État de force

This is a beautiful and rare look at rural America in the 1960s. Dennis Hopper plays a schoolteacher with a gimpy leg who is quite unexceptional. He's middle-aged but still only engaged (to Amy Irving who is fantastic in this!)and still lives with his aged mother (the wonderful Julie Harris). Suddenly, a young, fresh, beautiful and vibrant teenager arrives at his school and he finds his heart - and other vital organs - stirred beyond endurance. She's technically not innocent (she's not a virgin) but she's no Lolita either. She's the epitome of the young women of Andrew Wyeth's paintings. In fact, the whole film looks and feels like a Wyeth painting: organic and idyllic with an emptiness that's filed with loneliness. The script is intelligent and original, allowing each character to be fully developed, and Dennis Hopper gives the performance of his career.

I've read a few reviews here and elsewhere that complain about Hopper's age and the frontal nudity. I belong to the school of thought that nothing natural is ugly, and that art should not ALWAYS be pure and youthful and beatific (which BTW, was what Hitler's vision was. Art that wasn't beautiful was classified as "degenerate" and banned). If there's room for artists like Michelangeo and Egon Schiele in this world, and there's surely room for Brad Pitt AND Dennis Hopper!

If the nude body is something that you just can't look at then a film like this may not be for you (there's only one very brief scene). But keep in mind that you can't broaden your vision of humanity if you don't have an open mind and are willing to look below the superficial surface that at least in Hollywood, poses as reality.

In the countryside of Texas, Joseph Svenden (Dennis Hopper) is a forty-seven-year-old schoolteacher with one lamed leg since he had an accident when he was a teenager, who lives in a farm with his mother that is terminal of cancer. Joey has been dating the widow schoolteacher Rosealee Henson (Amy Irving) for six years but does not marry her. His life is a boring routine, and he has never seen the ocean. When the hot seventeen-year-old Catherine Wheeler (Amy Locane) joins his class, her father Major Wheeler (Gary Busey) visits Joey and rents his barn to keep Catherine's horse there. Soon Catherine seduces Joey, and they have frequent sex in the barn. Joey knows that he is wrong but cannot resist the sex with Catherine. When Joey is fired from the school that is moving to another place and his mother dies, Rosealee learns his affair with the teenager and his life turns upside down.

"Carried Away" is a great and erotic romance directed by Bruno Barreto, about a middle-aged man that has a romance with a seventeen-year-old teenager. The midlife crisis of the lead character, Joseph Svenden, is very well explained by the script. First, it is hard to resist the beautiful body of the Lolita Amy Locane, no matter who you are. His affair makes him think about his boring and routine life in the countryside. The nude is not vulgar, but beautiful, and the sex scene between Amy Irving, who was Bruno Barreto's wife in 1996, and Dennis Hopper, is delicate. My vote is seven.

Title (Brazil): "Atos de Amor" ("Love Acts")

Yesterday, I heard about the death of Dennis Hopper. I remembered buying a VHS copy of this film quite some time ago, but never watched it. Hearing it was one of his better roles, I thought it would be a suitable tribute to the man.

"Carried Away" is the sort of film loved above all others by a certain type of audience. There's guilt, tragedy, alienation, and most of all - sex. "Carried Away" is the sort of film that always feels like winter, even if made in the middle of summer. It probably takes place in the 1970s, though that's never specified. This is not normally the sort of film I like. But there's a number reasons why it is so good. Mainly, the actors. Dennis Hopper is every bit as impressive as he's ever been, playing a character of painful reality and depth. Hal Holbrook, Julie Harris, and Gary Busey are all quite welcome as well. Amy Locane is interesting, playing on a complex level of childishness and convincing sexuality.

I got a lot of "Carried Away", because it has a lot put into it. The humanity is a basic thing, the details of ordinary actions, the observation of a slow day. In the end, the film is a little too hard and cold for its own good. It wants to make you feel cold in the summer, but that's just an illusion. Like black & white in colour. This could have been a bright, vivid film to even greater effect. But that's just a minor complaint.

I'm a big fan of Dennis Hopper - and this is one of his best works. I'm not sure if he came to the script or if this was just the perfect vehicle for his ability to play complexity - but such doesn't really matter.

Busey was excellent when he's usually too much. Hal Holbrook was solid.

The story was one that middle-aged men are frequently (more often than we may expect) confronted with. This was the most unsensational, honest, and thoughtful presentation of the conflict I've ever watched. Great flick for the thoughtful.

There was a very sexual content - but never was it gratuitous. Every scene had a purpose. It was a rare film in that if you wanted to be entertained, it did that. If you wanted to provoke thought, it did that, too. How involved do you want to be?

If you enjoy movies that leave you taking more than one position, and arguing with yourself about what is "right" this is the kind of flick you'd enjoy.

One of the worst movies I have ever seen. If it had a few musical numbers, it would beat out Ishtar for worst movie of all time. Ed Wood is smiling somewhere.

This film is NOT a convincing character study, the premise that a 49 year old with arrested development issues is going to have a revitalizing affair with the local sex kitten (who initiates it!!) seems more implausible than the plots of most action films. At least the action films supply devices which we can use to suspend our disbelief. A 17-year old with a penchant for handicapped men still living with their mothers is beyond my ken.

At least I got a laugh out of this movie, Amy Locane's immolation of the horse (a ruse to get Hopper to act as a hero and save it, but his gimpy leg precludes such a possibility) is forever etched in my mind.