Un spécialiste de la protection des témoins se méfie de ses collègues alors qu'il traite une affaire impliquant des armes de haute technologie.Un spécialiste de la protection des témoins se méfie de ses collègues alors qu'il traite une affaire impliquant des armes de haute technologie.Un spécialiste de la protection des témoins se méfie de ses collègues alors qu'il traite une affaire impliquant des armes de haute technologie.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 1 Oscar
- 3 victoires et 2 nominations au total
Avis à la une
At the height of his action superstar career, Arnold Schwarzenegger's movies were all about guns and explosions. 'Eraser' delivers both in abundance.
Fortunately, 'Eraser' is not just a shallow action movie. This action thriller has flesh to the bone, and characters I cared about. We've seen this a million times before, where a victim of circumstance needs protection, being pursued by the bad guys, but few as thrilling and exciting as 'Eraser'.
Vanessa Williams stars as Lee Cullen, a senior executive at a weapons manufacturing company, Cyrez. She contains a disc with information on developing secret, powerful weapons, and some people will kill relentlessly to get their hands on the disc.
What follows, is an action-packed, fast-paced cat and mouse game, filled with intrigue and a few twists. There's loads of action and good visual effects. There are some funny moments, too. The crocodile scene was very well done! 'Eraser' delivers on every level, with an exciting finale.
Fortunately, 'Eraser' is not just a shallow action movie. This action thriller has flesh to the bone, and characters I cared about. We've seen this a million times before, where a victim of circumstance needs protection, being pursued by the bad guys, but few as thrilling and exciting as 'Eraser'.
Vanessa Williams stars as Lee Cullen, a senior executive at a weapons manufacturing company, Cyrez. She contains a disc with information on developing secret, powerful weapons, and some people will kill relentlessly to get their hands on the disc.
What follows, is an action-packed, fast-paced cat and mouse game, filled with intrigue and a few twists. There's loads of action and good visual effects. There are some funny moments, too. The crocodile scene was very well done! 'Eraser' delivers on every level, with an exciting finale.
A super-slick slice of action, starring the reliable Arnie. This fast-paced flick has a lot bigger budget than Arnie's '80s offerings but it's not quite as enjoyable, despite an eye-popping array of visual effects and non-stop action sequences. There's a clinical detachment to this film, mainly due to the 'seen it all before' feel, as nothing really proves memorable or fresh.
However there are lots of reasons to watch. Arnie may look a little old these days but he's still as tough as ever, even more so than before as he has his hands and legs impaled by flying shrapnel (great scenes) and rips them out. Lots of baddies are killed and shot by Schwarzenegger, and it's great to see him return to a solid action role after the rather nauseating comedies like JUNIOR and JINGLE ALL THE WAY. Vanessa Williams is the female lead and remains competent, but being female she isn't really given much to do. James Caan enjoys himself in an over-the-top role as a sneering villain, much like Michael Caine in ON DEADLY GROUND. He makes a good adversary.
The special effects are all outstanding in this film, the super guns being most memorable as they leave plasma rings in the air after a bullet (an effect used more extensively in THE MATRIX). There are also a number of outrageous stunts and action sequences, set pieces including Arnie jumping out of a plane to get his parachute and a fight in a zoo, where crocodiles eat a number of bad guys in a hilarious moment: just a shame about the extremely dodgy nature of the CGI effects. The BBFC outrageously cut close to four minutes of the violence on this film's UK release, and it's definitely worth tracking down the uncut version. The violence in this is pleasingly hard-hitting and old school, as Schwarzenegger doesn't shy away from taking out the bad guys – and some good guys too, if need be.
However there are lots of reasons to watch. Arnie may look a little old these days but he's still as tough as ever, even more so than before as he has his hands and legs impaled by flying shrapnel (great scenes) and rips them out. Lots of baddies are killed and shot by Schwarzenegger, and it's great to see him return to a solid action role after the rather nauseating comedies like JUNIOR and JINGLE ALL THE WAY. Vanessa Williams is the female lead and remains competent, but being female she isn't really given much to do. James Caan enjoys himself in an over-the-top role as a sneering villain, much like Michael Caine in ON DEADLY GROUND. He makes a good adversary.
The special effects are all outstanding in this film, the super guns being most memorable as they leave plasma rings in the air after a bullet (an effect used more extensively in THE MATRIX). There are also a number of outrageous stunts and action sequences, set pieces including Arnie jumping out of a plane to get his parachute and a fight in a zoo, where crocodiles eat a number of bad guys in a hilarious moment: just a shame about the extremely dodgy nature of the CGI effects. The BBFC outrageously cut close to four minutes of the violence on this film's UK release, and it's definitely worth tracking down the uncut version. The violence in this is pleasingly hard-hitting and old school, as Schwarzenegger doesn't shy away from taking out the bad guys – and some good guys too, if need be.
I again want to give this the full five, but not sure. I don't get why more people don't like this. It's so underrated, and yet it's everything people love about Arnold and his movies. Loud, big, violent action, cheesy one-liners, a good villain, and this time it even has entertainingly bad CGI an Vanessa Williams, which are two things I'm always down with watching.
Mm
Arnold takes himself more seriously here it seems, at least until the second act. He delivers a great, movie-carrying performance as usual, and is compliment by the weirdly good Vanessa Williams, who ends up not being annoying. James Caan is a great villain, and definitely helps elevate it.
The action is exactly as you'd expect. With a plot involving big, hi-tech "chainguns", you know this is gonna be good. The opening house scene, the cabin scene, the plane scene, the zoo shootout, and the lab shootout are all cool, along with other scenes. The plane scene defies any logic or realism, and is lots of fun. The CGI is bad, but whatever. There's also a scene with a bad CGI crocodile that rips a dude's arm off, and attacks Arnold, who makes up for the effects by kicking it in the face and shooting it. The final battle though, is just perfect. It's total balls-out action, with Arnold becoming a one-man army as usual, and shooting tons of people with two chainguns before fighting James Caan on top of a giant metal container.
I really love this and recommend it. It needs more attention and is as good as most of Arnold's other films.
Arnold takes himself more seriously here it seems, at least until the second act. He delivers a great, movie-carrying performance as usual, and is compliment by the weirdly good Vanessa Williams, who ends up not being annoying. James Caan is a great villain, and definitely helps elevate it.
The action is exactly as you'd expect. With a plot involving big, hi-tech "chainguns", you know this is gonna be good. The opening house scene, the cabin scene, the plane scene, the zoo shootout, and the lab shootout are all cool, along with other scenes. The plane scene defies any logic or realism, and is lots of fun. The CGI is bad, but whatever. There's also a scene with a bad CGI crocodile that rips a dude's arm off, and attacks Arnold, who makes up for the effects by kicking it in the face and shooting it. The final battle though, is just perfect. It's total balls-out action, with Arnold becoming a one-man army as usual, and shooting tons of people with two chainguns before fighting James Caan on top of a giant metal container.
I really love this and recommend it. It needs more attention and is as good as most of Arnold's other films.
the story goes as follows Lee Cullen a worker for Cyrez Corporation which develops top secret weapons stumbles upon illegal arms deals and acquires the information and barley escapes with help from the F.B.I and is then placed under the protection of U.S Marshell John Kruger who erases the past of witnesses under Witness Protection to give them a future Lee however has been targeted by terrorists to cover up the scam and John Kruger is being targeted by some of his fellow US Marshells and is framed for murder now he has to protect Lee prove his innocence and exposes the illegal arms deal before it happens. I give Eraser seven out of ten because its one of Arnolds best movies of the late 1990's just see it for yourself to believe it.
Eraser is a film typical of its genre. What genre, you ask? Why, the "the terrorists-are-coming-and-it's one-man-against-the-world-so-shoot-em-up, blow-em-up, and save-the-girl-and-the-day" genre, of course. Too complicated for you? Don't worry, because the movie isn't. As a matter of fact, it's readily accessible to anyone over the age of 7 - not that this movie is age-appropriate for everyone over the age of 7 (Note: This was my favorite movie when I was 10) - but rather that the concepts, and thus the plot, are simple. This isn't a movie you go see if you're seeking a two hour thinking experience.
Casting Schwarzenegger for the lead instantly gives the main character, John Kruger, a personality of his own. Though nothing is ever known of his background (even by the end credits), that doesn't matter. Dialogue is used mainly for two purposes: to explain the unfolding saga of the federal scandal in the movie, and for the ever-composed and ever-cool Schwarzenegger to calm Dr. Lee Cullen (Vanessa Williams), a key witness in the scandal saga. Instead, what drives the movie is the action sequences and Schwarzenegger's resourcefulness in a myriad of combat situations where he always finds himself outmanned, outgunned, and beaten to the first punch, yet always manages to gain the upper hand.
Williams does an excellent job, and in many ways, is forced to be more of an "actor," per se, than Schwarzenegger. She has to display a wide array of emotions, from sadness, to fear, to regret, to resolve, and even anger, while Schwarzenegger is only called on to mainly display the final two. James Caan is legitimately a scumbag in his role as Robert DeGuerin, and James Coburn, in a smaller role, is fatherly to Kruger as Chief Beller. Solid, unspectacular performances all around...save that of Caan, who borders on something more.
The action in this movie is incredible for its time. The rail guns are visually impressive if not scientifically plausible (but who cares about that anyway?), and Schwarzenegger's combat ingenuity gives flavor and style to the action sequences. Director Russell seems to show a bizarre fixation with bloody puncture wounds (objects protruding entirely through the skin) throughout, but does show some creativity of his own in placing Schwarzenegger in clever combat situations where he can use his mind to outsmart his many more-heavily-armed enemies. Russell also plays with the moviegoer in several situations, making it unclear whether or not Kruger is alive after several close calls. This keeps moviegoers on the edge of their seats for the nonstop thrill ride that rarely pauses to take a breath. From the first scene to the last, explosions, shooting, and violence are the norm, and it is not meant to be any other way.
Casting Schwarzenegger for the lead instantly gives the main character, John Kruger, a personality of his own. Though nothing is ever known of his background (even by the end credits), that doesn't matter. Dialogue is used mainly for two purposes: to explain the unfolding saga of the federal scandal in the movie, and for the ever-composed and ever-cool Schwarzenegger to calm Dr. Lee Cullen (Vanessa Williams), a key witness in the scandal saga. Instead, what drives the movie is the action sequences and Schwarzenegger's resourcefulness in a myriad of combat situations where he always finds himself outmanned, outgunned, and beaten to the first punch, yet always manages to gain the upper hand.
Williams does an excellent job, and in many ways, is forced to be more of an "actor," per se, than Schwarzenegger. She has to display a wide array of emotions, from sadness, to fear, to regret, to resolve, and even anger, while Schwarzenegger is only called on to mainly display the final two. James Caan is legitimately a scumbag in his role as Robert DeGuerin, and James Coburn, in a smaller role, is fatherly to Kruger as Chief Beller. Solid, unspectacular performances all around...save that of Caan, who borders on something more.
The action in this movie is incredible for its time. The rail guns are visually impressive if not scientifically plausible (but who cares about that anyway?), and Schwarzenegger's combat ingenuity gives flavor and style to the action sequences. Director Russell seems to show a bizarre fixation with bloody puncture wounds (objects protruding entirely through the skin) throughout, but does show some creativity of his own in placing Schwarzenegger in clever combat situations where he can use his mind to outsmart his many more-heavily-armed enemies. Russell also plays with the moviegoer in several situations, making it unclear whether or not Kruger is alive after several close calls. This keeps moviegoers on the edge of their seats for the nonstop thrill ride that rarely pauses to take a breath. From the first scene to the last, explosions, shooting, and violence are the norm, and it is not meant to be any other way.
Le saviez-vous
- AnecdotesThe John Kruger role was originally offered to Sylvester Stallone. He absolutely hated the script, turned the offer down and instead starred in Copland (1997).
- GaffesLee claims that she doesn't know what is on the encrypted disc. But she obviously does know as she was there when she herself copied it and saw the 3D schematic of the rail gun on the screen.
- Citations
Father Rodriguez: The police have returned to the safety of their doughnut shops.
- Versions alternativesIn later versions of the movie, the reference of UBS meaning "Union de Bank Swiss" is changed to "United Bank of Syria."
- Bandes originalesWhere Do We Go From Here
Written by Linda Thompson, David Foster, Evan Kopelson and Douglas Pashley
Produced and arranged by David Foster
Performed by Vanessa Williams
Courtesy of Mercury Records
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- El protector
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 100 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 101 295 562 $US
- Week-end de sortie aux États-Unis et au Canada
- 24 566 446 $US
- 23 juin 1996
- Montant brut mondial
- 242 295 562 $US
- Durée
- 1h 55min(115 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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