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Nos funérailles

Titre original : The Funeral
  • 1996
  • 12
  • 1h 39min
NOTE IMDb
6,6/10
9,8 k
MA NOTE
Nos funérailles (1996)
The film begins with the funeral of one of the three Tempio brothers. These men are violent criminals. Mourning the passage of their beloved brother Johnny are Chez and Ray. Ray is cold and calculating. Chez is hot tempered. Flashbacks show us that Johnny was more sensitive. Exposure to Communist meetings as a spy sway Johnny's opinions.

The chief suspect in Johnny's murder is rival gangster Gaspare Spoglia.

Ray and Chez swear revenge. Ray's wife, Jeanette, opposes the campaign of retribution and the violence it will bring, while Chez' wife, Clara, struggles to deal with her husband's obsessive nature.

As it turns out, Johnny was not murdered by rival gangsters, but by a man who first claimed Johnny had raped his girlfriend, but who later admits, just before Ray kills him, that he wanted revenge because Johnny had beaten him up in front of his girlfriend and friends.

As he buries the dead murderer, Chez reflects on his brothers' lives before the tragedy. He then returns to Ray's house and shoots Ray's bodyguards, shoots his dead brother Johnny lying in the casket, shoots Ray, and then puts the gun in his own mouth and commits suicide as the family women wail over Ray as he too dies.
Lire trailer2:21
1 Video
67 photos
CriminalitéDrame

Après les funérailles de l'un des leurs, une famille criminelle décide de partir pour un voyage bouleversant et plein d'émotions, dans le but de se venger.Après les funérailles de l'un des leurs, une famille criminelle décide de partir pour un voyage bouleversant et plein d'émotions, dans le but de se venger.Après les funérailles de l'un des leurs, une famille criminelle décide de partir pour un voyage bouleversant et plein d'émotions, dans le but de se venger.

  • Réalisation
    • Abel Ferrara
  • Scénario
    • Nicholas St. John
  • Casting principal
    • Christopher Walken
    • Chris Penn
    • Annabella Sciorra
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,6/10
    9,8 k
    MA NOTE
    • Réalisation
      • Abel Ferrara
    • Scénario
      • Nicholas St. John
    • Casting principal
      • Christopher Walken
      • Chris Penn
      • Annabella Sciorra
    • 54avis d'utilisateurs
    • 40avis des critiques
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 2 victoires et 7 nominations au total

    Vidéos1

    Trailer
    Trailer 2:21
    Trailer

    Photos67

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    Rôles principaux43

    Modifier
    Christopher Walken
    Christopher Walken
    • Ray
    Chris Penn
    Chris Penn
    • Chez
    Annabella Sciorra
    Annabella Sciorra
    • Jean
    Isabella Rossellini
    Isabella Rossellini
    • Clara
    Vincent Gallo
    Vincent Gallo
    • Johnny
    Benicio Del Toro
    Benicio Del Toro
    • Gaspare
    Gretchen Mol
    Gretchen Mol
    • Helen
    John Ventimiglia
    John Ventimiglia
    • Sali
    Paul Hipp
    Paul Hipp
    • Ghouly
    Victor Argo
    Victor Argo
    • Julius
    Gian DiDonna
    • Ray Sr.
    • (as Gian Di Donna)
    Dmitri Prachenko
    Dmitri Prachenko
    • Sentieri
    • (as Dmitry Prachenko)
    Paul Perri
    • Young Ray
    Gregory Perrelli
    • Young Chez
    • (as Gregory Pirelli)
    Joey Hannon
    • Middle Chez
    Robert Miano
    Robert Miano
    • Enrico
    Frank John Hughes
    Frank John Hughes
    • Bacco
    Andrew Fiscella
    • Murder Witness
    • Réalisation
      • Abel Ferrara
    • Scénario
      • Nicholas St. John
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs54

    6,69.7K
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    10

    Avis à la une

    bob the moo

    Solid Ferrara movie that takes the glamour out of gangsters

    The lives of gangster brothers Ray, Chet and Johnny are changed forever when Johnny is killed. His funeral acts as a time to look back at the past but also to look inwardly and to the future. The story is told in flashbacks that mix the past and present to see a gangster life style in all it's glory.

    The story here is straightforward – however it's multi-layered flashbacks and subplots make it too confusing at times. In simple terms it is two stories – Johnny before he is killed, and the lives of his brothers afterwards. The characters make it come to life but the drama inherent in the subject matter helps as well. The story mixes `real' lives, violence and some black humour to good effect – the overall point being the point made by Sciorra when she says `there's nothing romantic about it at all'.

    The cast are good – in particular the Ferrara regulars. Walken gives a more emotional version of his King of New York character and carries much of the moral debate with himself and others. Penn is also good as the self destructive brother and gives a powerful performance without becoming OTT (a la Nice Guy Eddie). Gallo is good although his character is not fully explained – why did he look for trouble, why the interest in worker's rights? Rossellini, Argo and Soprano's Ventimiglia are all good and del Toro does yet another quiet cool role.

    Overall this is a good film – it is graphic and dark, but not as much as some of his other films. The subject matter will appeal to the mass audience (most people seem to like mobster movies) and his unromantic spin on the genre makes up for the occasionally bitty storyline.
    9pearceduncan

    Another flawed Ferrara masterpiece

    All of director Abel Ferrara's movies are deeply flawed, but he is willing to take you into darker places than almost any contemporary filmmaker. His best movies are the bleakest kind of cinematic art, and The Funeral is one of the best.

    To complain about the lack of action in this gangster movie is to miss the entire point. This is a character study of people who have made choices in their lives that have left them without hope, in much the same way as Ferrara's "Bad Lieutenant". Although it is often pretentious and a little boring, it also contains many potent, unforgettable scenes, most notably those featuring Chris Penn, who I frankly didn't think could act until I saw this movie.

    "The Funeral" is an unremittingly dark film that at times achieves a terrible beauty. I'm not sure that I would recommend it, but I am extremely glad to have seen it.
    7Alea Intrica

    Interesting movie but the sound was awful...

    I found this an interesting movie, admittedly a bit slow at points, but if you're out for another "crime gone wrong" or "gangster crime war" film, forget it. Several reviews complain about a lack of action. It's not an action film. Several reviews complain about a lack of plot. It's more an examination of characters than a story. The movie would have been much better had I been able to hear more of it. The sound editing is truly abysmal. People's shoes make more noise than their raised voices do. I actually stopped and rewound a few times to try and catch what people said. It's not the fault of the actors. It's simply a bad mix job.

    7/10
    7DukeEman

    Another interesting piece from Ferrara who goes for the mind and leaves you silent.

    Once again Ferrara attracts big star names to a small picture with large ambitions. This film would have made a great gangster saga but Ferrara and writer St. John are more interested about the characters than the story. What occurs on the surface may be minimal and very uncreative but deep within you enter the souls of each character who question their values as they mourn the death of a family member. Each one carrying a dilemma to the very surprising ending. This film could have been set in any era as it deals with intelligent issues such as the complex male macho image as questioned by Sciorra's character.
    LATENITE

    beautifully and intelligently made

    I have always been impressed by the dramatic intensity of Abel Ferrara's films and 'The Funeral' does not fall short of any of them. The true beauty of this film lies in its characters and their emotions and relationships. The plot takes second stage but, honestly, the incredible acting performances will make you feel that a more complicated plot would be absolutely unnecessary. All the important bases of small-time mob life are covered here - God, family, revenge, lies, anger, etc. If you can sit down and watch a movie that chooses atmosphere and character over action, then I highly recommend this movie. You will be blown away.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Johnny is the youngest of the three brothers, while Chez is the middle child. However, Chris Penn was in fact four years younger than Vincent Gallo.
    • Gaffes
      Johnny is dead in his coffin, but he flinches when someone brushes his eyebrows.
    • Citations

      [first lines]

      Humphrey Bogart: Just keep in mind that I and the boy are a candidate for hangin'. And the first time any one of ya makes a wrong move, I'm gonna kill the whole lot of ya!

    • Connexions
      Featured in Siskel & Ebert & the Movies: Ransom/Set It Off/Mad Dog Time/Mother Night/The Funeral (1996)
    • Bandes originales
      Gloomy Sunday
      Written by Rezsö Seress (as Rezso Seress) and László Jávor (as Laszlo Javor)

      Performed by Billie Holiday

      Courtesy of Columbia Records

      By Arrangement with Sony Music Licensing

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    FAQ20

    • How long is The Funeral?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 27 novembre 1996 (France)
    • Pays d’origine
      • États-Unis
    • Langues
      • Anglais
      • Italien
    • Aussi connu sous le nom de
      • The Funeral
    • Lieux de tournage
      • Ville de New York, New York, États-Unis
    • Sociétés de production
      • October Films
      • MDP Worldwide
      • C&P Productions
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 12 500 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 1 227 324 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 41 768 $US
      • 3 nov. 1996
    • Montant brut mondial
      • 1 227 553 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 39min(99 min)
    • Couleur
      • Color
    • Mixage
      • Dolby SR
    • Rapport de forme
      • 1.85 : 1

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