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7,0/10
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MA NOTE
Lorsqu'une femme heureuse en mariage découvre une lettre d'amour écrite par son mari à une inconnue, elle fait appel à sa famille dysfonctionnelle pour découvrir la vérité.Lorsqu'une femme heureuse en mariage découvre une lettre d'amour écrite par son mari à une inconnue, elle fait appel à sa famille dysfonctionnelle pour découvrir la vérité.Lorsqu'une femme heureuse en mariage découvre une lettre d'amour écrite par son mari à une inconnue, elle fait appel à sa famille dysfonctionnelle pour découvrir la vérité.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 7 victoires et 3 nominations au total
Avis à la une
Before the shockingly good teen comedy "Superbad" and the wistful, sentimental post-collegiate angst of "Adventureland", even before his now famous TV work, director Greg Mottola made this 1996 gem "The Daytrippers". The film, like Mottola's other films, works a familiar and unpromising premise into a genuine, heartfelt, wonderful observation on human behavior. The film, while rougher around the edges technically and as a script than either "Superbad" (written by Seth Rogen and Evan Goldberg) and "Adventureland" (written by Mottola himself, as "The Daytrippers" is), is yet another distinctive and memorable Mottola film. The plot is pretty much covered by the film's tagline: "One station wagon. Two generations. Three couples. Four relationships", but much like Mottola's other films ("Superbad": Two best friends and a nerdy semi-friend attempt to get laid before graduation. "Adventureland": college grad works at amusement park and falls in love) the plot doesn't really give any indication of how good the film is. Great script overall by Mottola with terrific characterization and dialogue which rings true, not to mention mature handling of the relationships as well as a good dose of humor. An excellent cast (at their best too, Mottola's great work with actors on display yet again) including Stanley Tucci, Hope Davis, Liev Schrieber, and Parker Posey bring the script to life well, and Mottola's storytelling skills and comic timing as director are, even this early in his career, excellent. Not as good as his later work, but Mottola shows great promise with this early film. Cannot wait for "Paul", which promises to be absolutely brilliant if his career follows the path it's on (getting better with every film).
... a believably bickering family, portrayed by skilled actors, w/some wonderful ham stuff by Anne Meara and Parker Posey, and more subtle stuff from Hope Davis and Liev Schreiber. The story had a distinctly voyeuristic feel, as if the screenwriter was exorcising some history and making it more entertaining, often hilarious (and interesting?) than a painful history he may have lived through. A cinema verite re-creation by world class skilled actors. As the family's lives unravel, driving around in a freezing cold NYC winter evening, there is a quiet lingering shot of the World Trade Center that is unintentionally haunting, and gives the film (made in 1996) an unintended resonance.
This is a hilarious film... beautifully-written, hysterically-acted, excellently directed. Rent it. See it. Liev Schrieber is great, and so is Parker Posey. Greg Mottola will be, one day, a great director. He's also a very funny writer, and was able to make a story that's both moving and funny.
Wonderful film about love and betrayal. Amazing cast that provides laughs in all of the right places. Anne Meara was incredible as the mother and Parker Posey was hilarious as usual. I was intrigued from the beginning to the end and highly recommend The Daytrippers.
A Long Island woman finds a love letter in her house and suspects her husband of cheating. Her over-protective (and very pro-active) family convinces her to confront her husband at his workplace in Manhattan. They all (wife, mom, dad, sister and sister's boyfriend) pile into the station wagon to hunt down the scoundrel. In their efforts to find him they meet a bunch of interesting characters and learn a little bit more about their own feelings for one another.
This movie is so sweet in its examination of family loyalty and so honest in its examination of long-failed relationships in denial that I feel it is easily one of the most satisfying video rentals I've ever experienced. There's enough comedy throughout to provide laughs (especially any and all jokes at the expense of Liev Schreiber's pretentious novelist) and the realistic sisterly affection shared by Parker Posey and Hope Davis is genuinely touching.
Also provides a subtle examination of the Long Islander's relationship to Manhattan - the latter acting as an unfamiliar, answerless maze through which the family has to pass in order to find the truth.
This movie is so sweet in its examination of family loyalty and so honest in its examination of long-failed relationships in denial that I feel it is easily one of the most satisfying video rentals I've ever experienced. There's enough comedy throughout to provide laughs (especially any and all jokes at the expense of Liev Schreiber's pretentious novelist) and the realistic sisterly affection shared by Parker Posey and Hope Davis is genuinely touching.
Also provides a subtle examination of the Long Islander's relationship to Manhattan - the latter acting as an unfamiliar, answerless maze through which the family has to pass in order to find the truth.
Le saviez-vous
- AnecdotesFilmed in 17 days on a $50,000 budget.
- GaffesAndrew Marvell is mentioned as a contemporary of Shakespeare, but he wasn't born until five years after the Bard of Avon died.
- Citations
Eliza D'Amico: Maybe she's desperately in love with him.
Rita Malone: Don't be ridiculous. Nobody's desperately in love.
- Bandes originalesSambolero
Written by Luiz Bonfa
Performined by Los Islenos
Published by Edicoes Euterpe Ltda./Duchess Music Corp.(BMI)
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- How long is The Daytrippers?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Deseos y sospechas
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 2 099 677 $US
- Week-end de sortie aux États-Unis et au Canada
- 35 988 $US
- 9 mars 1997
- Montant brut mondial
- 2 099 677 $US
- Durée1 heure 27 minutes
- Mixage
- Rapport de forme
- 1.85 : 1
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By what name was En route vers Manhattan (1996) officially released in India in English?
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