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Les fantômes du passé

Titre original : Ghosts of Mississippi
  • 1996
  • PG-13
  • 2h 10min
NOTE IMDb
6,7/10
13 k
MA NOTE
Whoopi Goldberg, James Woods, and Alec Baldwin in Les fantômes du passé (1996)
Theatrical Trailer from Castle Rock
Lire trailer2:09
1 Video
54 photos
DocudrameDrame juridiqueDrameL'histoire

Ajouter une intrigue dans votre langueA Mississippi district attorney and the widow of Medgar Evers struggle to finally bring a white supremacist to justice for the 1963 murder of the civil rights leader.A Mississippi district attorney and the widow of Medgar Evers struggle to finally bring a white supremacist to justice for the 1963 murder of the civil rights leader.A Mississippi district attorney and the widow of Medgar Evers struggle to finally bring a white supremacist to justice for the 1963 murder of the civil rights leader.

  • Réalisation
    • Rob Reiner
  • Scénario
    • Lewis Colick
  • Casting principal
    • Alec Baldwin
    • James Woods
    • Whoopi Goldberg
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,7/10
    13 k
    MA NOTE
    • Réalisation
      • Rob Reiner
    • Scénario
      • Lewis Colick
    • Casting principal
      • Alec Baldwin
      • James Woods
      • Whoopi Goldberg
    • 78avis d'utilisateurs
    • 31avis des critiques
    • 56Métascore
  • Voir les informations de production sur IMDbPro
    • Nommé pour 2 Oscars
      • 2 victoires et 9 nominations au total

    Vidéos1

    Ghosts of Mississippi
    Trailer 2:09
    Ghosts of Mississippi

    Photos54

    Voir l'affiche
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    + 48
    Voir l'affiche

    Rôles principaux93

    Modifier
    Alec Baldwin
    Alec Baldwin
    • Bobby DeLaughter
    James Woods
    James Woods
    • Byron De La Beckwith
    Whoopi Goldberg
    Whoopi Goldberg
    • Myrlie Evers
    Virginia Madsen
    Virginia Madsen
    • Dixie DeLaughter
    Susanna Thompson
    Susanna Thompson
    • Peggy Lloyd
    Craig T. Nelson
    Craig T. Nelson
    • Ed Peters
    Lucas Black
    Lucas Black
    • Burt DeLaughter
    Joe Tello
    Joe Tello
    • Drew DeLaughter
    • (as Joseph Tello)
    Alexa PenaVega
    Alexa PenaVega
    • Claire DeLaughter
    • (as Alexa Vega)
    William H. Macy
    William H. Macy
    • Charlie Crisco
    Ben Bennett
    • Benny Bennett
    • (as Lloyd 'Benny' Bennett)
    Darrell Evers
    • Self
    Yolanda King
    • Reena Evers
    Jerry Levine
    Jerry Levine
    • Jerry Mitchell
    James Van Evers
    • Van Evers
    Sky Rumph
    • Jared Lloyd
    Zoaunne LeRoy
    • Thelma De La Beckwith
    Michael O'Keefe
    Michael O'Keefe
    • Merrida Coxwell
    • Réalisation
      • Rob Reiner
    • Scénario
      • Lewis Colick
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs78

    6,712.5K
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    Avis à la une

    MiguelM

    Good movie, very accurate

    This movie tells a fascinating piece of our history, how one man could escape justice for so long. It was very moving to see how he was eventually brought to justice.

    Part of what made this a good movie was the way it didn't doctor the facts to make them more acceptable to a film audience. They stick to true history, and the most outrageous details in the film were true. (Particularly the detail of how the gun was found.) I like a film that respects an audience enough to tell the real history.
    goobinski

    Based on a true story.

    THIS FILM IS BASED ON A TRUE STORY. Not only was the real Myrlie Evers consulted while making the film, two of her and Medgar's sons were actually in the film, playing themselves. Benny Bennett also played himself.

    It was based on a actual (although little known) event in American history, and shows how there are still conflicts over civil rights today. We also learn that there are still some people in the Southern U.S. that are opposed to laws that have been in place for over 35 years.

    So while watching this you shouldn't think "the story is cliche" or "the acting was good, but predictable," you should be thinking that this actually happened, and reflecting on how far we've come as a society, and how far we still need to go.
    7lastliberal-853-253708

    We never get even for the wrong we done.

    It may not be the best film about race relations in the South. Mississippi Burning and A Time To Kill have more intensity, but it is still compelling and worth watching for some great performances.

    Alec Balwin (Bobby DeLaughter) turned in a fine performance. Personally, I feel it is the best he has ever done.

    James Woods was perfect as Byron De La Beckwith. He channeled the venomous hatred and cocky arrogance so familiar in those who were consumed with their self-worth, gained by stomping on others. This performance resulted in an Oscar nomination in a year with many fine performances.

    Dixie DeLaughter, played by Virginia Madsen, shows how ingrained racism is in the South, and how difficult, if not impossible, it is for a marriage to survive with a disparity in views, whether it be race or politics.

    I also enjoyed seeing Wayne Rogers as Morris Dees, even if it was a small role.

    This is an important film that should be seen by all who care about the state of race relations in this country.

    It should also be see by all young people so they can see a sign at a gas station saying 22 cents a gallon. Those were the days.
    Geofbob

    A story worth telling, well told

    Based on fact and directed by Rob Reiner, Ghosts recounts the investigation, and retrial in 1994 - after two mistrials in the 60s - of Byron de la Beckwith for the racist shooting in 1963 of Medgar Evers, an NAACP activist. The film has gained renewed topicality with the recent conviction of another white supremacist for the Birmingham, Alabama, Baptist Church bombing, also in 1963.

    Alec Baldwin gives a solid, and sometimes stolid, performance in the central role of prosecuting DA, Bobby DeLaughter (pronounced DeLaw), himself from Mississippi's white uppercrust, whose marriage hits the rocks because of his pursuit of the case. James Woods, convincingly made up to look over 70 for most of the movie, is electrifying as the arrogant, hateful Beckwith. Whoopi Goldberg portrays Medgar's widow with a lot of dignity and even a touch of humour, but it would have been understandable if she had also displayed a little more bitterness.

    The movie is possibly not as powerful as Reiner hoped, partly no doubt because he was restricted by the facts. In particular, the retrial seems to have thrown up little or no new evidence, thus making the courtroom action less dramatic than in a fictional movie. Perhaps a greater criticism is that the intense focus on Baldwin/DeLaughter, who is in almost every scene, tends to turn him into the hero of the movie; whereas it should be Medgar Evers, who as a civil rights activist in one of the most bigoted areas of the USA deserves everyone's undying admiration.

    Despite the movie's flaws, it is gripping for most of its 130 minutes, and this was certainly a story worth telling.
    7Shopaholic35

    The journey to seek justice from a time of utter hatred.

    Ghosts of Mississippi is an emotional movie that shows how hateful the human soul can be. It may be quite similar to Mississippi Burning but they both have their place. Ghosts of Mississippi is slightly more political and less violent. It focuses on the fight for justice and the roadblocks faced in controversial high-profile cases.

    The sheer effort that was involved to develop a level of tolerance in the South is despicable. Every time I watch a movie where racism is so prevalent it simultaneously boils my blood and breaks my heart. The acting is very good and makes you feel like you are living the story. James Woods does such a good job that you can't help but despise him. Especially since he is portraying a real person and not a two dimensional character.

    Don't underestimate the emotional connection you will have to this movie. It will move you and is certainly worth your time.

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    Centres d’intérêt connexes

    Jesse Eisenberg in The Social Network (2010)
    Docudrame
    Tom Cruise, Demi Moore, and Kevin Pollak in Des hommes d'honneur (1992)
    Drame juridique
    Mahershala Ali and Alex R. Hibbert in Moonlight (2016)
    Drame
    Liam Neeson in La Liste de Schindler (1993)
    L'histoire

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Yolanda King, the daughter of civil rights activist Martin Luther King, portrayed Medgar Evers' daughter Reena Evers in this film.
    • Gaffes
      When DeLaughter and his investigators drive up to a gas station, the prices for gas are all under a dollar. When DeLaughter is on the phone to Myrlie Evers standing on the other side of the signs, the prices are all now over a dollar.
    • Citations

      Myrlie Evers: [quoting Medgar Evers] When you hate, the only person who suffers is you, because most of the people you hate don't know it and the others don't care.

    • Connexions
      Featured in Siskel & Ebert & the Movies: Evita/Beavis and Butt-Head Do America/One Fine Day/My Fellow Americans/Scream/Ghosts of Mississippi (1996)
    • Bandes originales
      I Wish I Knew How It Would Feel to Be Free
      Music by Billy Taylor

      Lyrics by Billy Taylor and Dick Dallas

      Performed by Dionne Farris

      Courtesy of Columbia Records

      By Arrangement with Sony Music Licensing

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    FAQ20

    • How long is Ghosts of Mississippi?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 3 janvier 1997 (États-Unis)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Ghosts of Mississippi
    • Lieux de tournage
      • Greenwood, Mississippi, États-Unis
    • Sociétés de production
      • Castle Rock Entertainment
      • Columbia Pictures
      • Frederick Zollo Productions
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 36 000 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 13 323 144 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 168 012 $US
      • 22 déc. 1996
    • Montant brut mondial
      • 13 323 144 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 2h 10min(130 min)
    • Couleur
      • Color
    • Mixage
      • Dolby Digital
    • Rapport de forme
      • 1.85 : 1

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