Réunies par la mort d'une ancienne amie, trois femmes divorcées cherchent à se venger de leurs maris, qui les ont quittées pour des femmes plus jeunes.Réunies par la mort d'une ancienne amie, trois femmes divorcées cherchent à se venger de leurs maris, qui les ont quittées pour des femmes plus jeunes.Réunies par la mort d'une ancienne amie, trois femmes divorcées cherchent à se venger de leurs maris, qui les ont quittées pour des femmes plus jeunes.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 1 Oscar
- 3 victoires et 8 nominations au total
Avis à la une
Like Nine to Five, First Wives Club purports to be making a statement - albeit in comedy mode - about a serious feminist issue, but like that movie is simply an opportunity to portray women getting back at men who have taken advantage of them - and why not?! While the film may have little practical application to the majority of women who are "traded in" for newer models, but whose men are not as well heeled as the husbands in this film, it does provide them with 100 minutes of escapist entertainment from three great American actresses - OK Bette Midler may not be the best actress in the world but she's certainly hugely entertaining.
Midler plays one of three 60s college friends, who meet 25 years later and find that they've each been deserted - her businessman ex-hubby keeps her short of cash while buying skimpy designer dresses for his skimpy girlfriend (Sarah Jessica Parker). The other two in the triumvirate are Diane Keaton as a diffident door-mat, and Goldie Hawn as an alcoholic and facelifted filmstar. But this is one movie where there is no doubt about the characters undergoing an "arc" during its course, and hardly anyone emerges unaltered. Along the way, there are lots of laughs, a few tears, and an unforgettable rendition of You Don't Own Me. Elsewhere on IMDb, some ungenerous souls have used the word hysterical to describe this movie; hysterically funny is nearer the mark.
Midler plays one of three 60s college friends, who meet 25 years later and find that they've each been deserted - her businessman ex-hubby keeps her short of cash while buying skimpy designer dresses for his skimpy girlfriend (Sarah Jessica Parker). The other two in the triumvirate are Diane Keaton as a diffident door-mat, and Goldie Hawn as an alcoholic and facelifted filmstar. But this is one movie where there is no doubt about the characters undergoing an "arc" during its course, and hardly anyone emerges unaltered. Along the way, there are lots of laughs, a few tears, and an unforgettable rendition of You Don't Own Me. Elsewhere on IMDb, some ungenerous souls have used the word hysterical to describe this movie; hysterically funny is nearer the mark.
This is a silly movie with plenty of entertaining comedy. Any male-bashing in it is clearly intended in good fun, even if it's dead serious for the characters. I found absolutely nothing offensive about this film, recognizing it for the light-hearted fun it is. A lot of men ARE scum. This just isn't the sort of comedy where generalizations and stereotypes are dangerous and offensive. In contrast, I was rather frustrated by Waiting to Exhale, because I felt it was too serious in its male-bashing. The women in First Wives Club seemed clever and delightfully devious, whereas the women in Waiting to Exhale seemed to prefer to sit around discussing how evil men are and plotting bits of petty revenge that showed how superior they are, not to mention setting fire to their husbands' property. First Wives Club takes a more constructive and intelligent approach to the problem and does so with much hilarity. I don't see how anyone can be offended by something as fun as this. I also find a comparison to Birth of a Nation to be very stretched, particularly since the attitudes in First Wives Club are not as dangerous, and, as I have reiterated several times, they are not intended to be serious. Overall, I would rate this film at least a seven.
I really like this film. Goldie Hawn, Bette Midler, Diane Keaton, and Stockard Channing have been friends for years and all have something in common - cheating, flaky husbands. So far, so cliché.
But the 'First Wives Club' is an inspired bit of fluff, fun, perceptive, and full of high spirits. These forty-something ladies replaced by younger models aren't going to take their fate lying down, and what a hoot it is watching them set up their outfit to take fickle men to the cleaners.
OK, the film is a little sexist, with a one-dimensional view of both men and women; but it succeeds as entertainment. Some of the supporting caricatures are simply hideous, but work well. You can also spot stars of the future such as Sarah Jessica Parker in smaller roles.
If you take this film for what it is, you'll probably enjoy it. It's one of those films that you'll either love or hate - but with this calibre of cast it's worth a look.
But the 'First Wives Club' is an inspired bit of fluff, fun, perceptive, and full of high spirits. These forty-something ladies replaced by younger models aren't going to take their fate lying down, and what a hoot it is watching them set up their outfit to take fickle men to the cleaners.
OK, the film is a little sexist, with a one-dimensional view of both men and women; but it succeeds as entertainment. Some of the supporting caricatures are simply hideous, but work well. You can also spot stars of the future such as Sarah Jessica Parker in smaller roles.
If you take this film for what it is, you'll probably enjoy it. It's one of those films that you'll either love or hate - but with this calibre of cast it's worth a look.
I found this movie frustrating. I read Olivia Goldsmith's novel and found it deep, emotional, and justified in its revenge. The novel involves much deeper issues, like a father taking money from his retarded daughter, a man who beat his wife and forced her to allow their daughter to die following an accident, a man who refuses to support his children, et cetera.
This movie focuses on petty revenge because they are not happy with being discarded for twenty year olds. It has NONE of the book's depth, characters, or deep emotional satisfaction in revenge. It has nothing more than cheap satisfaction and cheap revenge. I watched it once and would never look at it again.
This movie focuses on petty revenge because they are not happy with being discarded for twenty year olds. It has NONE of the book's depth, characters, or deep emotional satisfaction in revenge. It has nothing more than cheap satisfaction and cheap revenge. I watched it once and would never look at it again.
This older film still holds up well after 20 + years. It has an edge to it that makes you laugh, but not all the jokes hit home every time. It is fun seeing the performers who went on to even greater acclaim later on, such as Sarah Jessica Parker and Victor Garber. And, of course, you can't miss with a powerful threesome like Goldie, Diane, and Bette. Two thumbs up for this one.
Le saviez-vous
- AnecdotesIn an interview Bette Midler mentioned that all three main cast members wanted to make a sequel, but the studio was not agreeable as they viewed the success of this movie as a "fluke." Midler also said that just before the movie opened she was told it would not do very well because it was competing against action movies with male stars such as Bruce Willis. This movie opened at number one and out-grossed those action movies.
- GaffesIn the final musical number, Elise's shoes change.
- Citations
Ivana Trump: Ladies, you have to be strong and independent, and remember, don't get mad, get everything.
- Versions alternativesIn the scene where Annie and Aaron meet for dinner and start dancing, the song playing in the background is different on some DVD/on-demand releases (possibly due to music rights)
- Bandes originalesWives and Lovers
(opening title)
Composed by Burt Bacharach
Lyrics by Hal David
Performed by Dionne Warwick
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Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- El club de las divorciadas
- Lieux de tournage
- Robbins & Appleton Building, 1 Bond Street, Ville de New York, New York, États-Unis(The Cynthia Swann Griffin Crisis Center for Women)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 26 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 105 489 203 $US
- Week-end de sortie aux États-Unis et au Canada
- 18 913 411 $US
- 22 sept. 1996
- Montant brut mondial
- 181 489 203 $US
- Durée
- 1h 43min(103 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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