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IMDbPro

Dangan ranna

  • 1996
  • 1h 22min
NOTE IMDb
6,8/10
962
MA NOTE
Dangan ranna (1996)
ActionComedyCrime

Ajouter une intrigue dans votre langueA salaryman, a drug addict and a yakuza go on a breathless three man chase through the streets of Tokyo, each for a different reason and fighting demons.A salaryman, a drug addict and a yakuza go on a breathless three man chase through the streets of Tokyo, each for a different reason and fighting demons.A salaryman, a drug addict and a yakuza go on a breathless three man chase through the streets of Tokyo, each for a different reason and fighting demons.

  • Réalisation
    • Sabu
  • Scénario
    • Sabu
  • Casting principal
    • Tomorô Taguchi
    • Diamond Yukai
    • Shin'ichi Tsutsumi
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,8/10
    962
    MA NOTE
    • Réalisation
      • Sabu
    • Scénario
      • Sabu
    • Casting principal
      • Tomorô Taguchi
      • Diamond Yukai
      • Shin'ichi Tsutsumi
    • 13avis d'utilisateurs
    • 32avis des critiques
    • 56Métascore
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 2 victoires et 2 nominations au total

    Photos19

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    + 13
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    Rôles principaux48

    Modifier
    Tomorô Taguchi
    Tomorô Taguchi
    • Shinkichi Yasuda
    Diamond Yukai
    • Kenji Aizawa
    • (as Daiamondo Yukai)
    Shin'ichi Tsutsumi
    Shin'ichi Tsutsumi
    • Kazuo Takeda
    Akaji Maro
    Akaji Maro
    • Kibo Boss
    Ren Ôsugi
    Ren Ôsugi
    • Kurogi
    Hiroshi Shimizu
    Ikkô Suzuki
      Yûji Sawayama
      Sabu
      Sabu
      • Assassin
      Taka Higuchi
      Taka Higuchi
        Masashi Hirakubo
        Keisuke Horibe
        Keisuke Horibe
        Ryôko Takizawa
        • Midori
        • (as Ryoko Takizawa)
        • …
        Yuka Torashima
        Wataru Shihôdô
        • Koichiro Yamashita
        Tetsuo Yamashita
        Masahiro Yamashita
        Manzô Shinra
        • Réalisation
          • Sabu
        • Scénario
          • Sabu
        • Toute la distribution et toute l’équipe technique
        • Production, box office et plus encore chez IMDbPro

        Avis des utilisateurs13

        6,8962
        1
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        6
        7
        8
        9
        10

        Avis à la une

        InzyWimzy

        For the rush of Sabu

        This director makes films which never cease to amuse, entertain, or make me think long after first viewing. Dangan Runner (Non-Stop) is where it all started.

        The story is simple. Sabu's characters are interesting in the fact that they are far from perfect and deal with everyday problems which lead to events of grand proportion. Tomorowo Taguchi (Yasuda) is great as our main character (I wouldn't go so far as to call him a hero which is great in this case) who totally puts a spin on the term packing heat (I never caught this till watching this a 2nd time; an ode to Sabu's subtle humor). Rather than relying on long dialogue, the story is a blast to watch as they reveal the characters' situations and how they get caught up in this dilemma. Diamond Yukai is good as the rocking, hazed out Aizawa. The music plays a great role in Dangan Runner as it establishes moods at a breakneck pace. Shin'ichi Tsutsumi makes his Sabu debut and it's apparent why the director chose to work with him in later films. Tsutsumi has this screen presence where he successfully conveys what his character is going through without saying much dialogue. Plus, the image of him sprinting with a blade in hand carries quite an impact. Right from the get go, you can tell Takeda means business even if he's going through yakuza troubles of his own. Ren Osugi is great in his brief, yet vital role as he gives Takeda some helpful insight. Look for Sabu himself (it's very tough not to miss him!). Oh, the actress who plays Midori is a dead ringer for Maggie Cheung, isn't she??

        The cinematography in Dangan Runner is fantastic. There are really great shots of modern city life ranging from busy streets, narrow alleyways, construction zones, and pachinko parlors. One awesome shot is on the bridge just right after sunset resulting literally in a purple hazed sky. I noticed one theme in the film is looking into one's self and reaching that point of self realization, coming to realize where you are now, how you got there, and deciding what to do next. The characters here are furiously looking for the answer for each of them and it's through the journey that they find it. Being an avid runner, I can relate with the benefits of running, how it helps with forgetting everyday problems, reflecting on what's on your mind, and at the end, I come out with a great clear headed feeling. Like I mentioned, Sabu makes very thought provoking films.
        8deproduction

        Run Yasuda Run

        An entertaining and substantive film, Non-Stop has drawn deserving comparisons with "Run Lola Run". The film quickly develops into a chase sequence, during which the viewers learn about the three main characters through flashbacks and daydream sequences. The chase serves not as as a fast-paced climax, but as a journey that makes up the majority of the film. During the "run" we see the characters grow and momentarily forget about their dreary lives, about the "macho" roles they've bought into, and eventually forgetting about why they started running in the first place. Much like fighting provided a "clarity" for the characters in "Fight Club," running provides this film's characters with a means to step away from the false values that we all allow society to create for us. Their running serves as way to truly taste life from an unclouded perspective, and all three find some level of clarity and joy in the process.

        My appreciation and enjoyment only wavered slightly in the ending of the film, where instead of learning from their experience, the characters seem to revert to acting out those false macho roles I thought they had escaped from through their journey.

        Still, the only true problem with this film is that it wasn't distributed outside Japan sooner.
        6Eve-4

        Why are these men running?

        This film is listed as a comedy, but it's not the "laugh out loud" type. In fact, there is some pretty serious subject matter involving a bank robbery, heroin addiction and the Japanese mafia. It's comparable to "Run Lola Run" in that yes, there is a lot of running! But it also shares "Lola's" non-linear story line. Some people may find this confusing. It's also similar in some respects to "Lock Stock and Two Smoking Barrels" as you learn (eventually) that all the characters introduced are connected in some way.

        It helps to have some knowledge of the Asian culture (even if you learned it through Jackie Chan movies). The Asian's emphasis on honor and saving face is a key driving force for these characters. The relationship between the yakuza/mafia guys and their boss/master is laughable to an American sensibility. The motivations these guys have to run all over town in a marathon chase would never work in this country.

        If you can be patient and wait it out, the plot will fall into place. If you don't like movies you have to figure out, or if you get lost during flashbacks, you probably won't enjoy this one. Don't expect a knee-slapper, but there are a few good chuckles (some probably unintended) and interesting plot twists.

        P.S. If shaky hand-held camera work a la "Blair Witch" makes you queasy, beware!
        7fundaquayman

        Why are we running?

        This movie has a very simple yet clever premise - an unemployed man trying to steal from a convenience store, and the store clerk catches him in the act... the thief runs away with the store-clerk right after him. All the while, the store clerk is in trouble with a low-rank Yakuza chinpira (gangster). Along the chase for the thief, they catch the eye of the Yakuza who's been looking for the convenience store clerk. The story then moves into high gear in the form of a Tom & Jerry (cat & mouse), but is added with the dog chasing after the cat. The entire 2nd act of D.A.N.G.A.N. Runner (can be translate to English as "PINBALL RUNNERS") is about the chase, and the chase goes on & on to the point that by the end of the 2nd act, the bum forgets why he is running away, and the Yakuza don't remember which of the 2 guys he is chasing, nor does he remember why they're running away from him.

        Similar to SABU's later film POSTMAN BLUES, the bulk of the film is simply all chase and action, with plenty of physical comedy and dark humor injected to keep the audience engaged. What falls short is the ending, to which the chase stops when the three men run out of steam, and into one of the most chaotic Mexican stand-offs you'll see on film that looks almost as if Sabu was paying homage to Tony Scott's TRUE ROMANCE (written by Quentin Tarantino).
        10Alex Klotz

        When everything turns out wrong, you got to run.

        This is one of the movies that get better every time you see them. It's packed with so many original and unconventional ideas that you always find a new detail. As in Sabu's subsequent movies (I didn't see "Unlucky monkey" yet, but the other ones are as great) failure, chance and humanism play great roles. The cutting and Montage is inventive and artistic, without the movie being an "art" picture, but a highly entertaining one. When comparing it to "Run, Lola, Run" you have to keep in mind that "Dangan Ranna" was made some years before and was shown on German TV as early as 1997...so it's more probable that it served as inspiration for Tom Tykwer's movie, and not the other way around. Complementary to the other reviews I have to add that I like the acting and the ending very much. This movie is a lot of fun in many ways, and it manages to deliver a message without being annoying or pretentious.

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        Histoire

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        Le saviez-vous

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        • Connexions
          Referenced in Cours, Lola, cours (1998)

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        Détails

        Modifier
        • Date de sortie
          • 9 novembre 1996 (Japon)
        • Pays d’origine
          • Japon
        • Site officiel
          • Shooting Gallery
        • Langue
          • Japonais
        • Aussi connu sous le nom de
          • Non-Stop
        • Lieux de tournage
          • Tokyo, Japon
        • Société de production
          • Nikkatsu
        • Voir plus de crédits d'entreprise sur IMDbPro

        Box-office

        Modifier
        • Montant brut aux États-Unis et au Canada
          • 38 442 $US
        • Week-end de sortie aux États-Unis et au Canada
          • 23 402 $US
          • 12 nov. 2000
        Voir les infos détaillées du box-office sur IMDbPro

        Spécifications techniques

        Modifier
        • Durée
          1 heure 22 minutes
        • Couleur
          • Color
        • Mixage
          • Mono
        • Rapport de forme
          • 1.85 : 1

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        Dangan ranna (1996)
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        By what name was Dangan ranna (1996) officially released in Canada in English?
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