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Ajouter une intrigue dans votre langueA moral college ethics professor plans to kill his neighbor, a Nazi death camp commander.A moral college ethics professor plans to kill his neighbor, a Nazi death camp commander.A moral college ethics professor plans to kill his neighbor, a Nazi death camp commander.
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Maybe it's just because I like Dan Aykroyd: I have never seen a movie with him that I did not enjoy. I decided to put in a few lines of appreciation for this one, considering the bad reviews read here. It certainly is not the ultimate masterpiece of comedy but I found it thoroughly enjoyable, and despite the fact that I was very tired it kept watching it until 2am.
I got quite a lot of chuckles out of this movie. But does that make it a really good flick? Not necessarily. It's better than most people say it is (well, the few people who've seen it). Hell, I figured "Jack Lemmon's in the cast. How bad can this movie be?" Dan Aykroyd's career definitely isn't as successful as it was in the seventies--his SNL days. I still think he's very talented, but like Chevy Chase he's starting to fall into that ditch with other has-been SNL alumni of the seventies. Lily Tomlin is another veteran comic, but let's face it--what was the last big movie she was in? I love Dan and Lily, but they're two people who wouldn't surprise me if they were to do a bad movie, despite their talents.
But actually, this isn't a bad movie at all. People may criticize the subject matter involving Nazi Genocide, but I'm flexible when it comes to comedy. I have a pretty dark sense of humor myself, and I don't mind dark humor at all and believe that almost anything can be made funny if handled in the right manner. "All in the Family" is one of the most successful sitcoms of all time, and the show constantly dealt with the subject of racism.
There are a good deal of funny moments, though worthy of chuckles and not laughs. But the movie just lacks a certain energy. I can't point out exactly what could've been done better, but the film just has a bland feeling to it. It needed more bite.
The acting is great, though. Aykroyd gives an enthusiastic performance. Lemmon performs the same way he would in any of his Oscar-winning films. And Tomlin is impressive as well, in a role that requires her to be somewhat dramatic and not the goofball she usually plays. So basically, what we have is a first-rate cast in a second-rate movie.
As I said, not a bad movie--just needed more bite.
My score: 6 (out of 10)
But actually, this isn't a bad movie at all. People may criticize the subject matter involving Nazi Genocide, but I'm flexible when it comes to comedy. I have a pretty dark sense of humor myself, and I don't mind dark humor at all and believe that almost anything can be made funny if handled in the right manner. "All in the Family" is one of the most successful sitcoms of all time, and the show constantly dealt with the subject of racism.
There are a good deal of funny moments, though worthy of chuckles and not laughs. But the movie just lacks a certain energy. I can't point out exactly what could've been done better, but the film just has a bland feeling to it. It needed more bite.
The acting is great, though. Aykroyd gives an enthusiastic performance. Lemmon performs the same way he would in any of his Oscar-winning films. And Tomlin is impressive as well, in a role that requires her to be somewhat dramatic and not the goofball she usually plays. So basically, what we have is a first-rate cast in a second-rate movie.
As I said, not a bad movie--just needed more bite.
My score: 6 (out of 10)
Penny Marshall produced this?
Harvey Miller, who wrote "Private Benjamin," wrote this?
Lemmon, Aykroyd, Hunt, and the incomparable LILY TOMLIN agreed to work on it?
Tasteless, unfunny, painful to watch.
Whatever moral point they were trying to make, and whatever humor they were trying to achieve, this film just... just hurt. Hurt my eyes, and hurt the reputations of all involved.
I'm embarrassed for all involved, and chagrined that I felt I had to watch to the end, to justify writing a review to warn others. Fifteen minutes would have been more than enough.
Harvey Miller, who wrote "Private Benjamin," wrote this?
Lemmon, Aykroyd, Hunt, and the incomparable LILY TOMLIN agreed to work on it?
Tasteless, unfunny, painful to watch.
Whatever moral point they were trying to make, and whatever humor they were trying to achieve, this film just... just hurt. Hurt my eyes, and hurt the reputations of all involved.
I'm embarrassed for all involved, and chagrined that I felt I had to watch to the end, to justify writing a review to warn others. Fifteen minutes would have been more than enough.
The best thing that I can say about this movie is that I did not turn it off. I would have to add however that I was tempted to many times. This was potentially a funny movie, but it just didn't quite make it. Perhaps the continual narrative by Ackroyd did not help. The standard of acting was reasonable. The standard of direction was reasonable. The story was reasonable and had the potential of making a good movie. The 91 minutes of run time seemed more like 180 minutes. The movie was too drawn out and the comedy was too little and not funny enough. Of all the actors, I thought that Lily Tomlin gave the best performance. Ackroyd was OK, but as his was the main role, it was going to take more than OK to make the movie good. Jack Lemmon was unimpressive and his accent unconvincing. I gave it 5 from 10, and that was probably being generous.
I found this movie not as bad as everybody says it is. I think its pretty entertaining. I really liked the plot of the film.
Le saviez-vous
- AnecdotesIn the end credits, the credit "Shower Curtain Rings - Del Griffith" is a reference to the movie Planes Trains and Automobiles..
- Citations
Psychiatrist: I want to see you six days a week.
[looks at his appointment book]
Psychiatrist: I can't. How about every other Thursday?
- Crédits fous"Shower Curtain: Marion Crane"
- Bandes originalesThe Boys In The Back Room
Written by Frank Loesser & Friedrich Hollaender (as Frank Hollander)
Used by permission of EMI Robbins Catalog Inc.
All rights reserved
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- How long is Getting Away with Murder?Alimenté par Alexa
Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 197 322 $US
- Week-end de sortie aux États-Unis et au Canada
- 127 691 $US
- 14 avr. 1996
- Montant brut mondial
- 197 322 $US
- Durée1 heure 31 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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By what name was Getting Away with Murder (1996) officially released in Canada in English?
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