NOTE IMDb
6,7/10
21 k
MA NOTE
Un jeune homme, sa femme et son assistant social incompétent parcourent le pays pour retrouver ses parents biologiques.Un jeune homme, sa femme et son assistant social incompétent parcourent le pays pour retrouver ses parents biologiques.Un jeune homme, sa femme et son assistant social incompétent parcourent le pays pour retrouver ses parents biologiques.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 10 nominations au total
Beth Stern
- Jane
- (as Beth Ostrosky)
Cynthia LaMontagne
- Sandra
- (as Cynthia Lamontagne)
Avis à la une
Did not expect to laugh so much i have to say for a film that i had no idea existed and was made 24 years ago.
What got me interested was it being a David O Russell film i had not seen and his stuff i had seen was consistenly very good.
Dysfunction brought to the extreme. The line that best sums up this film would be "you come in here and lick my wife's armpit"
Excellent, cheered me right up it has!
What got me interested was it being a David O Russell film i had not seen and his stuff i had seen was consistenly very good.
Dysfunction brought to the extreme. The line that best sums up this film would be "you come in here and lick my wife's armpit"
Excellent, cheered me right up it has!
This is one of the few movies I find seriously funny. Stiller, Leoni, Moore, everyone does a killer job, and humor emerges from a variety of silly-crazy and intellectual sources, so you can respect yourself when you laugh. Human neuroses give rise to a lot of sympathetic laughter. Most of it is human frailty and absurdity. Tea Leoni is hilarious, and does a great job of getting on your nerves, and trying to get into Stiller's pants behind his wife's back while still being completely neurotic and self-absorbed. Her psycho-babble is highly effective. Stiller plays the usual awkward introspective man who lacks self confidence. His parents are magnificent, and so are his 'real' parents. I loved it. highly recommended. What else are you going to watch?
Mel Coplin has a child with Nancy but has yet to name him because Mel feels he cannot give a name until he has met his real parents. Mel approaches the adoption agency and meets Tina, who wants to go with Mel as he meets his parents. Mel, Nancy, Tina and the baby set out on a road trip to met Mel's mother. However when he finds that the agency has made a mistake it sparks a wider search for his real parents.
I taped this film because I have seen several other films by the same director and wanted to give this a shot on the strength of those works. I knew it was a comedy but had no other notion what it was about. At first the plot is worrying because it looks like a dumb road trip movie, however the characters and plot ensure it is more than just that. The plot is basically nothing more than a device for the characters to be themselves and provide the comedy themselves rather than just trough action. The comedy does also work through actions but many of the characters are well enough written to be funny within themselves.
The acting is good on the whole. Stiller gives his usual performance that will be familiar to anyone who has seen Cable Guy, Meet The Parents etc. Arquette is OK and Leoni is sexy if pretty uninteresting. Jenkins steals every scene he is in as the uptight cop. And on that point, how very refreshing to see gay characters in a comedy who aren't flaming stereotypes! Alda, Tomlin, Tyler Moore and Segal are all hilarious in their parental roles and do much more than just provide famous faces.
Overall I found this to be very amusing if not hilarious. The plot holds up well for a road movie but it's the well written characters who carry the majority of the film easily and regularly funny even if it is a little far fetched at points.
I taped this film because I have seen several other films by the same director and wanted to give this a shot on the strength of those works. I knew it was a comedy but had no other notion what it was about. At first the plot is worrying because it looks like a dumb road trip movie, however the characters and plot ensure it is more than just that. The plot is basically nothing more than a device for the characters to be themselves and provide the comedy themselves rather than just trough action. The comedy does also work through actions but many of the characters are well enough written to be funny within themselves.
The acting is good on the whole. Stiller gives his usual performance that will be familiar to anyone who has seen Cable Guy, Meet The Parents etc. Arquette is OK and Leoni is sexy if pretty uninteresting. Jenkins steals every scene he is in as the uptight cop. And on that point, how very refreshing to see gay characters in a comedy who aren't flaming stereotypes! Alda, Tomlin, Tyler Moore and Segal are all hilarious in their parental roles and do much more than just provide famous faces.
Overall I found this to be very amusing if not hilarious. The plot holds up well for a road movie but it's the well written characters who carry the majority of the film easily and regularly funny even if it is a little far fetched at points.
I'm amazed at how much context matters when watching movies. I saw this when it was new and was impressed at how gently it moved. It wasn't frantic. It didn't rely on penis and excrement jokes. It mentions Jews comically but doesn't get mean. It deals with relationships straightforwardly: the humor from this end coming from our unease at natural misfits.
In short, it is everything that the "Fockers" movies aren't. I went back and watched it simply out of protest, out of feeling slimy from having to encounter them again.
And I was shocked that it seemed too slow until the third act. Part of the problem was that I knew where it was going, and much of the development depends on you having the same insecurity about the future as Stiller's character. But the larger part was simply that subtle, soft humor may be dead, even for someone like me who thrives on the slight brush.
Perhaps now "50 First Dates" is as soft as we can get these days.
I urge you to see this for a dive into gentle humor, even though it may be too faded. Screwball keeps. This stuff doesn't. It is a film that doesn't belong about a man who doesn't.
Ted's Evaluation -- 3 of 3: Worth watching.
In short, it is everything that the "Fockers" movies aren't. I went back and watched it simply out of protest, out of feeling slimy from having to encounter them again.
And I was shocked that it seemed too slow until the third act. Part of the problem was that I knew where it was going, and much of the development depends on you having the same insecurity about the future as Stiller's character. But the larger part was simply that subtle, soft humor may be dead, even for someone like me who thrives on the slight brush.
Perhaps now "50 First Dates" is as soft as we can get these days.
I urge you to see this for a dive into gentle humor, even though it may be too faded. Screwball keeps. This stuff doesn't. It is a film that doesn't belong about a man who doesn't.
Ted's Evaluation -- 3 of 3: Worth watching.
This film tells the story of a new father who decides to skip his adoptive father's sixtieth birthday celebration to find his biological parents.
"Flirting with Disaster" has a very happening plot, with new unexpected events every few minutes. It details a trip that goes wrong at every turn, some are innocent mishaps while some are truly disastrous. It illustrates Murphy's Law very well! The story is darkly humorous, it is not laugh out loud funny, but it keeps viewers entertained and engaged with a smile on the face. It is also quite interesting to see what many famous faces looked like twenty years ago. I can't quite believe the policeman is Josh Brolin, for example.
"Flirting with Disaster" has a very happening plot, with new unexpected events every few minutes. It details a trip that goes wrong at every turn, some are innocent mishaps while some are truly disastrous. It illustrates Murphy's Law very well! The story is darkly humorous, it is not laugh out loud funny, but it keeps viewers entertained and engaged with a smile on the face. It is also quite interesting to see what many famous faces looked like twenty years ago. I can't quite believe the policeman is Josh Brolin, for example.
Le saviez-vous
- AnecdotesAccording to Lily Tomlin, Ben Stiller and David O. Russell did not get along and had many heated arguments.
- GaffesCameraman visible in mirror in detectives office.
- Citations
Mr. Coplin: San Diego has a big carjacking problem. They bump you, and when you stop, they mutilate you and take your car.
- Versions alternativesThe VHS and laserdisc versions (but not the DVD release) feature additional scenes during the end credits, not included in the original theatrical cut, showing the whereabouts of Tina and Tony and Paul.
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- How long is Flirting with Disaster?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Flirting with Disaster
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 7 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 14 702 438 $US
- Week-end de sortie aux États-Unis et au Canada
- 164 458 $US
- 24 mars 1996
- Montant brut mondial
- 14 702 438 $US
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By what name was Flirter avec les embrouilles (1996) officially released in India in Hindi?
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