My Forgotten Man

Even though he only made his debut film in Australia and left for Great Britain and then America to continue his career, Australians will tell you that the greatest film star they ever produced was Errol Flynn. I'm not sure he ever even went back to Australia after his breakout success in Captain Blood. Still I attribute this film to the well known Aussie irreverence for trashing the reputation of one of their own.

Part of the problem in telling Errol Flynn's life story was that he told enough tall tales in his life right up to the very end in his memoir, My Wicked Wicked Ways. I could see that a lot of the film was based on that and upon reading between the lines of that book.

His mother's infidelity to his father was not written, but could have been inferred in reading My Wicked Wicked Ways. He didn't particularly like the woman, that is clear from a few sources.

I wish the film had dealt more with his New Guinea adventures, that to me was the most interesting part of My Wicked Wicked Ways. As for his street fighting in the Depression, I tend to disbelieve that. Even if he had been successful at it, I guarantee that enough of that would have ruined his looks and he would never have had a career as a leading man.

Still the folks down under seem to think the atmosphere of Sydney during the Depression was captured well and Guy Pearce is a charismatic Errol Flynn. American audiences know him best as the uptight, but honest Lieutenant Exley in LA Confidential which came out the same year as Flynn.

But LA Confidential was a far better film.

Guy Pearce might have a vaguely similar face to Errol Flynn, but this small-framed and rather reserved actor was very miscast as the muscular, barrel chested, beefcake Errol Flynn. He wasn't convincing and the film was unconvincing in general.

The acting is on a par with that of a daytime TV soap-opera and I can only put that down to poor directing as Pearce, Steven Berkkoff and others are certainly not without talent.

For a film depicting someone who lived so much in the fast lane, it is remarkably dull and slow moving, with quite a number of pointless musical interludes.

To its credit it, it did touch on the Flynn's same sex encounters, instead of trying gloss over that aspect. Despite what some reviewers here have said, it is well known that Flynn had sexual relations with both men and women, and a lot of them - it's where the phrase "in like Flynn" comes from.

However, if you are looking for anything resembling an accurate portrait of the man, don't bother with this frippery.

One wonders how FLYNN could have failed so badly as a cinema release in 1997 with Guy Pearce aptly in the lead role. It is not often that the casting of someone so famous is so exactly right. FLYNN was a stumbler at the box office and did not end up on cinema screens in Australia...even after LA CONFIDENTIAL...! From a dazzling nude scene in the first few minutes (presumably by Guy Pearce) FLYNN gets off to a fairly robust and interesting start. Sadly, FLYNN runs out of steam after about the first 35 minutes and with the entrance of hammy Steven Berkoff in a detour to New Guinea, (looking and acting like he wanted the Klaus Kinski role in FITZCARRALDO) the film starts to resemble a tele movie rather than a major cinema biography. Believe it or not, by about the 70 minute make, it is boring and you are glad to see it over. But such promise! Pearce IS Flynn! But the movie caused a mutiny at the box office and unlike The Bounty, sank without trace.

Guy Pearce almost looks like Flynn, and this resemblance is the only one this film can claim. Nowhere in Flynn's autobiography is the Klaus Reicher character mention, the homosexual encounter is speculative fiction, and the movie's claims that Flynn treated native labor badly are groundless. Director Frank Howson hasn't made any memorable films, and I find it lame for him to groundlessly slander Flynn to further his unremarkable career.

Hollywood's most notorious Golden Age star, Errol Flynn, will undoubtedly be the subject of a major motion picture, someday. Laborer, jewel thief, gigolo, ship's master, slave overseer, hobo, boxer, repertory actor, movie star, writer...an astonishingly handsome 'bad boy' whose sexual prowess was legendary (even landing him in court on rape charges, more than once), and whose physical 'perfection' in his prime hid malaria, heart problems, severe alcoholism, and drug addiction. That he died at fifty wasn't as surprising as the fact he lived THAT long! Beneath everything, however, was a shy, tortured romantic, who never felt himself appreciated for more than 'superficial' things, like swinging a sword, riding a horse, or looking at ease in tights (He once tried to convince Clark Gable to make a dramatic film with him, and Gable laughed in his face). In time, Flynn would give up much of his ambition, and settle for simply playing the roué that audiences expected, while squandering his health and fortune. But rarely an opportunity to really act would appear, and Flynn proved he was far better than people realized.

That was the 'real' Errol Flynn...but THIS "Flynn" manages to ignore nearly all of it, offering, instead, a callow youth (pre-stardom Guy Pearce), whose unhappy childhood and early sexual misadventures leads him to robbing his 'true love', gold mining in New Guinea, becoming sexually involved with an older German man, killing a native, being convicted of murder, and fleeing to Sydney, where, in desperation, he assaults and robs a male lover, takes another man's identity, bluffs his way into an audition for "In the Wake of the Bounty", becomes a STAR, overnight, then journeys to Hollywood and 'legendary' status. All of which is, fundamentally, pure hokum!

Pearce is no substitute for the 6'2", robust young Flynn, and he resorts to nearly caricatured posing (particularly late in the film). While the portrayals of his parents are somewhat accurate (although there is no record of Flynn, the child, 'catching' his mother cheating on his father), his short academic career was more likely the result of wanderlust and poor academics than being caught making love to a local wench on campus.

Flynn did, in fact, journey to New Guinea to make his 'fortune', but he worked in a variety of (legal and illegal) jobs, while there, before his father paid his way back home. If young Flynn had killed anybody, it would have been the screenwriter who concocted the whole sequence! As for homosexual encounters...it has long been a subject of controversy, but has never been proved.

As for the "Bounty"...Flynn (who was NOT starving on the streets at the time) was recommended BECAUSE he was Fletcher Christian's descendant, and the movie, despite being the first full-length Australian feature film, barely made a ripple, anywhere else. Flynn, himself, called his performance 'completely wooden', and decided to leave for England to study stage acting. It was while there that he caught the eye of Warner Brothers, who brought him to America as a 'contract player'...

As a time-killer, "Flynn" is passable...but don't expect to find the 'real' Errol Flynn in it. THAT film hasn't been made, yet!