Inside

Disclaimer – I lived in South Africa from 1977 to 1980 and working as a Professor in Johannesburg I came up against the problems of Apartheid many times. Because I was involved in some activities that might be considered seditious (admitting the first Blacks to post-graduate training, working as the only white Clinical Psychologist in an all- Black psychiatric hospital, working to create a rapprochement between isangomas in sub Saharan Africa) I also came into contact with the authorities, although not as badly as the central character. I did, however, spend 17 days in an African prisoner of war camp in Zambia, where the torture and interrogation techniques were not dis-similar).

The film gives an accurate portrayal of the schisms in South Africa during the end of the Apartheid era – between Afrikaneers and English whites and between Blacks and whites, and even within these groups.

Nigel Hawthorne (who was born in South Africa) gives a bravura performance as the Colonel in charge of interrogation. This ranks right up there with his work in "The Madness of King George" (1996).

Eric Stoltz doesn't really show the conflicts that many liberal whites showed, so one has to wait for his sessions with Hawthorne for the action to heat up.

The scenes between Hawthorne and Lou Gossett are equally notable.

Arthur Penn directs, this his last film. Penn is famous for such films as Bonnie and Clyde (1967), "The Miracle Worker" (1962), and "Little Big Man" (1970). The current film shows his heritage from his work on Playhouse 90 which this film more represents that the wide screen films he is famous for.

I saw this film the other night, together with another film about the Apartheid in South Africa, A DRY WHITE SEASON, and this was by far the weakest of the two. The other one is not a masterpiece either, but at least you get to know more about the issue than in this film.

Here, we have 90 minutes of people being tortured by a sadistic colonel(Nigel Hawthorne), with no real depth to it. It's all presented in a rather cold fashion too. The actors are good however and this is not a really bad film, it's just that if you want to see a film about this subject, you better watch A DRY WHITE SEASON. 5/10

This movie is nothing short of a dark, gritty masterpiece. I may be bias, as the Apartheid era is an area I've always felt for. But I'd say it ranks right up with Cry Freedom and Cry the Beloved Country. Sadly up until a few days ago I'd never even heard of this movie. Inside is one of the most underrated films of all time, probably because it was a small film company, I'd never even heard of it before. Eric Stoltz, one of my favorite actors anyway, is believable and dramatic, Nigel Hawthorne plays his dastardly role well. Do not look for humor in this film, there is none. It is real, savage and gritty to the last, and to the sensitive I'd say bring a box of tissues. But movies as great as this make you wonder, why is it that the greatest films are often never heard of?

I don't watch that often movies about Apartheid because it's a tough subject and it makes me sad. However, as I decided to watch all of Eric Stoltz's movies I knew that one day I had to watch INSIDE and it even excedded my expectations.

The film is set in the years between 1977 and 1980 and it begins with some nice stock footage of the South African streets crawling with people. Soon we cut to Colonel Hendrick Kruger (Nigel Hawthorne) that receives a new prisoner for his jail: Marty Strydom (Stoltz), who is suspected of Anti-Apartheid activities and doesn't want to make his jail time easy! The Questioner (Louis Gossett) has to be tough on Strydom but when Hendrick doesn't control he feels sorry for Marty and would have loved to have a chance for helping him. And when another anti-Apartheid activist joins Marty in his cell, they'll do their best to be freed even tho it will nearly cost their lives. In the end we flash forward to 1996 with an older Marty that has his final revenge on the Colonel that tortured him in his youth.

While the movie is nearly all set in the jail it doesn't fail to be great because of the acting by the three leads (Hawthorne, Stoltz and Gossett, with Hawthorne playing one of his usual villanious roles well) and of the ending... that was certainly a surprise!

Not to be missed if you are fans of the leads or want to see lots of movies about the subject.

Have just finished watching this film, which upset me greatly. Have also been to South Africa twice, around the time this film is set.

It is certainly hard-hitting, and the opening scenes tend to 'set the scene'. The slow but steady increase of pace hardly allows a break, and there are certainly few light moments.

Will never be able to view Nigel Hawthorne the same again. He came across as a very twisted individual, and I found myself disliking him more each time he appeared.

Totally agree with Steve-thomp's articulate and well thought-out comments.