland. Like False Trail, this one also presents a mystery which is resolved for the audience quite early on, leaving the tension to come from knowing who is dangerous and wondering how the central detective will resolve the case. For me personally, I would have preferred a mystery over the combination of thriller with family drama which both films essentially boil down to a large degree, with the detective character put in a compromised position where he has to weigh up his family loyalty over his wider role to society as a policeman, with the added complication of small town suspicion of city people ever present. I think both films are broadly similar in terms of quality, with neither being especially excellent. I thought they were more an example of a solid, if unremarkable, detective stories combined with family drama with a northern Swedish backdrop. Nothing wrong with any of that of course but I would say these are good films as opposed to the best Nordic Noir has to offer.

THE HUNTERS is a crime thriller about a Swedish cop who returns to his home town to discover a hotbed of crime and deceit as he pursues a reindeer poaching gang. This stars WALLANDER actor Rolf Lassgard and it does feel very much like a Henning Mankell story, by which I mean it's a classic slice of Scandi-crime dripping with atmosphere and suspense.

The story that plays out is very nearly as icy as the chilly background in which the tale takes place. Certainly it's an exploration of the dark side of the human soul, with a typical police procedural in the first half giving way to something much more sinister and murderous in the second. Rolf Lassgard and Lennart Jahkel are excellent in the lead roles as a pair of brothers driven apart by living at opposite ends of the moral spectrum.

The only reason I'm not a massive fan of this genre is that I don't like the way that the criminals are never made to really pay for their crimes, due to the limitations of the justice system (which are all too apparent here). I prefer the sort of film where the protagonist goes outside of the law in order to bring the bad guys some true justice. Still, THE HUNTERS trades crowd-pleasing vengeance for chilly realism, offering no easy answers or a perfect ending; it's as dark and quietly devastating as it gets.