NOTE IMDb
5,8/10
1,5 k
MA NOTE
Dans le Santa Monica des années 90, Jurgen Anger est un anthropologue qui vient d'arriver à LA. Lorsqu'il croise le gigolo Montgomery Ward au visage d'ange, il tombe éperdument amoureux.Dans le Santa Monica des années 90, Jurgen Anger est un anthropologue qui vient d'arriver à LA. Lorsqu'il croise le gigolo Montgomery Ward au visage d'ange, il tombe éperdument amoureux.Dans le Santa Monica des années 90, Jurgen Anger est un anthropologue qui vient d'arriver à LA. Lorsqu'il croise le gigolo Montgomery Ward au visage d'ange, il tombe éperdument amoureux.
- Réalisation
- Scénario
- Casting principal
Bruce LaBruce
- Jürgen Anger
- (as Bruce La Bruce)
Paul Bateman
- Billy Ray Jaded
- (as Paul 'Superhustler' Bateman)
Barry Morse
- Roger V. Deem
- (as Dimitri Xolt)
Avis à la une
This is a good bit of avant-garde porn, with a purposefully ridiculous story with great drag sensibility. The main character's name is enough to make me giggle, and even though the sex is sometimes car crash, I shouldn't be watching this weird, it's still a turn-on. Please ignore viewer's comment who just doesn't get it. It's porn for the hopelessly snide and above-it-all crowd, but lets us laugh at ourselves and admit we like trashy sex as much as we look down our noses at it.
For the simple-minded: It's SUPPOSED to be badly filmed and badly acted. That's what them there Hollywood types call satire.
I will plug the Zeitgeist theatre in New Orleans where I saw this, since I have to pad this out to submit it.
For the simple-minded: It's SUPPOSED to be badly filmed and badly acted. That's what them there Hollywood types call satire.
I will plug the Zeitgeist theatre in New Orleans where I saw this, since I have to pad this out to submit it.
A lot of irony in this film. A pretentious reviewer could probably come up with some references to Derrida and self-deconstruction and how the ridicule the film got for the effeminate character who wishes to make a documentary of hustling in LA is a way of undermining the film itself, which indeed is something of a documentary of hustling in LA.
It got some nice and crazy sex scenes, which are important.
The overall feeling I have of the film is that it is like an artistic natural documentary, where the sad events, painful human conditions are like facts of nature, to be viewed, maybe briefly analyzed, but ultimately they are there and can't be changed. The story of "piglet" is like the bad consciousness of the film, however, the one condition where the film can't help but take sides.
It got some nice and crazy sex scenes, which are important.
The overall feeling I have of the film is that it is like an artistic natural documentary, where the sad events, painful human conditions are like facts of nature, to be viewed, maybe briefly analyzed, but ultimately they are there and can't be changed. The story of "piglet" is like the bad consciousness of the film, however, the one condition where the film can't help but take sides.
A good effort from La Bruce as a director, if not as an actor. In fact the major drawback in the film is the dreadful 'acting'. Here I am Bruce! I'm a good actor (so I've been told anyway) and I'm gay! One of the major drawbacks of gay films in this ilk is the acting. So I'm not good-looking. Hey, we can't all be! Anyway, aside from a few sick, sleazy moments designed to shock (but are mostly just boring), this is a much better effort than his earlier films. Maybe because he had a collaborator this time?
I stumbled across this film at the media center in my college where I was doing research for a paper on prostitution and the description of this film made it sound like a documentary on homosexual hustlers in west Hollywood. This movie was not what I expected but it was quite an experience. I can't say that I liked this movie but I'll never forget it, as certain images from it are stuck in my head forever. There isn't much plot beyond the story of an annoying German queen (played by the director) who is obsessed with a is-he-or-isn't-he-gay street hustler. I thought Tony Ward, as the hustler, was particularly unattractive, as there's no way I would ever pay to have sex with him. As a matter of fact, except for the cute bald guy who gets mummified and the blond porn star who gets gang banged, I thought all the guys in this movie were average looking at best. So, basically the most enlightening thing that I derived from this movie is that I'm just as good-looking as the guys who work the corner of Santa Monica boulevard. I just might give this street hustling thing a shot. Anyway, like I said there is some mummification, a gang bang, as well as bondage and an incredible scene of amputee gay sex, which is the most explicit I've ever seen. This scene, in particular, for better or worse will stay with me forever. Also, the kissing scene between Ward and the German guy really gave me the creeps. Don't get me wrong, I'm not homophobic and I like to see two guys kiss as much as any other red-blooded American boy but not these two...it really made me sick. In all, this flick is definitely worth a look, unless you're easily offended, and you'll certainly never forget it.
It's not a porn movie, declares the box that holds Hustler White, a mid-90s look at the gay prostitute scene in LA. True enough, although some of the acting's not much better.
What is better is that there's the ring of truth beneath the silly plot and stilted dialogue. These hold together numerous scenes that are nothing like what you've seen before. But you'll enjoy it more if you can keep from distancing yourself, so try.
You may have no problem, or you may run screaming from scenes that include duct-taping, train-pulling, and, um, stumping. Your loss if you do.
What is better is that there's the ring of truth beneath the silly plot and stilted dialogue. These hold together numerous scenes that are nothing like what you've seen before. But you'll enjoy it more if you can keep from distancing yourself, so try.
You may have no problem, or you may run screaming from scenes that include duct-taping, train-pulling, and, um, stumping. Your loss if you do.
Le saviez-vous
- AnecdotesMonti is a nod to actor Montgomery Clift, who turned the lead role in Boulevard du Crépuscule (1950), of which this movie spoofs. While the title character doesn't disclose his sexuality, Clift was gay.
- GaffesJürgen Anger mentions that Douglas Fairbanks Jr. was interred in the Hollywood Forever Cemetery when, in fact, the actor was alive at the time of the film - he would pass away in 2000 and was later interred at that cemetery.
- Citations
[repeated line]
Jürgen Anger: Don't steal anything.
- Crédits fousAfter the end credits there is an additional urination scene.
- Versions alternativesOn German television, it was shown uncut, but with commentary breaks and some scenes partially blurred.
- ConnexionsFeatured in SexTV: L.A. Hustlers/Dr. Susan Block/Carol Schneemann (1999)
- Bandes originalesGlory Hole
Performed by Glen Meadmore
Written by Glen Meadmore
Produced by Jack Curtis Dubowsky
© 1993 by Glen Meadmore (Bozette Music, ASCAP)
(p) 1993 by De Stijl Records
Available on the album "Hot, Horny and Born-Again"
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- How long is Hustler White?Alimenté par Alexa
Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 127 251 $US
- Week-end de sortie aux États-Unis et au Canada
- 30 331 $US
- 22 sept. 1996
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