Harriet la petite espionne

This little film has been roundly criticized for being disjointed and amateurish.

Well, it _is_ disjointed: part of it is surreal allegory, part realistic morality play. Part of it moves with a natural rhythm while other parts seem to have been transplanted from afternoon TeeVee. Some is done with a cartoon cosmology, and the rest is straight from Marlo Thomas' heart. Distributed throughout are mottles of bad acting and unconsidered dialog.

And I loved it all. Why?

Because this is in the tradition of movies and books that generate themselves. Rather, the characters in the stories play double duty as the authors of the story and the creators of the world that surrounds it. So it makes sense as precisely what a preteen would imagine her older self writing about her.

Indeed, the whole thing is a meditation on how someone might abstract the world (for writing) without a mature faculty for abstraction — which is to say how a kid would imagine an adult's mind imagining a kid's mind.

Its all about the deep problems of writing. I imagine the author of the original book sitting down and having trouble writing, them ruminating about why on the page.

Therefore, we have a youthful experimenter, a blocked writer, a "gardener" who makes environments from trash, another maker of environments (cages) who craves companionship, a woman who lives in a cage (Kitt), the Dad who is a movie comedian, together with lesser characters.

And the spy who spies so she can write what we see. It is all about sight and callow abstraction, just what movies were made for. Sure, it differs from the book because film can amplify what the book cannot. The adapter (the guy that did the game as life as game "Jumanji" project) understood this.

Ted's Evaluation -- 3 of 3: Worth watching.

Harriet the Spy is the story of an eleven-year-old girl, who has been taught to be an individual. Harriet wants to learn about people and she wants to learn how to express her thought about them. So, she decides to becomes a spy and thus eavesdrops on the nuances of the world around her. Of course, her schoolmates find her all too different, and when they learn what she has been writing about, they decide to castigate her and that is where things come to a head. Children can be cruel. Even Harriet. But they can also be hurt more profoundly. Here is a story about growing up. Like Stand By Me, it enjoys humor, but balances itself carefully between the light and dark sides of growing up. Michelle Tractenberg is nothing short of superb in her role as Harriet M. Welsch. Rediscovered as Dawn Summers in Buffy the Vampire Slayer, here is a girl who by rights should have been placed on equal terms with Anna Paquin in Fly Away Home or Anna Chlumsky in My Girl. Harriet the Spy is an extraordinary film that bubbles out charm toward kids of any age.

This is a good film. Michelle Trachtenberg makes a great Harriet the Spy. This movie is filled with comedy for the younger kids and is worth a look. I think this movie is underrated and it should have recieved more than it did. I read the book and from what I can remember, this movie resembles the book well. The

supporting cast including Rosie O'Donnell is great. The characterization is also well done including the characters Sport, Janie and the wise cracker Marion

Hawthorne. Harriet the Spy has a great mix of comedy, drama and tragedy. I

recommend this movie to any young one and if you've haven't read the book, I

would recommend you do or you might not understand this movie. *** out of ****

with the possible exception of irvin kershner's 1966 adaptation of elliot baker's a fine madness, i don't i've seen a better translation of a book about writing into a film. sure we think of louise fitzhugh's harriet trilogy (harriet the spy, the long secret, and sport) as being about the the comic adventures of a little girl and her friends in nyc and they are; but the heart of harriet's writerly spirit comes shining through in bronwen hughes film of douglas petrie's fairly literal, and literate, adaption. there is a period update which makes some of the book's innocence play a little quaint and the kid movie necessary rapid edit kiddie silliness that saps some of the seriousness without actually attaining the levity it seeks; but by and large the film is worth taking any kid over 8 to and anyone who has ever seriously thought of writing, or even just felt a longing to express and accepted. PS the rosie odonnell billing is way over valued. Michelle Trachtenberg,as Harriet, more than ably carries the film, especially considering she was only 11 at the time.

I just saw this film yesterday morning - ideal relaxation for the holiday weekend. The story was OK, maybe a bit shallow for my taste - I'm haven't been a kid for a long time - but I was really taken with the acting. Everyone played his/her part beautifully, completely credible, and none was the frightful red-haired brat as used to be portrayed in children's movies.

I was particularly taken with Harriet herself, and am not surprised that she has gone on to greater things.

The main lesson learned from this film appears to be that two wrongs do not make a right. Bush note!