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Ajouter une intrigue dans votre langueDocumentary covering the growth and subsequent overexposure of the Seattle "grunge" music scene in the early 90sDocumentary covering the growth and subsequent overexposure of the Seattle "grunge" music scene in the early 90sDocumentary covering the growth and subsequent overexposure of the Seattle "grunge" music scene in the early 90s
- Récompenses
- 1 victoire et 3 nominations au total
Valerie M. Agnew
- Self - 7 Year Bitch
- (as Valerie Agnew)
Avis à la une
If you're a fan of grunge, or suffering from an inexplicable bout of 90s nostalgia, then this film will no doubt make fascinating viewing. If, however, you want a film that goes beyond the story that everybody already knows, and delivers something more than a load of concert footage and an unnecessary (because really, who the hell doesn't already know this?) portrait of the cynical and exploitative nature of corporate America when faced with a new, marketable sub-culture, then it might not be worth bothering. Yes, the people from the bands all seem lovely, and there are a few neat moments here and there, but in the end this is really just an excuse for eighty minutes of second-tier, never-was grunge bands rocking. And do you really want to subject yourself to that? Hopefully, someone will eventually make a film about the history of punk rock that manages to be both entertaining and informative, and not just another tedious anti-corporate screed (apparently The Decline of Western Civilisation is such a film. I haven't seen it, but I intend to check it out) padded with footage of everyone's favourite bands from their first year of University.
It's not bad. It's just not that great, either.
It's not bad. It's just not that great, either.
If you were above a certain age when the "Seattle sound" or "grunge rock" became the rage, HYPE! is a good place to catch up. I can't think of a single feature film that has concert performances from so many bands. Most songs are shown as excerpts rather than in full-length, but the clips are lengthy, and the musicians are shown in prolonged shots without the irritating frenetic cuts favored by post-MTV film editors. The concert footage has more the flavor of the 60's than the 90's. Although grunge rock was the signature of Generation X, both older and younger rock music fans will likely enjoy it.
Most of the interview material will be best appreciated by fans of the genre. Other viewers will find that, away from the stage and their instruments, grunge rockers are no wittier or more entertaining than the musicians who preceded them.
Most of the interview material will be best appreciated by fans of the genre. Other viewers will find that, away from the stage and their instruments, grunge rockers are no wittier or more entertaining than the musicians who preceded them.
An incredible reminder of the intense, passionate, and powerful grunge movement from the late 80s through the mid 90s. A wonderful 1996 surprise for any rock lover, but especially those loyal to the genre itself. The honest and direct interviews, commentaries, and live performances provide inspiration to all open to hear what the fuss (or should I say fuzz?) was all about.
This is a great little look at the grunge boom and subsequent exploitation of said boom, but it's also a time capsule for people still believing in music and fighting "selling out" and that whole ideology that nobody really cares about anymore. You'll see lots of bands that no longer exist and a moment in time that came and went with a blink. Overall a great flashback.
10vedthree
For anyone who was a fan of the early '90s "grunge" music, Hype! is almost required viewing. Loaded with interviews, live footage, and early demos/recordings, it is an accurate chronology of the early scene.
However, what makes Hype! so good is that it is basically two stories in one. A simple narrative about the Seattle scene is used to illustrate how the American pop-culture machine will jump on the bandwagon. An independent musical scene with a range of different influences gains a little exposure and reputation. Soon the corporate media steps in, and it all becomes wrapped up in the nice little package of "grunge" and is marketed nationwide as a music/clothing/life-style choice. The people in the original scene either play the game and take advantage of it, or they are caught up and exploited, or they are simply left behind. In the end, what was once underground becomes assimilated into the mainstream and homogenized. The cycle is left to repeat itself somewhere else as soon as the next "musical revolution" is discovered.
Hype! could have just as easily been about a different city or musical genre, and the story would have been the same. These same themes have been brought up in numerous other films, but they work a little better in Hype! because it's not simply a satire, but shows it first-hand through real people.
Once again, I think Hype! is a well-made documentary. Even if you're not a fan of "grunge", I still recommend it for its treatment of pop-culture as a whole.
However, what makes Hype! so good is that it is basically two stories in one. A simple narrative about the Seattle scene is used to illustrate how the American pop-culture machine will jump on the bandwagon. An independent musical scene with a range of different influences gains a little exposure and reputation. Soon the corporate media steps in, and it all becomes wrapped up in the nice little package of "grunge" and is marketed nationwide as a music/clothing/life-style choice. The people in the original scene either play the game and take advantage of it, or they are caught up and exploited, or they are simply left behind. In the end, what was once underground becomes assimilated into the mainstream and homogenized. The cycle is left to repeat itself somewhere else as soon as the next "musical revolution" is discovered.
Hype! could have just as easily been about a different city or musical genre, and the story would have been the same. These same themes have been brought up in numerous other films, but they work a little better in Hype! because it's not simply a satire, but shows it first-hand through real people.
Once again, I think Hype! is a well-made documentary. Even if you're not a fan of "grunge", I still recommend it for its treatment of pop-culture as a whole.
Le saviez-vous
- AnecdotesWhen journalist Jonathan Gold was supposed to interview Chris Cornell for the documentary, Cornell slipped out of the building while the camera crew was still setting up its lights, so that guitarist Kim Thayil and drummer Matt Cameron ended up being the only band members talking about Soundgarden in the film.
- Citations
Van Conner: We were the guy in high school who people used to beat up and we couldn't even talk to the pretty girls. I mean, we couldn't... we're nerds, goddammit!
- Crédits fousThe credits end with the statement "Your town is next."
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- How long is Hype!?Alimenté par Alexa
Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 268 520 $US
- Week-end de sortie aux États-Unis et au Canada
- 106 599 $US
- 22 nov. 1996
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