Étoile du soir

Now when this movie first came out, no one really saw it. Critics gave it bad reviews. Part of the issue was the original Terms of Endearment was made back in 1983. So when some of the cast came back 13 years later, it can lose some of its box office draw. However, the time that passed actually made this movie more believable as the characters had also aged. Shirley MacLaine reprises her role and does a nice job, trying to raise her dead daughter's children. The movie stays grounded by dealing with everyday issues as well as getting older and the trials of a non-traditional family. Paxton plays a nice role in this film adding a little flare to the shadowing plot of Shirley MacLaine's character getting older. Nicholson's return, although brief, helped this film round itself out. See this one only if you see Terms of Endearment first.

Best Scene: Nicholson and MacLaine re-living the past on the beach.

I was kind of disappointed. I was expected the same from the sequel with the role of Aurora Greenway played by Academy Award Winner Shirley Maclaine again. Of course, Jack Nicholson won his second Oscar for his role as her lover. In this film, Aurora deals with troubled grandchildren who she helped raise because the father was absentee. One grandson is in prison and her granddaughter is as stubborn as her daughter Emma played by Debra Winger was. Also Miranda Richardson plays a Texan friend that wanted to raise Emma. Also Marion Ross is cast in the role as Rosie Dunlop, Aurora's maid or housekeeper. There were some changes like ROsie lived at the house but Marion Ross earned a Golden Globe nomination and probably would have earned her Academy Award nomination if the film got better reviews. Marion does an excellent job in making us care so much for Rosie.

When I saw "Terms of Endearment", it was my understanding before the movie that I would cry my eyes out for days. Well, I didn't. I cried for 6 or 7 minutes. Let me just say that I cried for a lot longer in this movie. For a sequel, it's excellent. It's almost like a story in a story.

In Aurora's later years, when her grandchildren are grown up and she even has a great-grand son (who enjoys singing "For she's a jolly good butt whole which nobody can deny" to Aurora's great annoyance) Aurora is still looking for the love of her life. She's still chasing after men, and finds one at, that, with her counselor/physchiatrist played by Bill Paxton. The romantic scenes between these two are unmissable. But here's where the problems strike the movie. In the first movie, Aurora was a little bit more....well.... unpremiscuous as you could possibly get. Here, she's a little more floozy-ish. Aurora changes from "Terms of Endearment" to this movie. This is still an excellent movie, with an extrememly heart-felt, and sad ending. I loved it! For those who liked "Terms", you'll love "The Evening Star." Shirley MacLaine shines. :)

This movie had two major problems to contend with: being a sequel and being an adaptation, and the two problems were very related. First of all, "Terms of Endearment" the novel and "Terms of Endearment" the movie have huge differences. (Garrett Breedlove isn't even in the book and Rosie was married with several children.) What I think is great about "The Evening Star" is that it tries to hold true to the book and the first movie. Perhaps most importantly, it shows how important Hector and Rosie were in Aurora's life. As a fan of both the books and the first movie, I was happy to see how well this movie brought them all together. It's one of my favorites.

Synopsis: The continuing adventures of Aurora Greenway and her tumultous family life, are further explored in this sequel to the 1983 classic. With her three grandchildren fully grown, they all have their own personal problems to face alongside Aurora.

The Review: Just not meant to happen. Contrived is what comes to mind when viewing this sequel with Bill Paxton, Scott Wolf, and Jack Nicholson among the famous actors making walk on appearances. Overlong and underwritten, the film misses the interest of the original, not to mention any inkling of James L. Brooks' involvement. There's no Danny DeVito, and no Jeff Daniels (which is very odd considering he was the father of the three but is omitted from the film). Nowhere near as good as the first.

Grade: C-